Fiction

The imitable Jeeves

For as long as I can remember — I take neither pleasure nor pride in the admission — I have been one of those people who feels an irresistible curling of the lip at reviews of the ‘I laughed till I cried’ variety. Something about that hackneyed claim, invariably trumpeted in bold letters outside West End theatres, inspires absolute scepticism. No longer. At two memorable moments in Jeeves and the Wedding Bells I did indeed laugh until I cried. To readers unfamiliar with his role as a team captain on Radio 4’s The Write Stuff, the literary quiz which culminates each week with a pastiche of an author’s style, Sebastian

Carlos Acosta, the great dancer, should be a full-time novelist

Carlos Acosta, the greatest dancer of his generation, grew up in Havana as the youngest of 11 black children. Money was tight, but Carlos won a place at ballet school, and before long he was enthralling audiences at Covent Garden as a half Jagger, half Nureyev figure with a twist of the moon-walking Jackson in the mix. Now Acosta is about to leap into the world of literature with a debut novel, Pig’s Foot, written over a period of four years during rehearsal breaks. For all its manifest debt to Latin American so-called ‘magic realists’ (Marquez, Borges, Vargas Llosa), the novel stands triumphantly on its own. In pages of salty-sweetprose,

Village life can be gripping

Black Sheep opens biblically, with a mining village named Mount of Zeal, which is ‘built in a bowl like an amphitheatre, with the pit winding gear where a stage would be’. It is divided into Lower, Middle and Upper Terrace, the last-mentioned known by the locals as Paradise. If, like many bookshop browsers, you judge a novel by its first page rather than by its cover, you might think, at this early point, that Susan Hill’s fairly recent theological studies sit heavily on the structure. You might expect (not necessarily with wild excitement) a familiar tale of stock characters and their moral failings. But it’s not like that. The opening

What a coincidence

If you are going to read a novel that plays with literary conventions you want it written with aplomb. In Three Brothers we are not disappointed, as Peter Ackroyd shows a deftness of touch that comes from being a real master. Here his theme is families. Or rather, it is London. Or rather, it is the use of coincidence as a plot device. In fact it is all three, but perhaps the most important is coincidence. As a literary device, coincidence is the presence of the author in the novel acting like an ancient Greek god directing events. This is apparent from the start when, in almost fairytale fashion, Ackroyd

Donna Tartt can do the thrills but not the trauma

Donna Tartt is an expert practitioner of what David Hare has called ‘the higher hokum’. She publishes a long novel every decade or so. Her first book, The Secret History (1992), was about some highly affected college students who took to studying ancient Greek in a cult and murdering one another in Dionysiac revels. It was a genuinely popular success — chic, macabre and supremely well-constructed. Her second, The Little Friend (2002), pursued a small girl through her attempts to pin the murder of her brother on the wrong culprit. It confirmed Tartt’s gift for an intricate plot, escalating into some furiously exciting action. The handling of suspense in both

Licensed to feel: The new James Bond fusses over furnishings and sprinkles talc

First, an appalling admission: I have never read any of Ian Fleming’s Bond books. Nor have I read any of anybody else’s, the number of which seems to grow with each passing year. For a civilised man of a certain age this is a shameful oversight, given that I have seen all but three of the 23 films in the cinema, many of them at the Odeon, Leicester Square within days of their opening; that I can’t put on a dinner jacket without wondering whether Sean Connery would look better in it; and that I still own a copy, on 7” vinyl, of ‘Nobody Does It Better’ by Carly Simon,

Stephen King isn’t as scary as he used to be, but ‘Doctor Sleep’ is still a cracker

Though alcohol withdrawal is potentially fatal, booze has none of the media-confected glitz of heroin (imagine Will Self boasting of a Baileys Bristol Cream addiction). The 17th-century word for the sickness that follows excessive drinking — ‘crapula’ — effectively hints at the alcoholic’s sleazy kind of stupor. In his earlier years, Stephen King would drink himself daily into a wall-eyed hangover. His scariest novels — Carrie, The Stand, The Shining — were written in the 1970s when sobriety was a no-no for him. Jack Torrance, the author who goes off his rocker in The Shining, suffers the most horripilating of alcohol-tainted visions while holed up in the Overlook Hotel in

An Officer and a Gentleman, by Robert Harris – review

The Dreyfus Affair, the furore caused by a miscarriage of justice in France in 1894, is a source of perennial interest. It raises questions of national identity, political morality and personal integrity that are still relevant today with immigration, Euroscepticism and dodgy dossiers. It is also, as Emile Zola recognised, a gripping story: ‘What a poignant drama, and what superb characters.’ Like Zola, Robert Harris has recognised the Affair’s dramatic potential and re-tells it here as the taut, first-person, present-tense narrative of the heroic Colonel Georges Picquart. Picquart was a high-flying young officer from Alsace who acted as observer for the Minister of War, General Mercier, during the court martial

One Night in Winter, by Simon Sebag Montefiore – review

Simon Sebag Montefiore’s One Night in Winter begins in the hours immediately following the solemn victory parade that marked the Soviet Union’s victory over Nazi Germany — probably the high point of Stalinism. Two teenagers, dressed in 19th- century costume and members of a secret literary club called, aptly as it turns out, the Fatal Romantics, have chosen this moment, of all moments, to re-enact a duel from Pushkin’s Onegin on a bridge beneath the very walls of the Kremlin. Needless to say, when the duel goes fatally wrong and the dead boy and girl are revealed to be the offspring of members of the Soviet leader’s inner circle, we

Monsieur le Commandant, by Romain Slocombe – review

There can be few characters in modern fiction more unpleasant than Paul-Jean Husson, the narrator in Romain Slocombe’s Monsieur le Commandant. Indeed, he is at times too nasty. If this otherwise compulsively readable novel about betrayal in Nazi-occupied France has a flaw, it lies in Husson’s irredeemable villainy, as if to make such a man more rounded, more subtle, were to allow a flicker of understanding for his actions, or to suspect the author of a degree of sympathy for the man. Husson is an anti-Semite, a Pétainist, a much-decorated hero of the first world war and a member of the Académie Française. He numbers among his friends Céline, Brasillach

Expo 58, by Jonathan Coe – review

In 1958 a vast international trade fair was held just outside Brussels. As well as being a showcase for industry, Expo 58 gave each country the chance to present something of their own national character. What the Brits came up with was a far cry from the gorgeous opulence and spectacle of last year’s Olympic opening ceremony: instead, the United Kingdom chose to represent itself by building a full-scale model of a pub.   Watneys brewery even invented a new beer for the pub and called it by the same name, The Britannia. This is the setting of Jonathan Coe’s new novel. In other hands it would be only mildly ridiculous:

Wilkie Collins by Andrew Lycett – review

In the outrageous 2010 press hounding of the innocent schoolteacher Christopher Jefferies over the murder of his young female tenant (of which a neighbour, Vincent Tabak, was later convicted and over which the guilty newspapers later shelled out punitive sums), the Sun produced, as suspicious facts, that Jefferies was ‘obsessed by death’, and ‘scared the kids’ in his classroom. He had, for example, exposed his pupils to the ‘Victorian murder novel’ The Moonstone. As an English teacher at a high-ranked school, Jefferies would surely have prescribed my edition of Wilkie Collins’s novel— the only one, if I may toot my trumpet, to make comprehensive use of the manuscript. Pulp the

Mr Loverman, by Bernardine Evaristo – review

In 1998, the Jamaican singer Bounty Killer released a single, ‘Can’t Believe Mi Eyes’, which expressed incredulity that men should wear tight trousers, because tight trousers are an effeminate display of gayness. Fear and loathing of homosexuals has a long history in the West Indies. Jamaica’s anti-sodomy laws, deriving from the English Act of 1861, carry a ten-year jail sentence for ‘the abominable crime’. Similar laws exist elsewhere in the Anglophone Caribbean, yet Jamaica is outwardly the most homophobic of the West Indian islands. A white man seen on his own in Jamaica is often assumed to be in search of gay sex. Batty bwoys (‘bum boys’) are in danger

Multiples, edited by Adam Thirlwell – review

There is a hoary Cold War joke about a newly invented translating machine. On a test run, the CIA scientists feed in ‘The spirit is willing, but the flesh is weak’, press the button to translate it into Russian, and then re-translate it into English. It emerges as ‘The vodka is passable, but the meat is putrid.’ Our modern translating machine is Google Translate. It takes more than one transmutation to scramble the Biblical quotation: however, if you shift it through Russian, Azerbaijani, Chinese, Hungarian, Tamil and Haitian Creole into French, you can get ‘J’aime la chair, elle était faible.’ Since the original is usually quoted by dieters reaching for

The Windsor Faction, by D.J. Taylor – review

In both his novels and non-fiction, D. J. Taylor has long been fascinated by the period between the wars. Now in The Windsor Faction, he brings us a counterfactual version. What would have happened in 1939 if Mrs Simpson had conveniently died three years earlier, leaving Edward VIII free to stay on the throne?  Would he have prevented war with Germany — perhaps even by treacherous means? Taylor explores these questions from a variety of perspectives. In big London houses, groups such as the Nordic League and the White Knights of St Athelstan meet to campaign against Britain’s involvement in a ‘Jewish war’, convinced that they have the king’s unspoken

Man Booker prize shortlist 2013 – how was our tipping?

One of Philip Hensher’s many qualities as a critic is that he doesn’t take prisoners. So his entertaining and judicious guide to the Man Booker longlist ended like this: ‘The shortlist should comprise McCann, Tóibín, Mendelson, Crace, House and Catton. House’s novel is the one you ought to read, and Mendelson’s the one that everyone will read and love. The prize will go to Crace.’ We now know whether the judges have followed his advice. Answer: they went halfway with him. They have Jim Crace’s Harvest – so his tip for the winner is still on – Colm Tóibín’s The Testament of Mary and Eleanor Catton’s The Luminaries. But Noviolet

Interview with a writer: Jhumpa Lahiri, author of Booker longlisted The Lowland

The Lowland is the magnificent new novel by Jhumpa Lahiri, which has been longlisted for this year’s Man Booker prize. It tells the story of two brothers, Subhash and Udayan, who come of age in Calcutta in the late 1960s. ‘Subhash was thirteen, older by fifteen months. But he had no sense of himself without Udayan. From his earliest memories, at every point, his brother was there,’ writes Lahiri. This was the beginning of a troubled period in West Bengal, as a radical communist movement known as the Naxalite cause swept through the region, inciting idealistic young men, in particular, to violence and acts of terror. While Udayan becomes caught

Rosh Hashanah reading list

Happy New Year! No, it isn’t three months’ early if you’re Jewish, and those of you who aren’t might like to cash in on the celebration. So, in honour of Rosh Hashanah – Jewish New Year – today, I thought I’d pick out a few of my favourite Jewish books. This proved to be such a hopelessly vast category, however, that I’ve narrowed it down to books about Jewish London – the place where 60% of British Jews, including myself, live. Whether or not you’re Jewish, might I encourage you to pick up one of these excellent books as a means both of discovery and of celebration. Happy New Year,

419 by Will Ferguson – review

The term ‘419’ is drawn from the article in the Nigerian penal code that addresses fraud. However, it has transcended its origins in statute and become shorthand for trickery across West Africa. When I worked as a correspondent in Sierra Leone, 1,400 miles from Nigeria’s capital Abuja, the phrase was in widespread use. Deception is fertile ground for fiction, and Will Ferguson has produced a fine novel from the West African variant. He takes 419 in its purest form: the email scam. Nigerian hustlers persuade foreigners to part with their savings, often with the promise of a tranche of a fortune that just needs a western bank account to park

Almost English, by Charlotte Mendelson – review

Novels about growing up have two great themes: loss of innocence and the forging of identity. With this sparky, sharp-eyed and  often painfully funny novel, her fourth,  Charlotte Mendelson (winner of the Somerset Maugham and John Llewellyn Rhys prizes and now on the Man Booker longlist) explores both through the story of a girl and a family openly based on her own experience. Marina Farkas is a small, round, dark-haired half-Hungarian girl of 16 (as the author was in 1988 when the novel is set). She lives with her fair, freckled, nervous English mother, Laura, in a small, hot flat in Bayswater; they have been taken in by three elderly