French literature

Michel Leiris (1901-90) was one of those intellectual adventurers who are the astonishment of French literature in the 20th century. Their achilles’ heel is that most were communists, in a few cases Nazis; and nothing kills the life of the mind more thoroughly than preaching. Their saving grace is that many were eccentric characters, and their autobiographical work can often be their most luminous legacy. Among Leiris’s subjects are his dogs, his ideal hotel, his hatred of Wagner, his Anglophile snobbery and his tailor Because they were anti-form, the ideal prose vehicles became ‘aphorism’ or ‘fleuve’. The most brilliant of the French aphorists, Emile Cioran (though he was Romanian), exclaimed

They rather like bad boys, the French. Louis-Ferdinand Céline (1894-1961) is one, in a tradition that stretches from François Villon to the dyspeptic Michel Houellebecq. But provocation doesn’t always get you where you want to be, as the careers of Richard Millet and Marc-Édouard Nabe demonstrate. Journey to the End of the Night, Céline’s first novel, was a huge success when it was published in 1932 and made him a darling of the left, with applause from Trotsky and Jean-Paul Sartre. That didn’t last long. His virulently anti-Semitic pamphlets (so extreme that André Gide thought he was joking) and his arguments for accommodating Hitler resulted in him going on the