K pop

Thursday

James Walton

Why are these dead-eyed K-pop groups represented as some kind of ideal?

On Saturday, Made in Korea: The K-pop Experience began by hailing K-pop as ‘the multi-billion-pound music that’s taken the world by storm’. Unusually, this wasn’t TV hype. Last year, nine of the world’s ten bestselling albums were by Korean acts (the sole westerner being Taylor Swift). Even odder for people over 40, according to such reliable sources as Richard Osman on The Rest is Entertainment podcast and my children, South Korea has replaced America as the cultural centre of the Earth for many British teenagers. Korean youngsters are trained for pop stardom on an industrial scale But this global domination hasn’t come about by chance. Korean youngsters are trained for

Sunday

Dylan Levi King

China’s war on effeminate men

A rectification notice from China’s state censor earlier this month included a peculiar admonition to ‘resolutely oppose’ effeminate men on television. The note stood out in the otherwise dry document. Its other targets — people with ‘poor morals’ or ‘lacking solidarity with the party and nation’ — make sense within Beijing’s authoritarian logic. But it’s hard to conceive of pretty boys in eyeliner joining the party’s long lists of revolutionary enemies. The term used for effeminate men in the notice — niangpao — is vague, but the National Radio and Television Administration is counting on its broadcast partners to know what it means. An example of the sort of effeminate