Exhibitions

‘Telepainting’, 1964, by Takis

Full of wonders: Takis at Tate Modern reviewed

13 July 2019 9:00 am

Steel flowers bend in a ‘breeze’ generated by magnetic pendulums. This is the first thing you see as you enter…

The women who invented collage – long before Picasso and co.

6 July 2019 9:00 am

Claudia Massie on the women who invented collage – long before Picasso and co.

‘The Ball’ (1899) by Félix Vallotton

No masterpieces but there are beautiful touches: Félix Vallotton at the RA reviewed

6 July 2019 9:00 am

Félix Vallotton (1865–1925) was a member of the Nabis (the Prophets), a problematically loose agglomeration of painters, inspired by Gauguin…

Untitled #122, from the Fashion series, by Cindy Sherman

Cindy Sherman – selfie queen

29 June 2019 9:00 am

Martin Gayford celebrates the gripping, virtuosic self-portraits of artist-chameleon Cindy Sherman

‘Centaur’, 1964, by Paula Rego

Remarkable and powerful – you see her joining the old masters: Paula Rego reviewed

22 June 2019 9:00 am

In 1965 a journalist asked Paula Rego why she painted. ‘To give a face to fear,’ she replied (those were…

Dark masterpiece: ‘Two Figures’, 1953, by Francis Bacon

There is a jewel of a painting at Gagosian's Francis Bacon show

15 June 2019 9:00 am

‘It is no easier to make a good painting,’ wrote Vincent van Gogh to his brother Theo, than it is…

Virtuosic exploration of paint: Frank Bowling at Tate Britain reviewed

8 June 2019 9:00 am

‘The possibilities of paint,’ Frank Bowling has observed, ‘are endless.’ The superb career retrospective of his work at Tate Britain…

The stuff of nightmares: ‘The Five Firemen’, 1938, by Grace Pailthorpe

British surrealism at its most remarkable and nightmarish

1 June 2019 9:00 am

Holding the International Surrealist Exhibition in London in 1936 was a coup for the British avant-garde, putting newbie surrealists such…

‘True Love’, 1981, by Posy Simmonds

The quiet genius of Posy Simmonds, Hogarth's heir

1 June 2019 9:00 am

The spirit of Hogarth lives on in the work of Posy Simmonds. Hermione Eyre talks to the graphic novelist about Botox, Brexit faces and her love of rubbish

Plastic fantastic: British Industried Fair, 1948

How plastics saved the elephant and the tortoise

1 June 2019 9:00 am

Plastics — even venerable, historically eloquent plastics — hardly draw the eye. As this show’s insightful accompanying publication (a snip…

Moore’s art has never looked more in context than it does here, undulating in the spring sunshine with Palladian architecture on one side and vistas of greenery on the other: ‘Large Reclining Figure’, 1984

Moore’s art has never looked better: Henry Moore at Houghton Hall reviewed

4 May 2019 9:00 am

Henry Moore was, it seems, one of the most notable fresh-air fiends in art history. Not only did he prefer…

‘Landline Star’, 2017, Sean Scully

A beautiful exhibition of a magnificent painter: Sean Scully at the National Gallery reviewed

20 April 2019 9:00 am

Sean Scully once told me about his early days as a plasterer’s mate. At the age of 17 he was…

‘Head by Head’, 1905, by Edvard Munch

Absorbing – a masterclass in print-making: Edvard Munch at the British Museum reviewed

13 April 2019 9:00 am

An eyewitness described Edvard Munch supervising the print of a colour lithograph in 1896. He stood in front of the…

Why were the Victorians so obsessed with the moon?

6 April 2019 9:00 am

Daniel Swift delves into the Victorian obsession with this slippery celestial body

‘The New and Fashionable Game of the Jew’, 1807

Is now a good time to talk about Jews and money?

6 April 2019 9:00 am

Is now a good time to talk about Jews and money? The Jewish Museum in London thinks so, and perhaps…

‘Scenes from the Passion: The Hawthorne Tree’, 2001, by George Shaw

The joy of George Shaw’s miserable paintings of a Coventry council estate

30 March 2019 9:00 am

All good narrative painting contains an element of allegory, but most artists don’t go looking for it on a Coventry…

Full of lovely paintings that might lead you astray: The Renaissance Nude reviewed

23 March 2019 9:00 am

Early in the 16th century, Fra Bartolomeo painted an altarpiece of St Sebastian for the church of San Marco in…

Soft cell: ‘Hôtel du Pavot, Chambre 202’, 1970–73, by Dorothea Tanning

Wicked, humorous and high-spirited: Dorothea Tanning at Tate Modern reviewed

14 March 2019 9:00 am

Art movements come and go but surrealism, in one form or another, has always been with us. Centuries before Freud’s…

‘Afternoon at the Beach in Valencia’, 1904, by Joaquin Sorolla

Enjoy a blast of Spanish sun from Joaquin Sorolla

9 March 2019 9:00 am

Laura Gascoigne enjoys a blast of Spanish sun, courtesy of Joaquin Sorolla, whose paintings are being shown in London for the first time since 1908

The first great English artist – the life and art of Nicholas Hilliard

23 February 2019 9:00 am

When Henry VIII died in 1547, he left a religiously divided country to a young iconoclast who erased a large…

Apocalypse now: ‘Wood near My House, Somerset’, c.1991, by Don McCullin

Few soldiers have seen as many terrible sights as Don McCullin

23 February 2019 9:00 am

Diane Arbus saw mid-20th century New York as if she was in a waking dream. Or at least that is…

‘The Fisherman’s Cottage’, 1906, by Harald Sohlberg

If you’re tired of hygge then you’ll like Harald Sohlberg

23 February 2019 9:00 am

If you’re tired of hygge then you’ll like Harald Sohlberg. The Norwegian painter  eschewed the cosy fireside for the great…

A letter from Vincent van Gogh to his younger brother Theo, dated 28 October 1883

'Lock him in a motel & he'd do something astonishing': Hockney on the genius of Van Gogh

23 February 2019 9:00 am

Being in the south of France obviously gave Vincent an enormous joy, which visibly comes out in the paintings. That’s…

Scourge of puritans: Christian Dior with model Sylvie, c.1948

How an anarchist music student became one of the fashion greats: the life of Christian Dior

9 February 2019 9:00 am

How an anarchist music student became one of the fashion greats, with the help of a fortune-teller: Melanie McDonagh on the extraordinary life of Christian Dior

‘St Paul from Bevin Court’, 1961, by Cyril Mann

The exceptional romantic cityscapes of Cyril Mann

9 February 2019 9:00 am

The little-known painter Cyril Mann (1911-80) saw a lot from his council-flat window. Beyond the parks and trees and red-brick…