Garsington Opera

Leo Jemison (Miles), Elen Willmer (Flora) and Sophie Bevan (Governess) in The Turn of the Screw at Garsington Opera

Deft, elegant and genuinely chilling: Garsington’s Turn of the Screw reviewed

13 July 2019 9:00 am

Think of the children in opera. Not knowing sopranos and mezzos, pigtailed and pinafored or tightly trousered-up to look child-like,…

Can an Offenbach production be too silly? Garsington’s Fantasio reviewed

22 June 2019 9:00 am

The tears of a clown have often fallen on fertile operatic ground. Think of Rigoletto and I Pagliacci; or The…

Garsington makes as good a case as you can for Strauss's frothy Capriccio

9 June 2018 9:00 am

‘Is there an end [to this opera] that is not trivial?’ asks the Countess in her final bars of Richard…

Cold and confusing: Garsington's Die Zauberflöte reviewed

9 June 2018 9:00 am

The picnic hamper’s open, the bubbly is chilled, and country house opera is starting to eat itself. When you arrive…

One of the most exalting operatic experience I have had: Longborough’s Tristan reviewed

24 June 2017 9:00 am

In an essay called ‘Wagner’s fluids’, Susan Sontag concludes, ‘The depth and grandeur of feeling of which Wagner is capable…

This Creation puts brain before heart: Rambert at Garsington Opera reviewed

23 July 2016 9:00 am

Mark Morris, the most musically communicative and naturally lyrical of choreographers of the past 30 years (and an absentee from…

The opera for opera sceptics: Jenufa at Longborough reviewed

23 July 2016 9:00 am

What’s the best first opera for a sceptical adult first timer? It’s a favourite topic among opera buffs, and once…

A beautiful meditation on the Shakespearean-rich Idomeneo at Garsington Opera

2 July 2016 9:00 am

Comedy and tragedy sit close beside one another in Mozart’s operas. Whether it’s the grinning horror of the Così finale…

Fantastic Ms Fox: Elena Tsallagova as Vixen Sharp-Ears in ‘The Cunning Little Vixen’

Garsington Opera understands Eugene Onegin better than Tchaikovsky did

25 June 2016 9:00 am

Tchaikovsky knew what he thought of the title character of his Eugene Onegin. ‘I loved Tatyana, and was furiously indignant…

Christopher Turner as Artemidoro, the romantic lead transformed into a raving hippy in Trofonio’s ‘cave’

Don’t listen to Amadeus - this Salieri opera is better than Mozart

25 July 2015 9:00 am

Magical transformations are a commonplace of opera. We see our heroes turned into animals, trees, statues; witness wild beasts turned…

Charles Moore’s Notes: Why the Greek No is a great moment for socialism

11 July 2015 9:00 am

Even if everything goes wronger still, the Greek No vote is a great victory for the left. Until now, the…

ENO’s Queen of Spades: I wanted to grab David Alden’s production by the neck and shake out its silly clutter

13 June 2015 9:00 am

The opera director David Alden has never been one to tread the straight and narrow. Something kinky would emerge, I’m…