Identity politics

High life | 23 November 2017

The faux Leonardo that sold for 400 million greenbacks — plus a 50 million fee for Christie’s — was a subject dissected again and again by the glitterati at two rather splendid dinners given in the Bagel by George Livanos and Mick Flick. My fellow guests were not the types to be outraged or shocked at the obscenity of the amount of moolah involved, but it beat talking about the weather or why the media hate Trump as much as they do. For any of you who might have missed it, the Leonardo — originally thought to have been painted by Leo’s pupil Giovanni Boltraffio — was partly painted over,

When did fiction become so dangerous?

The assignment of books for review has always been haphazard. Fellow fiction writers can be tempted either to undermine the competition, or to flatter colleagues who might later judge prizes or provide boosting blurbs. There are no clear qualifications for book reviewing — perhaps publication, but most of all, because reviewers are paid for their text but not for the many hours it takes to read the bleeding books, a willingness to work for atrocious wages. Mitigating the gravity of this matter? Aside from the authors whose work is on the block, almost no one reads book reviews, and I say that as someone who writes a fair number. It’s

The violent product of identity politics

Identity politics is turning violent. It’s been brewing for a while. Anyone who’s witnessed mobs of students threatening to silence white men or Islamists gruffly invading the space of secular women who diss their dogmas will know that, as with all forms of communalism, identity politics has a menacing streak. And at the weekend, in Charlottesville, Virginia, it blew up. That ugly clash between blood-and-soil white nationalists and people crying ‘black lives matter’ is the logical outcome of the identitarian scourge, of the relentless racialisation of public life. Charlottesville was both shocking and unsurprising. It was shocking because here we had actual Nazis, waving swastika flags, in 21st-century America, the land

Period drama

Harpsichordists are supposed to make love, not war: Sir Thomas Beecham famously compared the sound they make to ‘two skeletons copulating on a tin roof’. But now two masters of the instrument, the Iranian-American Mahan Esfahani and the German Andreas Staier, are locked in mortal combat. For connoisseurs of finely tuned insults, it’s riveting stuff. For their colleagues it’s a wretched business, because one of the two musicians is setting fire to his own reputation. Also, a third harpsichordist — a gifted young Frenchman, Jean Rondeau — has been cruelly dragged into the feud. It goes without saying in period instrument circles that Esfahani picked the fight. The 33-year-old has

Who’s the expert now?

The title might be taken as a provocation. In the compressed language of digital media, white tears, like first-world problems or man flu, are an ersatz version of the real thing. More plainly, the gripes and complaints of white people are, according to certain social codes, unearned and inauthentic. This zeitgeisty novel gives us two men who are preoccupied to the point of mania by the question of authenticity: young white New Yorkers obsessed with the blues. They work as music producers, but this being the post-pop 21st century they are stuck with white novelty rappers. Carter, the richer of the two, prefers old black music, the more ancient-sounding the

Class act | 24 November 2016

I wish I could say that some of my best friends are working-class, but it’s not true. I do have Dave — my plumber and political sparring partner. Bright and well informed about politics, Dave loves to tease me because I live in Islington, I read the Guardian, I eat organic food and I was against Brexit. In the Dave scheme of things I represent Islington Man — one of those snooty, sneery liberal elitists who looks down on people like Dave. Actually, Dave looks down on people like me. He’s a plumber who earns far more money than I do. Dave does not have a white van; he has

Brendan O’Neill

This obsession with ‘cultural appropriation’ is leading us down a very dark path

Just when you thought uptight, fun-dodging, thought-policing millennials couldn’t get any worse, they go and brand yoga as racist. Apparently, when white people bend themselves bonkers while humming or thinking happy-clappy thoughts, they’re not only being self-punishing saps: they are also ‘culturally appropriating’ a practice that has ‘roots in Indian culture’. That’s according to student leaders at the University of Ottawa, who put pressure on a yoga teacher at the uni’s Centre for Students with Disabilities to call off her yoga classes. She was told ‘there are cultural issues of implication involved in the practice’. In these people’s minds, in which the Offence-Seeking Antenna is forever turned to High, a

Blood and soil

A declaration of nationality is a profound statement. To say ‘I am British’ suggests that somehow I am composed of Britishness — that my fabric, my very being, is British. Except I personally, apparently, am not particularly British. The results are back from my DNA ethnicity test, and I am 63 per cent Irish, 20 per cent Western European, 11 per cent Scandinavian and 3 per cent Iberian. How do I feel about my nationality now? Half a test-tube of saliva was all it took for Ancestry, the genealogical organisation, to come up with these figures and, once you get results like this, the immediate reaction is to say: ‘Well it doesn’t

Rihanna’s latest offering is the perfect anthem for contemporary feminism

Popular culture is all about the shock factor, especially when it involves female popstars. The late Eighties set a precedent for women making statements in their music videos. In 1989 Madonna broke taboos with an interracial love story, complete with burning crosses and a crying saint. A year later Sinead O’Connor was the first woman to cry in a music video. Since then pop-feminism has produced a steady stream of provocation, from the Spice Girls kicking girl-power in our faces, angry man-hating from Alanis Morissette to the independent women of Destiny’s Child. The noughties were pretty much a romp through string bikinis in preparation for Lady Gaga borrowing an outfit

A course in Dangerous Ideas would be the perfect tonic for our dull universities

There have been a number of articles recently by American liberals warning about the intolerance of academia, in particular pointing to the dangers of a generation who’ve never had their views challenged. The latest is by an academic using the pseudonym Edward Schlosser, who writes in Vox last week: Things have changed since I started teaching. The vibe is different. I wish there were a less blunt way to put this, but my students sometimes scare me — particularly the liberal ones. I once saw an adjunct not get his contract renewed after students complained that he exposed them to ‘offensive’ texts written by Edward Said and Mark Twain. His response,

Oh joy! Sean Penn has tried to crack a joke

What a pleasure it is to see the Hollywood actor Sean Penn neck deep in PC ordure. The rodentine thespian was handing out an award at the Oscars to his friend the Mexican film director Alejandro González Iñárritu, for his film Birdman. ‘Who gave this sonofabitch a green card?’ Penn quipped about his mate — at which point the moronsphere went into overdrive. There was splenetic fury and deep sadness and heartfelt outrage and condemnations at this racism, online and beyond. Some demented loon called Stephen W. Thrasher, writing in the Guardian (natch), said: ‘Racism from friends assumed to be benign can be the worst kind, especially at an awards show.’