Experimental fiction

Nigel wants YOU, secularism vs spirituality & how novel is experimental fiction?

52 min listen

How Reform plans to win Just a year ago, Nigel Farage ended his self-imposed exile from politics and returned to lead Reform. Since then, Reform have won more MPs than the Green Party, two new mayoralties, a parliamentary by-election, and numerous councils. Now the party leads in every poll and, as our deputy political editor James Heale reveals in our cover article, is already planning for government. The party’s chair, tech entrepreneur Zia Yusuf, describes the movement as a ‘start-up’; and like a start-up, Reform is scaling up at speed. Among the 676 councillors elected last month, a number are considered more than ready to stand as MPs. James also

On the track of a mysterious recluse: Maxwell’s Demon, by Steven Hall, reviewed

This is not the age of experimental fiction — it’s Franzen’s, not Foster Wallace’s. That shift was on its cusp in 2007, when the critic James Wood had declared in favour of realism, and Steven Hall published his debut, The Raw Shark Texts. It was a British metafictional novel that created a big splash. Noted for its innovative design, it transformed into a flick book in which a text-block shark menaced the reader. In the years since its publication, mainstream experimentalism has paled into the cosy, metafiction-lite of Matt Haig, though there’s quality stuff on the fringes — Rob Doyle’s Threshold, for example. Hall has been undeterred by shifting fashions,