Germany

A German politician points out the obvious about refugees and the terror threat

Happy New Year. Sorry about my absence. I’ve been away for a couple of weeks and then, when I returned, there was no internet access and those hardworking people from BT spent ten days mulling over the problem before they tried to put it right. What a wonderful organisation. So, anyway, well done Lutz Bachmann – a German politician from the Pegida party. He tweeted that all those Germans who had said ‘refugees welcome here’ should make their way down to Munich station – closed on New Year’s Eve because of bomb threats. He has been criticised for linking the arrival of refugees – described by the increasingly deranged Angela

Meet Jeremy Corbyn’s German doppelganger

Labour’s Jeremy Corbyn has a socialist doppelganger in Germany. Her name is Sahra Wagenknecht and she serves as co-chairperson of the largest opposition party in the German Bundestag—The Left Party. Her remarks blanketed the German media on Tuesday because she equated Islamic State terrorism in Paris with Britain’s aerial campaign designed to help destroy the terrorist organisation in the Syrian and Iraqi theatres of war. ‘Of course it is no less a crime to murder innocent civilians in Syria with bombs than it is to shoot them in Parisian restaurants and concert halls. One is individual terrorism, the other state-sponsored,’ Sahra Wagenknecht, an admirer of the now-defunct East German communist state

How the Germans made Glyndebourne

This is hardly the time of year for picnics on the lawn, but I have nevertheless had a week dominated by Glyndebourne. First I went to London to see David Hare’s play The Moderate Soprano, about the creation of the Glyndebourne opera festival by John Christie in 1934; and then to a Glyndebourne production in Milton Keynes of Mozart’s opera Die Entführung aus dem Serail. John Christie was an extraordinary man. A rich country landowner, who served bravely in the first world war, he returned home to his house in Sussex to pursue his interest in music. He purchased a colossal organ, perhaps the biggest in England outside a cathedral.

Sins of the fathers | 19 November 2015

This is a documentary in which three men travel across Europe together, but they’re not pleasurably interrailing, even though there are often times they probably wished they were. For two of them, Niklas and Horst, the journey is about confronting their fathers, who were high-ranking Nazi officials responsible for the deaths of millions of Jews, while for the third, the eminent British human-rights lawyer Philippe Sands, it means visiting the place where his grandfather’s family was exterminated. This place, Galicia, which straddles the modern-day border between Poland and Ukraine, is the exact place my own grandmother’s family were murdered. Her father lost every one of his seven siblings. She lost

Helmut Schmidt, 1918 – 2015: Germany’s man of balance

Helmut Schmidt, who served as West German Chancellor from 1974 to 1982, has died aged 96. The following review by George Walden of a book about Schmidt by Jonathan Carr was published in The Spectator on 2 February 1985.  On a visit to the German Chancellery in Bonn, I remember once admiring the collection of paintings installed by Helmut Schmidt in the corridors. But at the back of my mind was still the image of the armoured cars surrounding the squat, fortress-like building as we came in. It was art — and specifically the German Expressionist painting denounced as ‘degenerate’ by the Nazis — that evoked Schmidt’s first political stirrings. This seems

Hayek was right: you can’t understand society without evolution

In December the controversial satellite TV channel ReallyTV launches its Christmas season with a flagship reality show called From Homs to Hamburg. A dozen refugees, accompanied by their families, will be given a budget of $500 and two-days’ water in a race to cross the German border using any form of transport. The prize for the winning family is a car and a two-bedroom flat in -Billstedt. The show follows the success of the US reality TV show Monterrey to Monterey,in which Mexican families compete to cross the Rio Grande by hiding in shipping -containers. Now, before you recoil in disgust, I should just point out that nothing like this programme will

Christmas markets

Why the fuss about German Christmas markets? Surely they’re just schmaltzy shanty towns, full of stuff you’d never dream of buying at any other time? This tends to be my point of view until Advent… when I yearn to be back in Germany. Its motor industry may be mired in scandal, its football team may have lost to Ireland (Ireland!) but at least Christmas is one thing my cousins still do best. So where and when to go, and what to buy? Well, most markets run from the end of November until Christmas Eve. They’re great for handmade decorations and festive food and drink, but for Germans a weihnachtsmarkt isn’t

George Osborne adds meat to Britain’s EU reform demands

George Osborne is speaking in Germany today, where he will apparently tell a business conference that Britain does not want ‘ever-closer union’ and the other EU member states will have to respect and work with this, if they don’t want to see a Brexit: ‘Remain or leave, is the question our democracy has demanded we put because, quite frankly, the British people do not want to be part of an ever-closer union. ‘We want Britain to remain in a reformed European Union, but it needs to be a European Union that works better for all the citizens of Europe – and works better for Britain too. It needs to be a Europe where we are not part

The Australian example

For many years, Australia has been turning away boats filled with migrants. From a remove, this looks cold–hearted — a nation built by immigrants showing no compassion for others who want a better life. But it is precisely because Australia is an immigrant nation that it understands the situation: if you let the boats land, more people come. People traffickers will be encouraged, migrants will be swindled, and their bodies will wash up on your shores. Any country serious about immigration needs a more effective and robust approach. Tony Abbott, the former Prime Minister of Australia, made that point clearly this week on a trip to London. Delivering the Margaret

Germany’s dark night of the soul

As Angela Merkel approaches her tenth anniversary in power, Germans are talking about a possible Kanzlerinnendämmerung — a ‘twilight of the chancellors’. Anger is growing at Merkel’s handling of the migration crisis. Germany, which has only recently reconciled itself to the idea that it is a ‘country of immigration’, must now integrate vast numbers of asylum seekers, beginning with the million who are expected to arrive this year. At the same time, the country has been hit by two huge corruption scandals, involving Volkswagen and the DFB, the German football federation. The odds are that Merkel will survive — it’s hard to see at the moment who can replace her.

The new East-West divide: multiculturalism vs sovereignty

We all know that relations with Russia are at their lowest ebb since 1991, when Boris Yeltsin brought down Communism during one of his alcoholic blackouts. What’s becoming increasingly clear, though, is that there is a new ideological cold war – and I’m not sure we’ll win this one. The German approach to dissent over these past few months has been revealing. Earlier this month, a leading eurocrat chided the Hungarians for refusing to accept that ‘diversity is inevitable’, using that strange Marxist language these people love. Another accused that small central European country of being ‘on the wrong side of history’. Meanwhile Angela Merkel compared those who lock others out

Hitler’s émigrés

Next week Frank Auerbach will be honoured by the British art establishment with a one-man show at Tate Britain. It’s a fitting tribute for an artist who’s widely (and quite rightly) regarded as Britain’s greatest living painter. Yet although Auerbach has spent almost all his life in Britain, what’s striking about his paintings is how Germanic they seem. Born in Berlin in 1931, Auerbach was only seven when he came to England (his parents subsequently perished in the Holocaust). By rights, he should stand alongside British artists such as Peter Blake and David Hockney, yet his work feels far closer to German painters like Georg Baselitz or Anselm Kiefer. Auerbach

Douglas Murray

Facebook posts about the migrant crisis should be the least of Angela Merkel’s worries

So the German Chancellor has just been caught on microphone talking with Facebook CEO Mark Zuckerberg: German Chancellor Angela Merkel was overheard confronting Zuckerberg over incendiary posts on the social network, Bloomberg reported on Sunday, amid complaints from her government about anti-immigrant posts in the midst of Europe’s refugee crisis. On the sidelines of a United Nations luncheon on Saturday, Merkel was caught on a hot mic pressing Zuckerberg about social media posts about the wave of Syrian refugees entering Germany, the publication reported. The Facebook CEO was overheard responding that “we need to do some work” on curtailing anti-immigrant posts about the refugee crisis. “Are you working on this?”

Incomprehensible genius

London’s Goethe-Institut has a two-month season of films of Rainer Werner Fassbinder (whose 70th anniversary it’s celebrating), but only five movies, each one alternating with a film influenced by him from another country. Considering that Fassbinder created about 60 films, it seems rather a slim effort. Still, half of his output is available on DVD, at no vast cost, and, having revisited many of the films in the past few days, I am more struck than ever by how great he was, and how, thanks to innumerable kinds of pressure, he only intermittently did justice to his phenomenal creativity and energy. He exasperates as often as he enthrals and moves.

The house that Alfred built

This is a book about boundaries — and relationships. At its heart is the eponymous house by the lake, which in 1927 was the first of many small wooden summer houses to be built in the village of Gross Glienicke. Both its situation, just outside Berlin in the lakeside area that would later abut Gatow airport, and its many occupants, from well-established German Jews to partying neo-Nazis, would expose the property to the more tidal waters of modern German history. But the house has not just provided a stage for human drama; arguably it has been integral to the action itself, helping to shape lives, just as it was itself

Merkel’s response to the refugee crisis has made the situation worse

Having, effectively, unilaterally ripped up the EU agreement on how to handle refugees, Germany is now desperately trying to re-impose the rules. At the start of this month, Angela Merkel’s government declared that any Syrian who could reach the country could claim asylum in Germany. This was contrary to the Dublin Convention of 1990 which set out that refugees should seek asylum in the first EU member state that they arrive in. Predictably, Germany’s actions led to a huge surge in the number of refugees trying to reach the country. The volume of people coming is now so great that Berlin has had to put in place controls on the

Merkel’s folly

[audioplayer src=”http://rss.acast.com/viewfrom22/merkelstragicmistake/media.mp3″ title=”James Forsyth and Holly Baxter debate Merkel’s offer to Syrian refugees” startat=38] Listen [/audioplayer]Of all the irresponsible decisions taken in recent years by European politicians, few will cause as much human misery as Angela Merkel’s plan to welcome Syrian refugees to Germany. Hailed as enlightened moral leadership, it is in fact the result of panic and muddled thinking. Her pronouncements will lure thousands more into the hands of unscrupulous people-traffickers. Her insistence that the rest of the continent should share the burden will add political instability to the mix. Merkel has made a dire situation worse. On Tuesday last week, Germany declared that any Syrian who reaches the

Strauss-ful

Richard Strauss’s Daphne is one of the operas he wrote during the excruciatingly long Indian summer of his composing life, where he seems, in one work after another, to be looking for a subject worthy of his skills, and only finding one in Capriccio, his last opera. For that, he and his ideal interpreter Clemens Krauss collaborated on a libretto that, while garrulous, has a real topic to deal with, and handles it with no portentousness or pseudo-depth. None of that can be said about the depressing series of operas he composed in the 1930s, which either have a serious topic to deal with but not the drama or the

Hamburg

‘What was it like growing up in Liverpool?’ a journalist asked John Lennon. ‘I didn’t grow up in Liverpool,’ he replied. ‘I grew up in Hamburg.’ My father grew up in Hamburg too, at the end of the second world war. The city had been bombed to smithereens. Cigarettes were the only currency, and my grandma had to trade her jewellery for food. When she met a British soldier who offered to take her to England, she grabbed this lifeline with both hands. If only she were alive to see her smart home town today. When the Beatles came here in 1960, they stayed in St Pauli, the dockside red-light

Martin Vander Weyer

The clock that stopped: the victory of nuclear arms and defeat of nuclear power

‘I visited the black marble obelisk which marks the epicentre of the explosion, and I saw the plain domestic wall-clock retrieved intact from the rubble with its bent hands recording the precise time of day when the city was obliterated: 11.02 a.m. I was glad to be alone, because I could not have spoken.’ Published here 20 years ago, that was my memory of Nagasaki, the target on 9 August 1945 of the second and last nuclear weapon ever deployed. The subsequent seven decades of non-use of nuclear arms — deterred by that most chilling of threats, ‘mutually assured destruction’ — is one of the miracles of modern history, given the