Eugene Onegin

Why this première felt important: James MacMillan’s Fifth Symphony reviewed

24 August 2019 9:00 am

All symphonies were sacred symphonies, once. Haydn began each day’s composition with a prayer, and ended every score with the…

A thrilling production: Opera Holland Park’s Queen of Spades reviewed

20 August 2016 9:00 am

Tchaikovsky’s The Queen of Spades is probably his greatest opera, certainly the one in which his characteristic strengths are on…

Michael Tanner won't forget Dorset Opera's thrilling Macbeth

13 August 2016 9:00 am

Dorset Opera seems to receive far less coverage than the rest of the country-house summer shows, although it is in…

Conductor and orchestra played as if in love: Royal Opera’s Eugene Onegin reviewed

9 January 2016 9:00 am

It’s scene five of Kasper Holten’s production of Tchaikovsky’s Eugene Onegin and Michael Fabiano’s Lensky is alone with a snow-covered…

The road to Lolita: why Nabokov’s literary talent finally blossomed in America

22 August 2015 9:00 am

Speak, Memory, Vladimir Nabokov’s nostalgic memoir, reflects on his life from the age of three to 41, taking us from…

The state of opera today (it's not good)

4 January 2014 9:00 am

I’ve been hoping that in this, the last of my weekly columns on opera, I would be able to strike…

Fight to the death: Onegin (Mariusz Kwiecien) and Lenski (Piotr Beczala)

Michael Tanner: With seven scenes, Eugene Onegin really doesn't need any more pauses

19 October 2013 9:00 am

This year’s live relays of New York Met performances have a markedly Slav flavour, with Shostakovich’s rare The Nose next…