Debussy

Christina Gansch as Mélisande in Pelléas et Mélisande at Glyndebourne Festival

Vexing reading of a perplexing opera: Glyndebourne’s Pelléas et Mélisande reviewed

7 July 2018 9:00 am

The femme fatale was invented in France. A giddy, greedy child in her first incarnation, as the antiheroine of Abbé…

How Debussy slipped past Wagner into the unknown

31 March 2018 9:00 am

A spectre haunted the first weekend of the City of Birmingham Symphony Orchestra’s Debussy Festival: the spectre of Richard Wagner.…

Claude Debussy and his daughter Chouchou near Arcachon, France, 1915

Debussy, Tippett and Wagner: the musical treats of 2018

6 January 2018 9:00 am

Richard Bratby on the musical treats in store over the year to come

‘Tennis’, 1930, by Eric Ravilious

How artists from Ravilious to Rauschenberg fell for tennis

8 July 2017 9:00 am

Tennis is best played with a wooden racket on a shady lawn somewhere close to Dorking. There is no need…

Time to retire: pianist Maurizio Pollini at the Royal Festival Hall in March 2016

Maurizio Pollini needs to retire

25 March 2017 9:00 am

There’s a moment in the finale of Beethoven’s Appassionata sonata when the frenzied piano writing turns unexpectedly jolly. The late…

Quietly devastating: Scottish Opera’s Pelléas and Mélisande reviewed

11 March 2017 9:00 am

‘Perhaps in this world nothing ever happens without purpose,’ sings old, blind King Arkel in Debussy’s Pelléas et Mélisande, and…

Powerful and upsetting: Pelléas et Mélisande at the Barbican reviewed

16 January 2016 9:00 am

There are some operas, as there are some people, that it is impossible to establish a settled relationship with, and…