Japan

How claims of cultural appropriation scuppered an acclaimed new ballet

On 14 March 2020 I was at Leeds Grand Theatre for the première of Northern Ballet’s Geisha. The curtains swung open on fishermen flinging out their nets, geisha, samurai, 19th-century Japanese village folk, followed by the sudden appearance of American sailors. It was in essence a Japanese Giselle: the tale of a geisha, spurned by her American lover, who dies of grief, and whose restless spirit returns from the grave. Far from being offended, the Japanese Embassy offered their official imprimatur It was a unique production. Many of the dancers at Northern Ballet are Japanese, Chinese or Korean and this was an east Asian story. The ballet was created by

Must-watch TV: Apple TV+’s Pachinko reviewed

Pachinko is like an extended version of the Monty Python ‘Four Yorkshiremen’ sketch (‘I used to have to get out of shoebox at midnight, lick road clean, eat a couple of bits of coal gravel’) relocated to mostly 20th-century Japan and Korea. There’s so much misery it makes Angela’s Ashes look like Pollyanna. And there’s so little by way of laughter or a redemptive pay off you might be tempted to end it all like one of the numerous doomed characters do – off camera, fortunately – in the almost relentlessly catastrophe-laden season one. Pachinko comes pretty close, I’d say, to being must-watch television Now we’re back for season two

India radiates kindly light across the East

‘Everywhere I could see India, yet I could not recognise it.’ So said India’s great national poet Rabindranath Tagore of South-East Asia, after travelling there in 1927. Tagore was fascinated by how elements of ancient Indian culture had found their way eastwards: gods, temple architecture, the Sanskrit language and the great epics the Ramayana and the Mahabharata. A nationalist but also a universalist, Tagore welcomed the reshaping of these ideas by the people who received them, a process whose fruits he encountered in Malay literature and Balinese dance. He even hoped that one day a ‘regenerated Asia’, making creative use of its shared cultural heritage, might heal the world of

The allure and terror of Mount Fuji

Six men have died on Japan’s iconic Mount Fuji since the start of the climbing season in July. This figure, two more than last year, is especially worrying given that steps had only recently been taken to mitigate the dangers of climbing the mountain. Various restrictions were introduced earlier this year to deal with overcrowding, which has become a feature of the mountain. A cap of 4,000 climbers a day was imposed along with a fee of 2,000 yen (£10). A website giving advice about weather conditions and congestion on the mountain was set up. Prayers were offered in an official ceremony before the climbing season opened. The lesson from

The art of Japanese woodblock printing

Van Gogh owned a copy of Utagawa Kunisada’s woodblock print of the ‘Yoshiwara Poet Omatsu’ (1861), which is currently on display at the Watts Gallery. It depicts the poetess who rose from humble origins in an elegant kimono at her dressing table and was part of Kunisada’s series of paintings titled Biographies of Famous Women, Ancient and Modern, but Van Gogh may not have known that. By the time he started amassing Japanese prints – he splurged on 600 of them in the winter of 1886 – they had become collectibles sought after by avant-garde artists for their clear lines, bright colours and the immediacy of their cropped figure compositions

Charles Moore

The problem with flexible working

Lots and lots and lots of fuss about betting on the general election. Less attention is paid to the biggest bet of all – Rishi Sunak’s frightening flutter in opting for 4 July. At Tuesday lunchtime, I was held up crossing the Mall by the procession for the state visit of the Emperor of Japan. I fumed a bit, but the modest crowd’s modest interest was soothing. How success is taken for granted. The recovery of Japan from disgrace, hunger and ruin was a miracle, the triumph of western, especially American, nation-building – such a miracle that everyone has forgotten it. When I was a boy, Hirohito, the wartime emperor,

Why Japan is unlikely to legalise same-sex marriage

Thailand has just passed a ‘landmark’ marriage equality bill, which will pave the way for the recognition of same-sex unions in the Land of Smiles. The upper house in Bangkok comfortably approved the measure on Tuesday, and as soon as King Maha Vajiralongkorn signs it off Thailand will become the first Southeast Asian jurisdiction to formally legalise gay marriage. Equality campaigners in Japan will be watching these developments closely. With a general election expected before November and Prime Minister Fumio Kishida’s scandal-wracked Liberal Democratic Party (LDP) administration under considerable pressure, advocates for same sex marriage in the one G7 country that still denies it, will have hopes that, following the

How to quit like the Japanese

Tokyo For many, the idea of quitting a job they hate, of walking into their boss’s office and telling him or her in no uncertain terms what they think of it (and them perhaps), and then striding out without a backward glance, is a delicious one, a pleasant daydream to be enjoyed on the dreary daily commute. But for the Japanese, the idea of resigning from your company is positively traumatic, so much so that the latest boom industry here is agencies who will take care of the whole messy business for you. For the Japanese, the idea of resigning from your company is positively traumatic There are now dozens

Are we all becoming hermits now?

Long before Covid, wi-fi and Deliveroo, Badger in The Wind in the Willows showed us how to live beyond the manifold fatuities of this gimcrack world. Cosily tucked into his burrow with a roaring fire and well-stocked cellar, he was unbothered by importunate weasels and other denizens of the Wild Wood. He padded his underground realm for six months a year in dressing gown and down-at-heel slippers not just because he was a hibernating animal but out of existential temperament. ‘Badger hates Society,’ explained Rat. But, really, don’t we all? Not for him the ‘Poop! Poop!’ of Mr Toad, always going places and doing stuff. More Badger’s style was the

The problem with westerners seeking oriental enlightenment

Call it a prejudice if you like. Living in Japan in the 1970s, I had a slight aversion to a particular type of westerner. He – for it was mostly a he – usually lived in Kyoto, sometimes wore a kimono and liked to sit in ancient temples chasing after that presumably blissful moment of enlightenment, awakening, satori, or whatever one wishes to call it. These seekers were less interested in Japan as a society of human beings. They wanted to float in higher spheres. As Christopher Harding explains in The Light of Asia, the Zen adepts, the Buddhist chanters, the rock-garden worshippers, the kimonoed fools (in my no doubt

Why are the Japanese so obsessed with the cute?

Joshua Paul Dale is a professor of American literature and culture at Chuo University in Tokyo and a pioneer in what is apparently a burgeoning academic field called ‘Cute Studies’ – or what Damon Runyon might have called ‘Pretty Cute’ Studies, as in ‘“Are You Kidding Me? You Study This?” Studies.’ In fairness, Dale makes a strong case for his subject to be taken seriously. Irresistible is packed with references to all sorts of neuroscientific studies and cultural studies and studies about theories of animal domestication and the evolution of ‘affiliative social behaviour’, which lead Dale to posit that cuteness is a ‘species-wide emotion’. Is it an emotion? I don’t

What Jesus taught us

This is the 47th year in a row that I have written a column for The Spectator’s Christmas issue. It began when I was a young 40-year-old, and is at present being written by an 87-year-old vet. The years have passed in an eye-blink. Recently I asked myself why do bad things happen to good people? (Well, not very good people, but well-intentioned.) This question has occupied thinkers throughout the ages. People who do not believe in a good God should logically have no problem with the existence of evil. In my case, I very much believe in God and it has served me well during a very long and

Unequivocally Japanese: The Premonition, by Banana Yoshimoto, reviewed

Who are you without memory? This is the question that sits at the heart of The Premonition by Banana Yoshimoto, best known for her 1988 novella Kitchen, which was a smash hit in Japan and adapted for film. The Premonition is a similarly slender work and one that casts a delicate spell. Nineteen-year-old Yayoi has the perfect family – doting parents and a brother she adores – but she feels unsettled, as if she’s forgotten something vital in her past: ‘There, in the midst of such a beautiful evening, my heart must have been full of that premonition.’ Looking for answers, she goes to live with her eccentric aunt Yukino,

Arresting visual spectacle and superb fight scenes: Netflix’s One Piece reviewed

What would you say is the most successful comic-book series in history? If you’re thinking Tintin you’re not even close. (Curiously enough, even the now largely forgotten Lucky Luke scores higher.) If you’re thinking Peanuts, you’re getting warmer. And if you named Asterix, good try but that’s only number two. No, the hands-down winner, with total sales exceeding 516 million, is a Japanese manga called One Piece. One Piece? Me neither. It’s quite unusual these days to chance upon a massive cultural phenomenon – the series has been going since 1997, with 1,093 chapters so far – of which one has never once even heard. But this, I suspect, will

The extraordinary – and haunting – life of Lafcadio Hearn

It’s a convoluted title for a book, but then Lafcadio Hearn – a widely travelled author and journalist who earned his greatest fame as an interpreter of Japanese horror stories – led a convoluted life. Born in 1850 from a difficult marriage between an Irish officer-surgeon and a wildly unpredictable noble-blooded Greek woman (his middle name, Lafcadio, was adopted from Lefkada, the name of the island where he was born), he was quickly abandoned by both. His mother ended her life in an asylum; his father remarried and died young of malaria. Hearn went on to be yet again abandoned by the great-aunt who raised him, and spurned by the

The ‘historic’ national dishes which turn out to be artful PR exercises

In 1889, Raffaele Esposito, the owner of a pizzeria on the edge of Naples’s Spanish Quarter, delivered three pizzas to Queen Margherita, including one of his own invention with tomatoes, mozzarella and basil, their colours taken together resembling the Tricolore. The Italian queen loved the pizza, and Esposito duly named it after her. In that restaurant today hangs a document from the royal household, dated 1889, declaring the pizzas made by Esposito to be found excellent by the queen. And so was born the Pizza Margherita, a dish now synonymous with Naples. The queen’s seal of approval in the wake of Italian unification, which had proved difficult for Naples, came

Against the grain: why the Japanese are losing their taste for rice

It would be an insult to call rice the staple food of Japan. For centuries it has been so much more than that. In Japan, rice has long been treated with a respect that borders on reverence. The emperor blesses the rice crop each year and in Shinto culture rice and rice-based sake are two of the most common ceremonial offerings to the gods. Rice has supernatural power: the red glutinous variety will protect you from evil and bring good luck. And it must be handled with great care: the worst thing you can do during a Japanese meal is plant your chopsticks in the rice – a symbol, if

What Japanese cities can teach us about architecture

There are three things that occur to you when you travel the length of Japan: that kimonos are surprisingly good for any occasion; that the country’s reputation for cruelty may partly derive from breakfasts comprising tea porridge and prawn soufflé; and that the hordes of camera-wielding Japanese tourists taking thousands of snaps – a comic trope in the 1980s, at least – were really just ahead of their time and the rest of us are only now catching up thanks to our iPhones. First impressions of Tokyo might persuade you that you’ve accidentally fallen into a dystopian future: the march of skyscrapers and mesh of streets sprawls greyly on for the best part of

The wonder of the marine world is in serious danger

Streamlined, musclebound, warm-blooded and with fins that retract into body slots like a switchblade so it can attain swimming speeds of more than 40 mph, the Atlantic Bluefin Tuna is a wonder of the marine world – the Clan Chief of the Scombridae, that can weigh up to 1,500 lb. It has long been prized by sport fishermen, from Charlie Chaplin to the dentist-turned-bestseller Zane Grey, and there is nothing tentative about a tunny strike. In 1927, after a four-hour battle with one eight-foot giant, Grey wrote: ‘If it were possible for a man to fall in love with a fish, that was what happened to me. I hung over

Spooky, classy dystopian sci-fi: Apple TV+’s Silo reviewed

Back once more to our favourite unhappy place: the dystopian future. And yet again it seems that the authorities have been lying to us about the true nature of reality. This time – in Silo – the lie concerns the nature of the world outside the enormous silo in which our heroes and about 10,000 other survivors have been hiding for the past 100-odd years since some nameless apocalypse. Is it really as dangerous as the Powers That Be say? Or is this an illusion, maintained over a century of relentless official propaganda, designed to keep the enclosed populace frightened and in check? Silo began life in 2011 as a