Fiction

Solomon Kugel is morbidly obsessed with death: his own, and that of those he loves, including his wife Bree and his only son Jonah. He spends his idle hours writing down possible last words in a notebook, and contemplating the undignified and senseless extinctions that await him around every corner. His outlook is not helped by his therapist, Professor Jove, who is convinced that hope is the cause of all human suffering and works hard to extinguish it; nor by his brother-in-law, the unsubtly named evolutionary biologist Pinkus Stephenor — a professional optimist whose latest book is You’ve Got To Admit It’s Getting Better, A Little Better All The Time.

Mountains of the Moon is narrated by a woman just released after spending ten years in jail. The reason for her sentence and the details of her previous life are pieced together through disjointed fragments, forming a complex jigsaw. Lulu had a shocking childhood, with a violent stepfather and negligent mother. Her only loving relatives were her grandfather, who fuelled her imagination by conjuring up the Masai Mara in her dreary south-England surroundings, and her two half brothers, from whom she was eventually separated. This account, related in an idiosyncratic patois, with the matter-of-fact innocence of an abused child for whom abnormality is the norm, is quite horrifying. Lulu is

If Gregor von Rezzori is known to English language readers, it is likely to be through his tense, disturbing novel Memoirs of an Anti-Semite (partly written in English), and/or his ravishing memoir Snows of Yesteryear. Rezzori was born in 1914 in Czernowitz in Bukovina, when it belonged to the Austro-Hungarian Empire. After the first world war he became a citizen of Romania, from where, as a so-called ethnic German, he was ‘repatriated’ to Germany during the second world war. From the 1960s he lived in Italy, at Santa Maddalena, the home that he shared with his second wife near Florence, which she has since set up as a writers’ retreat.

It is probably hard to enjoy this new big novel from America without some understanding of the shortstop’s position on the baseball field. But that is easily remedied, thanks to YouTube, where searching for ‘shortstop, fielding’ arouses multiple videos that compete for attention, with stars of the game in their infield position between second and third base, taking ground balls hit at, near, or even away from them, scooping them up, throwing to first base for the out: something the shortstop does six or more times in a game. Besides the catcher, who largely stays put, it is the most demanding field position in baseball, and if you’re going to

Jean-Louis Lebris de Kerouac, better known as Jack Kerouac (1922-1969), the son of French-Canadians spiced with the blood of Mohawk and Caughnawaga Indians and subdued, no doubt, by migration from Quebec to Lowell, an old mill town in Massachusetts, eventually fulfilled his adolescent ambition to live the life of the eccentric ‘artist’ . . . a high form of aesthete who has nothing to do with this maddening world of Philistines. He hoped that ‘lingual spontaneity’ would enable him to achieve ‘Supreme Reality’. In fact, On the Road (1957) did indeed serve as a guide to all America for the Beat Generation of the Fifties and after. His closest boyhood

So: does Moriarty exist, or not? Well no, not really, and not just in the literal sense of being a fictional character. He’s hardly even that. We have no evidence beyond Sherlock Holmes’s word, and if you look at Holmes’s behaviour in ‘The Final Problem’ you can see an almost classic case of paranoia — brought on, no doubt, by a heavy cocaine binge. Michael Dibdin, in his The Last Sherlock Holmes Story, therefore proposes that Holmes and Moriarty are the same person, which does redeem Holmes’s otherwise hasty and implausible dispatch by his creator over the Reichenbach Falls. Anyway, he appears here, in the same year (as far as