Keith Warner
I genuinely liked Siegfried – which almost never happens: Royal Opera's Ring cycle reviewed
Richard Bratby 13 October 2018 9:00 am
‘On Brünnhilde’s rock I drew the breath that called your name; so swift was my journey here.’ It’s Act Two…
Magnificent: Vanessa at Glyndebourne reviewed
Richard Bratby 11 August 2018 9:00 am
‘Outside this house the world has changed. Life is swifter than before; there is no time for idle gestures.’ Anatol,…
That this Fidelio is merely frustrating counts as something of a success
Richard Bratby 1 July 2017 9:00 am
If you want to see an opera director kicking a genius when they’re down — and I mean really sticking…
Has there ever been a better time to be a lover of Baroque opera?
Alexandra Coghlan 28 November 2015 9:00 am
Time was when early music was a 6 p.m. concert, Baroque began with Bach and ended with Corelli’s Christmas Concerto,…
Half-brilliant, half-bewildering: Peter Pan at Welsh National Opera reviewed
Anna Picard 23 May 2015 9:00 am
In Beryl Bainbridge’s novel An Awfully Big Adventure the producer Meredith Potter issues a doughty injunction on the subject of…
Keith Warner's Wozzeck doesn't make me as angry as it used to
Michael Tanner 9 November 2013 9:00 am
When Keith Warner’s production of Berg’s Wozzeck was first produced at the Royal Opera, nine years ago, it made me…
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