And then there was one . . .
The English fascination with spies is gloriously reflected in our literature, from Kim to A Question of Attribution, and while their Egyptian and Israeli counterparts remain untranslated, and the Americans unreadable, English spy novelists rule. Compromised, divided and alienated, the spy is a model modern hero, and the spy’s world, with its furtive and fetishistic arcana, is an admirable theatre of identity, of English attitudes to sex and class, hypocrisy and betrayal. (The best recent spy novel is John Banville’s The Untouchable, which tells the story of Anthony Blunt more freely than Alan Bennett’s play, nudging the facts into outrageous fiction — casting Graham Greene as the villain, for example.)
