Keith Warner

I genuinely liked Siegfried – which almost never happens: Royal Opera's Ring cycle reviewed

13 October 2018 9:00 am

‘On Brünnhilde’s rock I drew the breath that called your name; so swift was my journey here.’ It’s Act Two…

Psycho thriller: Samuel Barber’s Vanessa at Glyndebourne Festival

Magnificent: Vanessa at Glyndebourne reviewed

11 August 2018 9:00 am

‘Outside this house the world has changed. Life is swifter than before; there is no time for idle gestures.’ Anatol,…

That this Fidelio is merely frustrating counts as something of a success

1 July 2017 9:00 am

If you want to see an opera director kicking a genius when they’re down — and I mean really sticking…

Anna Devin as Alcina and Nick Pritchard as Ruggiero in ‘La Liberazione di Ruggiero’ at Brighton Early Music Festival

Has there ever been a better time to be a lover of Baroque opera?

28 November 2015 9:00 am

Time was when early music was a 6 p.m. concert, Baroque began with Bach and ended with Corelli’s Christmas Concerto,…

Half-brilliant, half-bewildering: Peter Pan at Welsh National Opera reviewed

23 May 2015 9:00 am

In Beryl Bainbridge’s novel An Awfully Big Adventure the producer Meredith Potter issues a doughty injunction on the subject of…

Simon Keenlyside and John Tomlinson in ‘Wozzeck’

Keith Warner's Wozzeck doesn't make me as angry as it used to

9 November 2013 9:00 am

When Keith Warner’s production of Berg’s Wozzeck was first produced at the Royal Opera, nine years ago, it made me…