Deborah Warner

Individual performers make their mark: Jacques Imbrailo as Billy Budd and Alasdair Elliott as Squeak

An abdication of interpretative responsibility: Royal Opera’s Billy Budd reviewed

4 May 2019 9:00 am

The climactic central scene of Benjamin Britten’s Billy Budd ends unexpectedly. The naval court has reached a verdict of death,…

Snarly rather than menacing: Glenda Jackson as King Lear

Glenda Jackson’s King Lear shows that men play unhinged warlords better than women

12 November 2016 9:00 am

Dynastic affairs and international relations were once a seamless continuum. Royal weddings accompanied peace treaties. An heirless realm was vulnerable…

ENO's Between Worlds at the Barbican reviewed: too respectful

18 April 2015 9:00 am

This week, some 200 years since Goya’s ‘The Disasters of War’, almost 80 years after Picasso’s ‘Guernica’, and over 50…

Opera review: Deborah Warner’s production of Death in Venice is everything that a production should be, Lohengrin

22 June 2013 9:00 am

Thomas Mann, Gustav von Aschenbach, Benjamin Britten, united in a common interest, one the expression of which is still taboo,…