Jamestown

In 1797, following a written plea for troops to counter an incursion by an American Revolutionary War veteran into Louisiana, Manuel Godoy, minister to the Spanish crown, made a note in the margin: No es posible poner puertas al campo (‘It is not possible to put up doors in a field’). Both literally and metaphorically, Spain could no longer defend the indefensible. In 2017, the 45th president of the United States signed an executive order to build a wall along the country’s Mexican border. Its construction, for which he perversely wanted Mexico to pay, was a practical and symbolic one. The United States was turning its back on Latin America.

Lauren Groff writes to alleviate her angst about aspects of life she finds hard to confront. Climatic disaster, misogyny, spousal death, flawed utopias and pandemics have all fuelled the plots of books as disparate as Fates and Furies, her 2015 contemporary two-hander about marital verisimilitude, and Matrix, which features a 12th-century feminist abbess based on the little-known poet Marie de France. Yet neither is a bleak read; indeed, Barack Obama selected Fates and Furies as his 2015 pick. Groff’s intoxicating 2018 story collection Florida threw the strains of motherhood into this mix: the mother in ‘Ghosts and Empties’ who laces her running shoes to pace the streets because she has