Gluck

More misogynistic than the original: ENO's Orpheus in the Underworld reviewed

12 October 2019 9:00 am

It’s Act Three of Emma Rice’s new production of Offenbach’s Orpheus in the Underworld, and Eurydice (Mary Bevan) is trapped…

The maestro could hear if a single player was doing something wrong, even in the most noisy tutti

Toscanini and the morality of conducting

5 August 2017 9:00 am

Toscanini’s simple set of values made him certain of the rights and wrongs of everything, says Michael Tanner – except regarding women

The singing made me seasick: ETO’s Don Giovanni reviewed

26 March 2016 9:00 am

One of these days I will probably see a production of Don Giovanni set in a research station in the…

The best ballerinas in Britain at the moment are hairy and male

3 October 2015 9:00 am

There was blood on the walls and floor at the birth of Kenneth MacMillan’s Romeo and Juliet in 1965. The…

As good a treatment of a Bellini opera as we are likely to see: WNO's I puritani reviewed

19 September 2015 8:00 am

Bellini belongs to that category of not-quite-great operatic composers whose works are also very difficult to perform adequately, and don’t…

Buxton Festival sticks its neck out with two rarities by Dvorak and Gluck

19 July 2014 9:00 am

Dvorak’s The Jacobin and Gluck’s Orfeo ed Euridice, the two operas that opened this year’s Buxton Festival, are both relative…

Overrated Strauss vs underrated Gluck

11 January 2014 9:00 am

This is the first of my more-or-less monthly columns, the idea of which is to report on operatic events other…