Ireland

Did our B&B guests smell a rat?

As I was showing a couple from Lincolnshire to their room, I smelt a rat. I don’t mean metaphorically, about them. I mean that halfway down the hallway, as I walked two paying guests from the front door towards the staircase, the most overwhelming stench of rotting carcass wafted upwards from the floor, right next to the fancy dresser displaying the tourist leaflets. I glanced at them nervously to see whether they had noticed. They were telling me about their house-hunting. They wanted to move to West Cork to go off grid and get in touch with nature. That’s handy, I thought, because nature is currently rotting under the floorboards.

Catherine Connolly’s election is a humiliation for Ireland’s establishment

‘I will be an inclusive president for all of you,’ Catherine Connolly declared as she was announced the winner of Ireland’s presidential election – a landslide victory over Fine Gael’s Heather Humphreys.  The independent TD received 63 per cent of the vote (with spoiled ballots excluded) to become Ireland’s tenth president. The result was officially confirmed early yesterday evening, but Connolly’s victory was clear from the moment counting began. ‘Catherine will be my president,’ Humphreys conceded, having received just over 29 per cent of the vote. Connolly defeated Humphreys in Ireland’s first head-to-head presidential race since 1973. Jim Gavin had entered the race but withdrew after revelations of a decades-old

How Catherine Connolly could change Ireland

‘How could you possibly say the EU is good as it stands?’ the woman says. Brexit, she continues, is a ‘first step [in] exposing the EU’. The speaker is Catherine Connolly. She is the frontrunner to win Ireland’s presidential election tomorrow. The footage stands out for two reasons. One, it’s rare for an Irish politician so close to high office to be seen as critical of the EU. Two, the video has only just resurfaced, despite being nine years old. While support for EU membership in Ireland typically polls between 70 and 90 per cent, opinion is becoming less homogenous, an interest in alternative views about the bloc is growing. The

The folly of solar panels

The house fell silent as the last of the tourists took their oat milk and pretend cheese from the guest fridge. Winter came in the nick of time. I’ve bitten my lip for six months while the B&B guests have forced their pro-Palestine, anti-Trump views on me, while refusing to eat normal food or use the dishwasher because, in leftie parlance, dishwashers cause neurological damage. ‘What does the shower cause?’ I wanted to ask some of them, who didn’t even use one towel or open one wrapped mini-soap in a week-long stay. Is soap carcinogenic now? Are you staging some sort of Gaza protest by not washing? The bookings dried

The oppression of Sally Rooney

Almost a decade ago the Irish academic Liam Kennedy published a tremendous book with the title Unhappy the Land: the Most Oppressed People Ever, the Irish? It is a dissection of one of the most curious pathologies in the world: the desire to have been oppressed; a glorying in being repressed. Kennedy, like a few other brave writers (Ruth Dudley Edwards, Malachi O’Doherty, Kevin Myers) has the courage to point to an under-examined seam in Ireland’s history. Specifically he takes aim at the mawkishness that exists in contemporary Irish affairs. The desire to be the first victim, perhaps the greatest victim, of all victims, anywhere in the world. You see

Haircuts are a human right!

During the immigration deluge in the wake of Russia’s invasion of Ukraine, it seems one Afghan and one Indian national who threw themselves on the mercy of much-besieged Ireland got lost in the shuffle. Fobbed off with €25 vouchers, they were obliged to sometimes sleep rough for two months, without access to food and hygiene and exposed to hardship and fear. They’ve sued the Irish state. Knowing Irish NGOs, I bet they got help. The government has argued that the pressures on Ireland’s hospitality at the time were severe enough to qualify as a force majeure. Their reception centres were full to bursting and there was no room at the

Britain fought on the wrong side of the first world war

It’s more than two months since I returned from Dublin, and at last the hangover is beginning to fade. I flew out with our team at The Rest is History to record a series about the Irish War of Independence and Civil War. Our guests were Paul Rouse, a professor at University College Dublin and former manager of Offaly’s Gaelic football team, and Ronan McGreevy, an Irish Times journalist and author of a terrific book about the murder of Sir Henry Wilson. On the first night Ronan took us for an excellent curry; on the second, Paul organised a pub crawl. Well, I say a crawl, but in truth we

John Connolly, Gavin Mortimer, Dorian Lynskey, Steve Morris and Lloyd Evans

26 min listen

On this week’s Spectator Out Loud: John Connolly argues that Labour should look to Andy Burnham for inspiration (1:51); Gavin Mortimer asks if Britain is ready for France’s most controversial novel – Jean Raspail’s The Camp of the Saints (4:55); Dorian Lynskey looks at the race to build the first nuclear weapons, as he reviews Frank Close’s Destroyer of Worlds (11:23); Steve Morris provides his notes on postcards (16:44); and, Lloyd Evans reflects on British and Irish history as he travels around Dublin (20:44).  Produced and presented by Patrick Gibbons.

Will the Irish ever forgive the English?

Leaving home is the best way to find out who you are. In my case, it’s a muddle. Welsh dad. Irish mum. English upbringing. And I feel pleasantly detached wherever I go. In England, I’m considered Welsh. In Ireland, I’m considered English. In Wales, I’m considered inadequate because I don’t speak the language, apart from the odd term like ‘popty ping’ (microwave). From childhood I’ve been a scholar of English preconceptions about my Celtic brethren. ‘Welsh? Cave-dwellers who love sheep.’ ‘Irish? Bog-trotters who love horses.’ The Irish are preferred, especially by the English upper classes, who are infatuated with Ireland as an abstract concept. But they’re less keen on the

I’ve become a slave to my Airbnb star rating

‘Right, we’re going to book into Pauline’s B&B and give her a four-star rating and that will drop her down from a perfect five,’ I said, in a state of utter lunacy. We were sitting in front of the fire at the end of a rainy West Cork day during which another difficult customer had rated us four stars, which should not be terminal but is, because of the way Airbnb plunges your overall rating the second one guest doesn’t rate you five stars. I was so upset at our latest downgrading that I was comparing myself with other B&B listings in the area with a perfect five, and had

The past is another country: Ripeness, by Sarah Moss, reviewed

Sarah Moss is a prolific and vital novelist whose books encompass an array of subjects from Victorian social reform and 19th-century Japan to broken Brexit Britain and eating disorders. She combines teaching at University College, Dublin with writing in real time: The Fell, set during the second lockdown, came out in the summer of 2021, while My Good Bright Wolf, an experimental memoir about her anorexic breakdown in late 2020, was published last year. A forthcoming Channel 4 adaptation of Summerwater, which explored national identity and isolation against the backdrop of a soggy Scottish holiday park, may catapult her into the sort of gold-foil territory enjoyed by Maggie O’Farrell or

The two young women who blazed a trail for modernism in Ireland

In 1921, the sternly abstract cubist Albert Gleizes opened the door of his Parisian apartment to two young women in their twenties, the Irish artists Evie Hone and Mainie Jellett. They explained that they wanted him to teach them his method of ‘extreme cubism’. He wasn’t sure that he had a method, nor whether it was teachable. They were inexorable. Their gentle voices and their tenacity, he wrote later, terrified him, and he capitulated. They had accepted his pronouncements on ‘painting without subject’; now they wanted to know how. They were to be trailblazers for modernism in the newly independent Ireland, Jellett as a painter and Evie as both painter

Lloyd Evans

Pure gold: My Master Builder, at Wyndham’s Theatre, reviewed

My Master Builder is a new version of Ibsen’s classic with a tweaked title and a transformed storyline. Henry and Elena Solness are a British power couple living in the Hamptons whose relationship is in meltdown after the accidental death of their son. Elena has scrambled to reach the top of the publishing world but she feels bitter that Henry’s career as an architect came to him so easily. When their marriage went awry, she played the field, seducing both men and women, and now she lusts after Henry’s protegé, Ragnar, a camp young stud who may be bisexual. Ragnar is almost too complicated to understand. He’s a philandering black

The Airbnb guest from hell 

‘Is there a secret passageway behind that door?’ said the weirdly difficult Kiwi as she eyed a door marked ‘private’ leading off the central staircase. ‘Yes, sort of,’ I said. Behind that door is the rear part of the house, unrenovated. So if you open it, the secret is you fall into a gap in one of the smashed floorboards, trip over a box of books or ten, fall against a stack of mattresses and tumble down a rickety staircase that lands you in the boiler and machinery room, where you will find the unfathomable clutter that is the builder boyfriend’s tool collection, the vast water tanks, groaningly driven by

Tender and gripping portrait of Edna O’Brien

You could say it’s impossible to make a poor documentary about the writer Edna O’Brien as she’s never said or done anything uninteresting in her life. Point a camera and we’re away. But Sinead O’Shea’s Blue Road: The Edna O’Brien Story is especially rewarding as it is not only beautifully constructed but also includes diary entries that have never been made public before, plus an interview conducted with O’Brien in July last year just before her death. She was 93 and frail but as extraordinarily vivid as ever. She was born, she says, ‘ravenous for life’ and, blimey, what a life it was. O’Brien was born, she says, ‘ravenous for

I’m more convinced than ever that Ian Bailey was innocent

Over coffee in a seafood restaurant in the harbour, I talked with the most notorious accused man in Ireland and, I have to say, I liked him and thought he was most likely innocent. It was shortly before Ian Bailey died of a heart attack in January 2024, and I had just moved to West Cork. I bumped into him at a market day and asked if he would like to meet for lunch. I had long been fascinated by the unsolved murder of the French woman Sophie Toscan du Plantier, whose body was found by the gate of her remote West Cork cottage in 1996. After initially working on

William Blake still weaves his mystic spell

Everyone has their own William Blake and each age finds something new in the ocean of his work: revolutionary Blake, Christian Blake, humanist Blake, Jungian Blake, Freudian Blake, free-love Blake, hippy Blake, occult Blake, eco-Blake. The only time that missed out was his own – then he was mad, delusional and ignored Blake. Philip Hoare brings the fizz of his own sensibility to bear on the work of a man whose progeny of artistic spin-offs multiply with each passing generation. The result is a book that is neither Blake biography nor critical analysis nor legacy-tracing nor personal odyssey but a capacious mixing of them all. As the author of Leviathan

Which Saint Patrick are we celebrating?

Time was, you knew where you were with the patron saint of Ireland whose feast is 17 March. He was a Briton and he tells us in his Confessions that, when he was a teenager, he was captured by Irish slave traders and taken to Ireland, where he herded sheep. He turned to God and was told that he would escape; he duly got a passage back home. But in a dream, he heard the Irish calling out to him to come back to Ireland and walk again among them, and he knew his mission was to bring them the gospel. So he had himself consecrated bishop, returned to Ireland

What my Irish passport means to me

I’m now officially Irish – the proud recipient of a shiny red passport. It arrived, with the luck of the Irish, in time for St Patrick’s Day. But as I gaze fondly at the words ‘European Union’ and ‘Ireland’ embossed in gold on the front, I do feel the awkward guilt of the hypocrite. I may have voted Remain just to avoid any upheaval but I’ve never been much of a fan of the EU. And while I’m in the confessional box, I should perhaps mention that I’m not even properly Irish – my mum was English. I’ve seldom visited the green fields of Erin and have never finished a

Three’s a crowd: The City Changes its Face, by Eimear McBride, reviewed

Nearly a decade after Eimear McBride published The Lesser Bohemians (her second novel after the success of A Girl is a Half-Formed Thing),the Irish writer has returned to the drab, smoke-filled world of 1990s London. The City Changes its Face is told from the perspective of 20-year-old Eily, two years after she has left Ireland to study drama in London and has met Stephen, an established actor 20 years her senior. In the interim period, the pair have moved from Kentish Town to Camden. Eily has taken time out of drama school, and Grace, Stephen’s daughter from a previous relationship, has made an appearance. The novel consists largely of a