Interviews

Since the publication of her debut collection, Satan Says in 1980, which was awarded the inaugural San Francisco Poetry Center Award, Sharon Olds has become a prominent – and controversial – voice in American poetry. Olds’ work has been given many unflattering adjectives from her harshest critics: self-indulgent, sensationalist, solipsistic, and pornographic, to name a few. While her confessional, and overtly autobiographical style, may not be to every critics’ taste, Olds’ candid voice, describing her own troubled childhood; the human body; and a world which very often displays fear, violence, love and kindness, in equal measure, has seen her become one of the most widely read poets of her generation.

Ciaran Carson was born in Belfast in 1948, and published his first book of poetry, The New Estate, in 1976. Fans of Carson had to wait eleven years for his second book, The Irish for No (1987), which earned him the Alice Hunt Barlett Award. Belfast Confetti (1990) won The Irish Times Literature Prize for Poetry. In 1993 Carson won the first ever T.S. Eliot Prize for poetry, for his collection, First Language; while his 2003 collection, Breaking News, won the Forward Poetry Prize. That same year, Carson was appointed Professor of Poetry, and Director of the Seamus Heaney Centre for Poetry, at Queen’s University in Belfast; a position he

Mike McCormack published his first book of short stories Getting it in the Head in 1996. The debut earned him the Rooney Prize for Literature, and was chosen as a New York Times notable book of the year in 1998. McCormack has published two novels: Crowe’s Requiem, and Notes From a Coma, which was shortlisted for the Irish Book of the Year Award in 2006. Forensic Songs, his latest collection of short stories, fuses traditional social realism with elements of science fiction, and the detective genre. While some stories here follow the path of straightforward naturalism; analyzing the difficult relationships within families; or the alienation of emigration, others probe issues

David Priestland is worried. Towards the end of his recently published book Merchant, Soldier, Sage, he warns: ‘[The crash of] 2008 has set the world on a course towards potential conflict, and the domestic and international forces that brought us the violence of the 1930s and 1940s are with us today – albeit still in embryonic form.’ It is fashionable, especially in heavily indebted Europe, to compare the uncertainties of the present with those of the 1930s. The Second World War is passing out of living memory and entering popular historical consciousness. Angela Merkel appeals to this when she warns that only the European project can guarantee peace; and Greek protesters

James Lasdun published his first book of short stories The Silver Age in 1985. The debut won him The Dylan Thomas Award, and was followed by Three Evenings another book of stories. In 1998, Italian filmmaker, Bernardo Bertolucci, directed the film ‘Besieged’, which was an adaptation of Lasdun’s short story ‘The Siege’. In 2002 Lasdun published his first novel The Horned Man. The book earned him the New York Times Notable Book of the Year and the Economist Best Book of the Year. His second novel Seven Lies was shortlisted for the 2007 James Tait Black Memorial Prize. Lasdun is also a highly acclaimed poet. His collections include A Jump

“It always struck me that it was a much easier war to support the closer you got to it,” says Patrick Hennessey of the war in Afghanistan. Hennessey, who served in Helmand with the Grenadier Guards in 2007, continues: “It was so obvious that we were making the country better and that we were broadly supported by the locals, certainly in a way that we weren’t in Iraq in 2006. I know that most Guardsmen preferred Afghanistan to Iraq in that respect because they felt they were doing something tangible and positive and that it was being appreciated by the people in the country, if not necessarily the people at

In 1990 Mary Robinson became Ireland’s first female president. As a progressive liberal, Robinson seemed a very unlikely candidate for the job, in what was then, a deeply conservative country.  Throughout the 70s and 80s, she worked as a human rights lawyer, as well as a Senator, arguing a number of landmark cases that challenged various clauses in the Irish constitution that failed to protect minorities. Robinson fought on behalf of women, who were effectively treated as second-class citizens, homosexuals, who were criminalized for their sexual orientation, and she also campaigned to change the law on the sale of contraceptives, which were illegal in Ireland, without prescription, until 1985. When

When Barack Obama entered the White House in January 2009, millions of citizens across the United States believed it was a new dawn for the American political system. Obama promised a presidency that would tear up the rulebook when it came to party loyalty; campaign fundraising, corruption; and the petty issues of partisan politics. But he would soon learn that attempting to transform the money machine and vested interest groups that run Washington would be near impossible. First released in September 2008, John R. MacArthur’s ‘You Can’t Be President: The Outrageous Barriers To Democracy in America’ is a book that openly criticizes Obama from the liberal left. MacArthur argues that

Kate Tempest started out as a 16-year-old rapper in London. Now she performs the spoken word, reading her poetry, rhymes and prose to stage audiences across the world. She has also written a play called ‘Wasted’, which toured Britain earlier this year. She is involved in a spoken word project at the Battersea Arts Centre. You can find more details by visiting her website, katetempest.co.uk. 1). What are you reading at the moment? I’m reading Robert Walser Selected Stories and a book of plays by Martin McDonagh. Also Christopher Logue’s War Music. 2). As a child, what did you read under the covers? The Wizard of Earthsea trilogy by Ursula Le Guin

As Roger McGough approaches 75, his latest collection of poems As Far As I Know shows him writing with the same blend of mischievous word play, subversion of cliché and distinctive sense of humor that makes him one of Britain’s most popular poets. McGough became a prominent force in the late 1960s when his poems were included in ‘The Mersey Sound’: a Penguin anthology that has since sold over a million copies. To date, McGough has published over fifty collections of poetry for both adults and children. His work has always reached a wide audience due to its incredible accessibility. Along with Mike McGear and John Gorman, McGough, was a

Born in Glasgow in 1946, James Kelman left school at fifteen to begin an apprenticeship as a compositor. His first collection of short stories ‘An Old Pub Near the Angel’ was published in the United States in 1973. It was another nine years before his first novel ‘The Busconductor Hines appeared. Kelman has received several prizes for his fiction including: the Cheltenham Prize for Greyhound for Breakfast and the James Tait Black Memorial Prize for ‘A Disaffection’. His fourth novel, ‘How Late it Was, How Late’, landed him the Booker Prize in 1994, amid a storm of controversy. To date he has published eight collections of short stories, eight novels,

Don Paterson was born in 1963 in Dundee. He moved to London in 1984 to work as a jazz musician, and eventually began to write poetry. In 1993, Faber published his debut collection, Nil Nil, which won the Forward prize. In total, he’s published seven collections and three books of aphorisms. Paterson has won the prestigious T.S. Eliot prize for poetry twice. Other awards include: the Whitbread prize, and The Geoffrey Faber memorial prize. He received an OBE in 2008, and teaches poetry at the University of St Andrews.  His recently published Selected Poems, covers a remarkable career that spans twenty years, ranging from the half-dead Scottish towns and deserted

“My shame was my father wasn’t there,” says Nick Makoha, the London poet who represented Uganda at the recent Poetry Parnassus. This frank vulnerability is at the core of his first collection of poetry and his new theatre performance, ‘My Father and other Superheroes.’ Uganda is a source of tension for Makoha as both the place of his birth but also a place he fled, a place from which he feels distant. “Most people are from somewhere else,” he says. “So the story of the exile isn’t the minority, we’re the majority. Look at T.S. Eliot, by all rights and purposes he belongs to America. He liked French poets, Italian

As 1930s Europe moved towards the catastrophe of the Second World War, much of the greater part of the continent —  for Jews — was being turned into a giant concentration camp. Bernard Wasserstein’s On the Eve, The Jews of Europe Before the Second World War, captures the sorrows and glories of European Jewry in the decades leading up the Nazi genocide. From the shtetls of Lithuania, to the salons of Vienna, Jewish culture was already on the road to extinction. Wasserstein’s book also proves that contrary to received wisdom, there was a growing awareness that Jews were approaching a cataclysmic extinction. Bernard Wasserstein was born in London and has

‘There are more people teaching Ancient Greek in China than there are in Britain,’ declares Professor Edith Hall from the distinctively academic chaos of her study at King’s College, London. ‘Now you can either wring your hands about this, or do what I intend to, and go and talk to them! At the Zhejiang University [one of China’s C9 universities, their Ivy league] they’re translating Greek philosophy — Plato and Aristotle. They’re also looking at ancient Athens with a view to instituting a big discussion about democracy. This is the next frontier for Western classics.’   Professor Hall is in a particularly strong position to appreciate the irony that while

Possessing a meticulously detailed and layered style, as well as having an exceptional ability to describe nature, Jorie Graham’s poetry is primarily concerned with how we can relate our internal consciousness to the exterior natural world we inhabit. In 1996, The Dream of the Unified Field: Selected Poems, 1974-1994, earned Graham the Pulitzer Prize in poetry. She is currently the Boylston professor of poetry at Harvard University. Her forthcoming book, Place will be her twelfth collection to date. She spoke to the Spectator about why poetry needs to be reclaimed to the oral tradition, how technology is corrupting our imagination, and why her work is laced with contradictions and paradoxes.

John Irving’s latest novel, In One Person is narrated by a bisexual writer, Billy Abbot, who recalls his high school days from the 1950s, in the small New-England town of First Sister — where the majority of the cross-dressing residents are more likely to celebrate polymorphous perversity than puritanical punishment. Billy takes a fancy to various people, including: his stepfather; his friend’s mother; the captain of the school wrestling team; and the local librarian, Miss Frost — who reveals to Billy a secret regarding her own identity. The mood of the latter half of the book darkens when Billy moves to New York in the 1980s, witnessing the AIDS epidemic.

You are reading this article thanks to the greatest invention of the last 50 years: the internet. The web is often regarded as a panacea for absolutely everything. It is revolutionising the world’s economy. It is changing leisure and entertainment. And it is also a political tool that can liberate oppressed people. Jared Cohen, a former internet guru at the US State Department, once remarked: ‘Any combination of these [digital] tools [Facebook, Google etc.] allows for a greater chance of civil society organizations coming to fruition regardless of how challenging the environment.’ There is nothing that this incredible device can’t do. It is the greatest ever democratiser. But, a few