Lyttelton Theatre

Family fortunes: Ben Miles, Adam Godley and Simon Russell Beale in The Lehman Trilogy

Extraordinary power and simplicity: Lehman Trilogy reviewed

21 July 2018 9:00 am

Stefano Massini’s play opens with a man in a frock-coat reaching New York after six weeks at sea. The year…

Vanessa Kirby as Julie and Eric Kofi Abrefa as Jean in Julie at the National Theatre. Photo: Richard H Smith

This adaptation of Miss Julie is a textbook lesson in how to kill a classic

23 June 2018 9:00 am

Polly Stenham starts her overhaul of Strindberg’s Miss Julie with the title. She gives the ‘Miss’ a miss and calls…

A dated and remote two-hour polemic basking in #MeToo topicality: The Writer reviewed

5 May 2018 9:00 am

Ella Hickson’s last play at the Almeida was a sketch show about oil. Her new effort uses the same episodic…

Missing in action: Cosmo Jarvis and Oliver Alvin-Wilson in The Twilight Zone at the Almeida

The latest astonishing achievement from the creators of War Horse

13 January 2018 9:00 am

The Twilight Zone, an American TV show from the early 1960s, reinvented the ghost story for the age of space…

Nympho with a bus pass: Juliet Stevenson as Gertrude

The textual omissions and misreadings could fill a small book: Almeida’s Hamlet reviewed

11 March 2017 9:00 am

Hamlet was probably written sometime between 1599 and 1602. The Almeida’s new version opens with a couple of security guards…

Kate Duchêne as Juliana, Kyle Soller as Tesman, Ruth Wilson as Hedda, Rafe Spall as Brack and Sinead Matthews as Mrs Elvsted in ‘Hedda Gabler’

Scarcely worth discussing this daft old muddle: Hedda Gabler at the Lyttelton reviewed

7 January 2017 9:00 am

Hedda Gabler is one of the most influential plays ever written. It not merely illuminated an injustice, the enslavement of…

Dread and anxiety haunt every beat of the play: Elizabeth Debicki as Mona Sanders in David Hare’s ‘The Red Barn’

One of the ugliest nights of my life: A Pacifist’s Guide to the War on Cancer reviewed

29 October 2016 9:00 am

Great subject, terminal illness. Popular dramas like Love Story, Terms of Endearment and My Night With Reg handle the issue…

Put a spell on you: Jamie Parker as Harry in ‘Harry Potter and the Cursed Child’

Platitudes, banalities and plotlines that punch each other in the face: Harry Potter and the Cursed Child reviewed

6 August 2016 9:00 am

Consider it commercially. So powerful is the pull of the Potter franchise that the characters could simply re-enact the plot…

All meat-cleaver and calculation: Ralph Fiennes as Richard, Duke of Gloucester, in ‘Richard III’

Worth catching for Vanessa Redgrave's scary-witch routine alone: Almeida's Richard III reviewed

25 June 2016 8:00 am

When Richard III’s bones were unearthed in a Leicester car park, Frankie Boyle suggested the headline ‘Bent royal found at…

Talk of the Devil: Kit Harington in ‘Doctor Faustus’

A literary lap dance: Doctor Faustus reviewed

7 May 2016 9:00 am

Great excitement for play-goers as a rare version of a theological masterpiece arrives in the West End. Doctor Faustus stars…

Sarah Snook as Hilde Wangel and Ralph Fiennes as Halvard Solness in ‘The Master Builder’

A great, weird play to rival Shakespeare: Old Vic's The Master Builder reviewed

13 February 2016 9:00 am

The Master Builder, if done properly, can be one of those theatrical experiences that make you wonder if the Greeks…

Cherrelle Skeete as Katya and Royce Pierreson at Belyaev in ‘Three Days in the Country’

Feels like Chekhov scripted by a Chekhov app: Three Days in the Country at the Lyttleton reviewed

8 August 2015 9:00 am

Chekhov so dominates 19th-century Russian drama that Turgenev doesn’t get much of a look-in. His best known play, A Month…

Why George Bernard Shaw was an overrated babbler

7 March 2015 9:00 am

When I was a kid, I was taught by a kindly old Jesuit whose youth had been beguiled by George…

National Theatre’s 3 Winters: a hideous Balkans ballyhoo

3 January 2015 9:00 am

A masterpiece at the National. A masterpiece of persuasion and bewitchment. Croatian word-athlete Tena Stivicic has miraculously convinced director Howard…