Guilt

When John Updike died in 2009, aged 76, he left behind the last great paper trail. Novelist, short story writer, poet, essayist and art critic, he published with unstoppable fluidity in every genre. The sheer tonnage of his 60-odd books has now been augmented by A Life in Letters, a comparatively small sampling of the 25,000 or so epistles he sent out over the course of his life. This unwieldy volume serves up about 700 of them. I say he wrote with unstoppable fluidity (it was David Foster Wallace who dangled the question ‘Has the son of a bitch ever had one unpublished thought?’), but I should add that the

In several homilies, the late Pope Francis spoke of the ‘grace of feeling shame’. What a strange idea! Nobody wants to feel shame. Adam and Eve, after all, first felt shame only after being expelled from the Garden of Eden. Shame was God’s punishment: they felt ashamed of what had never troubled them before, namely their nakedness and their sexual desires. But what the Pope meant, I think, is absolutely salutary for our age. Shamelessness is ubiquitous. It is the accelerant of social media that encourages us to narcissistically fire up our victimhood to a gimcrack blaze. It is why so many of us are chained to the brazen idea

Mike McCormack is much garlanded. He won the Rooney Prize for Irish Literature with his first collection of stories; the Goldsmith’s Prize followed in 2016, along with the Irish Book of the Year Award and the International Dublin Literary Award, for his novel Solar Bones. A book-length, single- sentence analysis of a man’s life, that story sprang off the page with the force of a blow.  This Plague of Souls, his fifth novel, is more distanced. Not a story with a beginning, middle and end, it circles in widening gyres, swooping now and then on to a tightly focused moment as its ambiguous hero tries to make sense of an