Film

The Two Popes stars Anthony Hopkins and Jonathan Pryce — that’s two reasons to buy a ticket, right there — as Pope Benedict XVI and his successor Pope Francis I, and it is wildly entertaining, so now you have a third reason too. True, it does, as others have noted, shy away from directly tackling the most difficult questions currently facing the church. But is that really the film you want to see? Rather than this affectionate and literate bromance that does, in fact, nudge us towards the bigger picture, but slyly? Also, it is brilliantly comic. Pope Benedict, for instance, doesn’t get jokes but does try to tell one,

Noah Baumbach’s Marriage Story is a drama about the breakdown of a marriage and it is, at times, devastatingly painful. ‘Divorce,’ says a lawyer at one point, ‘is like a death without a body.’ It’s certainly not the most fun you’ll ever have at the cinema — although it is witty and there are some brilliantly comic lines — but you will see something riveting, detailed, authentic and excellent. Plus it also marks the return of Scarlett Johansson as an interesting actress — remember Lost in Translation? — rather than the one who hangs out with Iron Man and Thor and just does sexy kicks. I’d even forgotten she could

The Irishman is Martin Scorsese’s three-and-a-half-hour epic — a mobster-a-thon, you could say — starring Robert De Niro, Al Pacino, Joe Pesci and a light sprinkling of Harvey Keitel (he’s only in a couple of scenes). It’s based on the true, late-life confession of Mafia hitman Frank ‘The Irishman’ Sheeran and, while gangster flicks can often leave me cold and sometimes baffled — he was dispatched to sleep with the fishes for why? — this is magnificently engrossing. I wasn’t bored for a single minute which, given there are 210 of them, has to be a triumph, surely. Financed by Netflix to the tune of $160 million, this is hitting

Wheeeere’s Johnny? Nearly 40 years ago Jack Nicholson went berserk in a snowbound Rockies hotel, smashing an axe through a bathroom door behind which a pop-eyed Shelley Duvall cowered in terror. It is one of cinema’s truly iconic scenes, once voted the most petrifying in movie history. Now award yourself points if you remember that the family in The Shining were called Torrance. They had a son, Danny, a psychic little boy haunted by apparitions as he pedalled on his trike along the corridor’s hallucinogenic carpets. Danny has now grown up into Dan Torrance and assumed the form of Ewan McGregor who stars in the sort-of-sequel Doctor Sleep. The Shining

Maleficent: Mistress of Evil is the sequel to the 2014 film Maleficent, and it will certainly come as a relief to all those who, in the interim, have been worried that Disney might let a potential franchise go unexploited. Did that keep you awake at night, as it did me? Well, now we can all sleep easy, knowing that the sequel no one was clamouring for (yet may still make a ton of money even though it’s crap) is finally here. Phew. So, once upon a second time, Angelina Jolie reprises her role as the evil fairy in the giant horn wig who cursed Sleeping Beauty. The first film was,

The Day Shall Come is a second feature from British satirist Chris Morris and like the first, Four Lions, it is a ‘comedy of terrors’, you could say. But this time, rather than a group of hapless home-grown Muslim suicide bombers we’ve decamped to America and it’s the FBI that will do anything to get their man even if that man is harmless and insists that God speaks to him through a duck. It is funny, fitfully, but it asks us to laugh at someone I wasn’t sure we should be laughing at, plus it is repetitive and acts like we didn’t get the joke the first time, when we

Sixteen years into a stop-go production saga, I got a call from the director of The Song of Names with a suggested script change. What, said François Girard, if one of the two protagonists was perhaps, er, not Jewish? My reply cannot be repeated. I was, for a minute or so, completely speechless. My novel, winner of a 2002 Whitbread Award, is the story of two boys bonding in wartime London. One is a refugee violinist from Poland, the other a middle-class kid of average abilities. ‘I am genius,’ says Dovidl to Martin. ‘You are — a bit everything.’ Beyond bomb sites, their friendship is rooted in a common heritage.