Jesse armstrong

A highly polished exercise in treading water: Season 3 of Succession reviewed

At one point in an early Simpsons, Homer comes across an old issue of TV Guide, and finds the listing for the sitcom Gomer Pyle, U.S.M.C. ‘Gomer upsets Sergeant Carter,’ he reads — adding with a fond chuckle, ‘I’ll never forget that episode.’ Even for British viewers unfamiliar with the show, the joke is clear: that’s what happens in every episode. Sad to say, this popped into my head while watching the first in the new series of Succession. The acting, script and direction are as brilliant as ever. Nonetheless, once Logan Roy began yet again to dangle the possibility of becoming the next CEO of his media empire before

Succession gets the rich and powerful all wrong

They have stepped into the pop-culture spotlight via the HBO hit Succession, a hatchet job on the very rich and powerful produced by the very rich and much more powerful Adam McKay (The Big Short). McKay started off by doing a lot of cheesy comedies, made a large fortune, and then went after Wall Street types. Nothing wrong with that; films are supposed to go after the rich and powerful, and always have. It’s the media’s coverage of a TV series about a fictional family that is slanted and totally false. The media hint that the mogul and patriarch Logan Roy is based on Rupert Murdoch, and that Roy’s dysfunctional