Family

Perhaps the most traumatic part of attending an American wedding – much worse than the bridesmaids coming in the wrong way, the proliferation of dinner suits and the tendency of couples to write their own appalling vows – is the tradition of the ‘rehearsal dinner’. This, an event the night before the wedding, is where the United States of America gets to play out its full psychotic breakdown in the context of a couple’s nuptials. It seems unfair to expect Home Counties dads to be masters of oratory Anyone, and I mean, anyone, is allowed to stand up and make a speech. Meaning that Uncle Robert E. Lee IV from

I spent my childhood being ferried around in my mom’s minivan, a hunter green Ford Windstar. Compared with most family cars on the road today, it was like Air Force One: magisterial and bigger than was strictly necessary. I loved that minivan. It was roomy and comfortable, with a two-seater half-bench in the middle row to allow access to the full three-seater third row. The Windstar saw my two sisters and me through our primary years, to twice-weekly basketball and volleyball practice. In the summer, we would head to the lake, all the kit housed neatly in the back. Apart from the handful of times I threw up in the

I recently reconnected with an old friend; I went to his house and met his children for the first time. One of them looked up from his screen as we entered the room, faintly curious about the intrusion. The other, with his back to us and his face obscured by a hoodie, didn’t bother. My friend announced their names as if that was sufficient introduction, but it felt weird that the children did not say hello and that one of them did not even show his face. Was something wrong with him? It was a bit creepy. Obviously I let it go. Maybe he was chronically shy or autistic, or

It was a routine antenatal appointment. I’d done it twice before and knew the format. The obstetrician runs through the risks of an elective caesarean (ELCS). We agree a date, I sign the forms, then make a plea for adequate pain relief after the surgery, which I know will be ignored. So I was blindsided by her opening gambit. ‘Why don’t we tie your tubes when we’ve got the baby out?’ she said, or something similar – I don’t recall the exact words, but I do remember the heat in my chest, the confusion and fear. ‘What?’ ‘It’s your third child, isn’t it, so why don’t we tie your tubes

Too many books? Yes, we had too many books. That’s what our social worker told us when we were being assessed to see whether we were suitable parents to adopt a baby from China back in 1996. It seemed to us, a middle-class, well-educated couple, an extraordinary statement and so it appeared to our friends and acquaintances. But that was, and is still to some extent, the credo at work in assessing potential adoptive parents. A significant number of social workers continue to believe that a child should be matched as closely as possible with the social class and ethnic background of the adoptive parents, even if that means children

I was a twin when I was born, but this was in the days before decent scans and proper neonatal intensive care, and we were more than two months premature, so not long afterwards, my twin died. As a child, I thought nothing of it. It simply wasn’t relevant. But when I was drifting around America in my early twenties, the subject came up one day in conversation. A Texan friend asked me: ‘Do you miss your twin?’ I turned to her, meaning to laugh at the daft question, but instead, embarrassingly, I cried. And I’ve known ever since, whether I like it or not – and I really don’t,

‘Don’t use our real names,’ says the teenage gypsy. ‘Other gypsies will laugh at us.’ Even in a tracksuit, the girl is crazy beautiful, and strangely remote. She is talking to me because her mother, whom I call Susan, has been ordered to remove her caravans from a council site in the West Country. If Susan, mother of five, and carer to two grandchildren, is evicted by Cornwall council, her family will be scattered to the winds. It’s a peculiarly awful fate for gypsies. They are tribal, and family is everything to them. It is the first eviction of a gypsy from a council site in this county. The site

Professor Jordan Peterson is a Canadian psychologist, author and commentator whose latest book, We Who Wrestle with God, is about the psychological significance of Bible stories. He speaks to The Spectator’s editor Michael Gove about supernatural relationships, the folly of net zero and what’s next for Europe. ‘A lot of the atheist argument misses the mark because the God that’s being disbelieved is never defined’ MICHAEL GOVE: In your book, you work intimately with Bible stories to bring out their meaning, their relevance and their importance. Why should anyone read the Bible? JORDAN PETERSON: The simple answer is because you have to have your story straight or you go off

Now that John Lewis has produced a Christmas ad that celebrates family, starring white people as humans, all sorts of thinkers and commentators on the right have decided that the progressive madness is nearly over. One after the other they’re popping up in print, like bunnies who’ve decided the fox has gone. ‘Whisper it, but woke is over,’ these pieces begin. Even those Tories who thought it wisest to put their pronouns in their Twitter bios have quietly deleted them. The soundtrack to the John Lewis ad, the Verve’s dirgey ‘Sonnet’, was recorded in the spring of 1997, just as John Major was vowing to put ‘the family’ at the

My sister died last summer, before her time, at 58. Her death has left me shaken with sorrow and remorse: we did not always get on. The other day I accompanied her daughters and husband to scatter her ashes on the Thames at Greenwich in south London where she and I had grown up. The great muddy waterway would take Clare’s ashes out to sea eventually. People like Liz Truss live in Greenwich now, but in my time the inhabitants were Labour-voting bohemian types. Daniel Day-Lewis (a brattish schoolboy) lived down the road from us on Crooms Hill with his poet father Cecil. At Greenwich Theatre opposite, Max Wall performed