Imperialism

‘Enough to kill any man’: the trials of serving Queen Victoria

Monarchy was as characteristic of the 19th century as nationalism and revolution. The Almanach de Gotha was a better guide to power than the Communist Manifesto. Constitutional monarchy, in particular, was considered the panacea of the age. On the first morning of her reign, Queen Victoria announced: ‘I have promised to respect and love the constitution of my native country.’ The Times declared her ‘steeped in the spirit of the constitution’. Gladstone said: ‘All the principles of the constitution have been observed by the Queen… in a manner more perfect than has ever been known.’ In reality, as Anne Somerset’s magnificent, disturbing and innovative history of Queen Victoria and her

How ever did the inbred Habsburgs control their vast empire?

In 1960, Felipe Fernández-Armesto and Manuel Lucena Giraldo tell us, Lucian Freud went to the Goya Museum in Castres in search of a particular painting. He wanted to create portraits that were character studies and ‘not mere likenesses’, and Goya’s collective portrait ‘La Real Compañía de Filipinas’,a study in human nullity that represented ‘absolutely nothing’, was just what he was looking for. Fernández-Armesto explains: The work belongs in the tradition of what might be called Spanish ‘anti-portraiture’, from Velázquez’s ‘Las Meninas’ to Goya’s own devastatingly candid royal family group, ‘Familia de Carlos IV’, moral as well as physical delineations of regal vacuity. King Ferdinand VII appears amid the company’s directors,

The complexities of our colonial legacy

It happened by accident. In 1829 the naturalist Nathaniel Bagshaw Ward was trying to hatch a moth pupa. He placed it in a sealed glass container, along with some soil and dried leaves, and set it aside. Sometime later he was surprised to find that a fern and some grass had taken root in the soil, despite having no water. As Sathnam Sanghera writes in Empireworld, the discovery ‘revolutionised the logistics of international plant transportation’. Suddenly there was a means of securely transporting seeds and seedlings across vast distances. Empireworld is a sequel to Sanghera’s wildly successful Empireland. Where the latter examined the legacies of empire in Britain, this book

The hubris of the great airship designers

Tribal rivalries have existed from humanity’s beginning and have fuelled the creation of every prestigious monument ever built. By the Age of Science we were building not pyramids but ironclads and submarines fighting for ascendancy at sea, expanding our empires in spite of an ever-growing movement for colonial independence. The Spanish-American war of 1898 added the United States to the list of great nations believing it to be their destiny, even duty, to bring their kind of progress to the world. Many understood that achieving overwhelming technological power as a nation guaranteed that no antagonist would dare attack. Limited by agreements made after the first world war, Britain no longer

What ‘pax’ meant in Rome’s golden age of imperialism

The Roman emperor Domitian began life as a spare. At the end of the 1st century CE, while his brother Titus was the heir to their father Vespasian, the younger boy’s ‘sense of resentment and frustration had festered’, writes Tom Holland. ‘Rather than stay in Rome, where his lack of meaningful responsibility was inevitably felt as something raw’, Domitian moved away with a wife whom his family disliked, ‘doomed forever to be a supernumerary’, paranoid, attracting gossip, avoiding any company in which ‘innocent mention of baldness’ might be viewed as ‘mockery of his own receding hairline’. In most judgments by posterity this Prince Harry of the early empire fulfilled all