London

The Harrods bookshop, which I browse for masochistic reasons, is mesmerising: an homage to the lure of ownership. The first book I find is called, simply, 150 Houses. Is that enough? Then I find Luxury Trains, the Porsche Book, the Lamborghini Book and the Jaguar Book. Then I find a book designed for a lifelong self-guided tour of the world of James Bond, who is a fictional British civil servant. Then I find books called Dior, Balmain, Prada and Gucci. I didn’t know they did words. I want to tell you that the Harrods bookshop is entirely advertorial for the life I can’t afford, but that would be unfair. Because

The Savoy Hotel is a theatre playing Mean Girls with a hotel attached to it, so you can expect it to both dream and fail. That is a polite way of saying that its new restaurant, Gallery, is not a success, but the Savoy will survive it. Though it didn’t survive the Peasants’ Revolt. It burned down, courtesy of medieval far-leftists who I would suspect were less annoying than modern far–leftists. They could hardly be more so, and I’m sure Geoffrey Chaucer, who wrote some of the Canterbury Tales on this site, would agree. Gallery is beige at its most self-deceptive: flounces, columns, mirrors I review Gallery because it is

I see this column as an essay on cultural polarisation: artisanal butter can only take you so far into wisdom. I cower in Covent Garden, mourning Tory romanticism, and stare, cold-eyed in St James’s, at oligarchic mezze. Sometimes I eat by mistake. I couldn’t get into the fashionable noodle place in Soho, whose Instagram-made queue stretched to Cambridge Circus on Saturday night. It reminded me of the crowds at royal weddings: both camp for dreams. So, I went to Wingmans instead.  Wingmans – it lost the apostrophe, it’s a decadent age – calls itself ‘London’s best wings’. They are chicken wings, not angel wings, and this is Pottersville, not Bedford

Headed for ‘the worst of all worlds’ is not where any of us would wish to find ourselves at the start of the new year. But that was the phrase used by the CBI economist Alpesh Paleja to sum up the predictions of member businesses – of reduced hiring and output, rising prices and weak growth. Since that survey, a revision to zero of the official growth figure for the third quarter of 2024 and reports of depressed pre- and post-Christmas consumer spending have provoked even darker whispers of a return to recession. Whence cometh such pessimism? Has it bubbled out of the Tories’ black hole of fiscal shame? Can

Back to the past: it’s safer there. There is a themed restaurant dedicated to George VI of all people, near Berkeley Square – a sort of Rainforest Café for monarchists who won’t sink to the Tiltyard Café at Hampton Court. I was looking for a restaurant my husband might like – Brexit, meat, maps of the Empire at its height in colour – and I found the Guinea Grill in Bruton Place. George VI isn’t a vivid monarch. He lived in the shadow of queens – one Mary, two Elizabeths – and on film he is always crying, or dying. In The Crown (Jared Harris, marvellous) he lost his lung.

For British people, America is an idea brought by cinema, and The Dover, the New York Italian bar and restaurant in Mayfair, meets a version of it. It’s not quite the ballroom in Some Like It Hot, not quite Rick’s Café in Casablanca, but it’s as close as you will find near Green Park Underground, and that has a charm to it, because Americans can speak. It’s from Martin Kuczmarski, formerly of the once preening, now ragged Soho House. He has named his company Difficult Name. There’s a message there, and a story, and it made a glorious restaurant with the tagline ‘A good place to be since 2023’. It

Home Kitchen is in Primrose Hill, another piece of fantasy London, home to the late Martin Amis and Paddington Bear. It is a measure of the times that Elizabeth II had no literary chronicler – no Amis, no Proust for her – but was, almost against her will, given Paddington Bear instead. When I saw the small bear at her memorials, I thought: is that her genre? Infants’ fiction? Couldn’t she do better? The question that follows is, of course: would they have eaten together at Home Kitchen? The barley is doughty, fragrant and from the earth. The crumble is from God To do so – and forgive this fiction,

‘An old lady’s fallen down – quick! She’s bleeding. Come help.’ An elderly woman lay on the entrance steps of the block of mansion flats, food from a Tesco bag spilled around her, blood spreading on the stone. It was clear she’d tripped and banged her forehead, opening a large gash over her right eye. The courier had already tried to call an ambulance, but been put on hold. He had to continue his delivery run, so he’d begun ringing doorbells to summon assistance. The lady was groggy but awake. I asked her name – Daphne. I helped her sit up, slowly, and propped her against the doorway’s cold brickwork.

Two months ago I moved to London and found it a disorientating experience. Most of my friends were already settled when I got here, and I found myself overwhelmed, isolated and always on the wrong Circle line train. Everyone seemed to have their ‘thing’; something they belonged to. What was mine? I tried a 5 a.m. run club. It was horrendous. I tried the East London conceptual art scene, but couldn’t keep a straight face. Then one Friday night I found myself in church, but not for a prayer service. This church was deconsecrated, converted and the activity that evening was something called ‘ecstatic dance’. Yet the setting was appropriate

The Ambassadors Clubhouse is on Heddon Street, close to Savile Row and the fictional HQ of Kingsman, which was a kind of privatised MI6. I wonder if the Kingsmen eat here, being clubmen. Heddon Street needs fiction because its reality is one-dimensional. It is an alleyway behind Regent Street, and it used to be interesting. There was an avant-garde café under the Heddon Street Kitchen called The Cave of the Golden Calf. Ziggy Stardust was photographed for his album cover outside No. 23; from Heddon Street you could hear the Beatles play their final concert on the roof of 3 Savile Row in 1969. This is dense, fierce, very sophisticated