Michelle yeoh

Schlock: Everything Everywhere All At Once reviewed

We’re doing multiverses now. Last weekend, a friend dragged me to see Marvel’s latest product, Doctor Strange in the Multiverse of Madness. For two hours I watched characters earnestly talk about their trauma, and then fly around firing jets of coloured magic at each other, and then more pompous trauma talk, like five-year-olds playing at adult emotional life, and then more joyless beams of coloured magic. I left the cinema muttering like a deranged war veteran. ‘Someone needs to be punished for this. We need show trials. We need to make them suffer for what they’ve done.’ My friend spoke, but I could barely hear him. I stared at an