Magic realism

Twenty years on from winning the Booker Prize with The Inheritance of Loss, Kiran Desai returns with a vast masterpiece of a love story which has been longlisted for this year’s prize. Our two protagonists, Sonia and Sunny, come from wealthy neighbouring families in Allahabad, but both are in America when the novel begins. Sonia is in Vermont, working for the college library while finishing her studies, and Sunny is in New York, as a reporter for the Associated Press. When Sonia flees a coercive relationship after suffering depression and Sunny agrees to help a childhood friend choose a bride, they both return to India, where they encounter one another

The NYRB logo is now something my eye leaps to when browsing, and the publisher’s eclectic range has proved consistently rewarding. The Argentine writer Antonio di Benedetto was praised by Borges, Bolaño, Cortázar and Coetzee. He was born in 1922, on 2 November, the Day of the Dead – which he made much of – and was imprisoned and tortured in 1976-77, during Argentina’s Dirty War. His eerie fables of paranoia, impending threat and incomprehension pre-empted his experience of them. Esther Allen deserves great credit for introducing the author to an Anglophone readership. Having read her translation of Benedetto’s Zama, followed by The Silentiary, I foundthe wait for The Suicides

In March 2014 Gabriel García Márquez went down with a cold. The man who wrote beautifully about ageing was approaching his end. As his wife told their son Rodrigo: ‘I don’t think we’ll get out of this one.’ In A Farewell to Gabo and Mercedes, García, a film director and screenwriter, remembers his father and mother — one of the world’s greatest novelists and his muse. Comprised of short chapters, some of which reflect the journal he wrote while travelling back and forth between his LA cutting room and the family home in Mexico City, the book turns the venerable writer into a lively protagonist. The García Márquez who emerges