Letters

Amanda Craig recently rebuked her fellow novelists for evading the contemporary scene and setting their novels in the past. We should be more like the Victorians, she said, and have the courage to write about our own times. If the novel is to be relevant to readers, it should address today’s issues. Why, she asked, is Hilary Mantel publishing a novel about Henry VIII’s henchman, Thomas Cromwell, rather than . . . Well, I don’t recall if she actually suggested an alternative subject, but her point is clear. Writing historical novels is an evasion of the novelist’s duty. Of course Hilary Mantel has written novels set in the here and

Few would look for what academics might call ‘a gay sub-text’ in the Waverley novels. Few would look for what academics might call ‘a gay sub-text’ in the Waverley novels. Nevertheless, writing of the relationship between the two young men who share most of the narrative in Redgauntlet, Professor David Hewitt, editor of the splendid Edinburgh Edition, declares ‘Alan and Darsie are in love with each other. There is absolutely no suggestion of their relationship being physical, but the love is overt.’ They regularly express passionate friendship for each other in the letters they exchange, and when Alan displays his interest in the girl whom he knows only as ‘Green

Evelyn Waugh told Nancy Mitford he was ‘surprised to find’ that Proust ‘was a mental defective. He has absolutely no sense of time.’ Evelyn Waugh told Nancy Mitford he was ‘surprised to find’ that Proust ‘was a mental defective. He has absolutely no sense of time.’ (Joke, given the novel’s title?) ‘He can’t remember anyone’s age. In the same summer as Gilberte gives him a marble and Françoise takes him to the public lavatory in the Champs Elysées, Bloch takes him to a brothel.’ Well, I can’t remember just where all this comes in A La Recherche, but suspect that either Waugh or Scott-Moncrieff, whose translation he was reading, made

Flying to Athens on one of his last visits to Greece, Simon Gray started reading a novel by C. P. Snow, one of those old orange Penguins. After 50 pages he ‘still had no idea what the story was about’. It seemed foggy, ‘but an odd sort of fog, everything described so clearly, and yet everything obscured … he describes his world without seeing it, almost as if he thinks adjectives are in themselves full of detail and content.’ As for the narrator, Lewis Eliot (‘I suppose he’s a front for old C. P. himself’ — which he undoubtedly was), Simon remarked on his ‘trick of having himself complimented’ by

From the Front Line: Family Letters & Diaries, 1900 to the Falklands & Afghanistan, by Hew Pike ‘Every man thinks meanly of himself for not having been a soldier,’ reckoned Dr Johnson, and certainly every soldier thinks the less of himself for not having seen action. For four generations the extended Pike family has written movingly of the miseries of partings and of the ‘noise, violence indignity and death’ of the battlefield, but give any of them the choice between a cushy command at Catterick and the Normandy beaches and it is no contest. ‘Peace,’ writes the wonderful Reggie Tompson, back in England recovering from a bad wound on 24