London Coliseum

Contains at least 15 laugh-out-loud moments: Genesis Inc. reviewed

7 July 2018 9:00 am

Listen to the crowd. I often delay passing judgment on a show until the audience delivers its verdict. This is…

The mechanicals: the dancers in Wayne McGregor’s ‘Tree of Codes’ interlock but they never really interact and we are left humming the scenery.

Music and dance are totally eclipsed by the setting: Tree of Codes reviewed

18 March 2017 9:00 am

The exit signs were switched off and the stalls were in utter darkness. One by one, 15 invisible dancers, their…

This Creation puts brain before heart: Rambert at Garsington Opera reviewed

23 July 2016 9:00 am

Mark Morris, the most musically communicative and naturally lyrical of choreographers of the past 30 years (and an absentee from…

The opera for opera sceptics: Jenufa at Longborough reviewed

23 July 2016 9:00 am

What’s the best first opera for a sceptical adult first timer? It’s a favourite topic among opera buffs, and once…

Dance from Edinburgh: a flamenco master who could tell classical ballet a thing or two

29 August 2015 9:00 am

Every August when London dims, Edinburgh calls, promising nothing less than ‘the greats of the arts’ at the International Festival.…

Sylvie Guillem’s better than ever in her final, final Coliseum farewell

15 August 2015 9:00 am

The blackness that sweeps along the stage behind Sylvie Guillem’s disappearing figure in the Russell Maliphant piece on her farewell…

You can feel as if you’re in a colony of rabbits: Matthew Bourne’s Car Man reviewed

1 August 2015 9:00 am

Hot, languorous, sizzling… I was thinking what an ideal show Matthew Bourne’s noir comedy is to watch on a summer’s…

Vadim Muntagirov and Laura Morera in ‘La Fille mal gardée’

La Fille mal gardee at the Royal Opera House reviewed: light, lithe and tender

25 April 2015 9:00 am

The current talking-point at the Royal Ballet is the Russians milling around. One can sound unfortunately as if one’s starting…

The erotic Mary, left, by Gregor Erhart (c.1515–20) and the penitent Mary, right, by El Greco (c.1577)

No one in the Bible has been as elaborately misrepresented as Mary Magdalene

22 November 2014 9:00 am

A bogus history book and a new oratorio turn Mary Magdalene into the wife of Jesus and a human rights activist. Damian Thompson feels sorry for the poor woman

Ballet’s super couple should stick to the classical repertoire

16 August 2014 9:00 am

Last week, the feast of long-awaited dance events on offer echoed bygone days when London life was dominated by the…