Iris murdoch

Rich, beautiful and vital: John Craxton, at Pallant House Gallery, reviewed

The sensuality of the light in John Craxton’s painting ‘Two Figures and Setting Sun’ (1952-67) has to be seen to be believed. Viewing this large work in Pallant House, you feel its full force. Craxton was concerned with a scene’s essence, rather than simply its appearance and here he achieves not merely an effect but affect. In spite of most of the light being painted in yellows and oranges rather than white, the contrast and refraction of the rays produce a blinding sensation much like staring into the sun on a hot day.   It was as a chorister at Chichester Cathedral that Craxton’s daily encounter with two 12th-century Romanesque

Friendships and rivalries in the golden age of Oxford philosophy

Though it is startling to think of it now, analytic philosophy was once considered a promising subject for satire on mainstream television. When Beyond the Fringe was broadcast in 1964, the viewing public could apparently be relied upon to recognise the archetype of the post-Wittgensteinian linguistic philosopher being impersonated by Jonathan Miller and Alan Bennett. The discursive style on display was anguished, effete and reflexively pedantic; the setting, a kind of implied common room (the only atmosphere this particular creature was able to breathe); the repartee hopelessly clogged with qualifications and smug little obiter dicta and minutely alert to exquisite verbal distinctions of doubtful relevance to the point in hand.

The women who challenged a stale, male philosophy

Metaphysical Animals tells of the friendship of four stellar figures in 20th-century philosophy — Mary Midgley, Iris Murdoch, Elizabeth Anscombe and Philippa Foot — who attempted to bring British philosophy ‘back to life’. Fuelled by burning curiosity — not to mention chain-smoking, tea, wine, terrible cooking and many love affairs (sometimes with each other) — they tackled an ancient philosophical question: are humans a kind of animal or not? Dazzled as we are these days by technological possibility, their question only gains in urgency. This splendidly entertaining book, fizzing with character and incident, constitutes an extended joyful reply in the affirmative. Others would disagree. Humans are rational and animals aren’t,