John constable

Monday

Hermione Eyre

Stories of the Sussex Downs

This amazing book is itself a little like a flint, a misshapen stone egg of the Sussex Downs. It resists the reader at first, coated in the calcite rind of the author’s slow, scholarly journey, missteps and all. But when you persist, breaking the book’s spine or, as it were, knapping the flinty nodule, you find treasure within. Alexandra Harris quotes the painter Paul Nash writing in 1937: ‘If I broke all the shells of all my wild stones, I should find that precious yolk which is like precious stones, the black core of the flint.’ From Nash, it’s a hop and a skip to Henry Vaughan, the metaphysical poet

Tuesday

Alec Marsh

The joy of Suffex: England’s county that never was

There is a point on the dreaded A12 – a road so soulless it makes the M4 looks like Shangri La – when you reach the end of Essex. If you’re driving from London it takes you a surprisingly long time; there’s a lot of noisy beige concrete to go over – about 60 miles’ worth – with roadside highlights including a large, sad-looking ‘adult shop’ that was clearly a Happy Eater or Little Chef in more innocent times, and dejected-looking service stations with alarming short slip-roads. Then of course there are lorries galore thundering along, laden with shipping containers bound for Felixstowe, Britain’s happiest sounding port. Heading east you’ll pass signs

Thursday

Martin Gayford

How John Constable got masterpiece after masterpiece out of a tiny corner of rural Suffolk

Before his marriage John Constable returned regularly in early summer to his native village of East Bergholt. When he wrote from there to his wife-to-be, Maria Bicknell, he almost always exclaimed that Suffolk was ‘in great beauty’. His enthusiasm was never more eloquent than on 22 June 1812, when he declared: ‘Nothing can exceed the beautiful appearance of the country at this time, its freshness, its amenity — the very breeze that passes the window is delightful, it has the voice of Nature.’ I often think about Constable (1776–1837) as I pace across the water meadows on my daily constitutional — partly because this too is an East Anglian landscape