Mozart

Easily the best thing I’ve seen at the Grange Festival: Falstaff reviewed

15 June 2019 9:00 am

‘Tutto nel mondo e burla’ sings the company at the end of Verdi’s Falstaff — ‘All the world’s a joke’…

Deft humour and daft imagery: WNO’s Magic Flute reviewed

14 March 2019 9:00 am

Operas are like buses. Both are filled with pensioners and take ages to get anywhere, but more importantly they always…

Kang Wang as Tamino in Opera North's new Magic Flute. Photo: Alastair Muir

Only adults struggle with The Magic Flute. Kids get it

2 February 2019 9:00 am

Spoiler alert: it’s all a dream. At least, I think that’s what we’re meant to take away from the business…

Sexy hints of affluence with top notes of fascism: Grange Park’s Roméo et Juliette reviewed

30 June 2018 9:00 am

Patrick Mason’s new production of Gounod’s Roméo et Juliette reminded me of something, but it took a while to work…

Detail of Cantata ‘Es ist das Heil’, BWV9

I don't get why people worship Bach

16 June 2018 9:00 am

I don’t get Johann Sebastian Bach. I mean, I get that he was good — no Mozart, sure, but definitely…

The greatest recording of Mozart's Requiem

14 April 2018 9:00 am

Glenn Gould used to say that Mozart died too late rather than too early. The remark was intended to get…

The Old Town seen from the Charles Bridge

Notes on Prague, city of beer, music, and art-nouveau wonders

30 September 2017 9:00 am

Prague. Prague. It helps to say the name at least twice as a countermeasure to the ridiculous ease of modern…

Maria Callas as Anna Bolena

The unrepeated and unrepeatable brilliance of Maria Callas

16 September 2017 9:00 am

Michael Tanner on why the impact of Callas is unrepeated and unrepeatable

Bewilderingly dull: the Vienna Philharmonic Orchestra at the Proms reviewed

16 September 2017 9:00 am

‘We’re going to live for ever!’ declares Robert Powell as Gustav Mahler at the end of Ken Russell’s 1974 biopic.…

The amazing new Grange Park Opera has produced a largely successful Die Walküre

22 July 2017 9:00 am

The new Grange Park Opera at Horsley is amazing, as everyone who visits it must agree. In less than a…

Social comedy at its most lovingly, evocatively drawn: Albert Herring at Buxton Festival reviewed

15 July 2017 9:00 am

Someone at the Buxton International Festival had a wry smile on their face when programming this year’s trio of operas.…

Evgeny Kissin in 1993

‘The Western establishment is betraying its values’: Evgeny Kissin interview

17 June 2017 9:00 am

The great, enigmatic pianist has always divided critics. He talks to Damian Thompson about his heretical opinions on Horowitz, Israel and Brexit

Salzburg did Wagner proud this Easter with a revival of a legendary production

29 April 2017 9:00 am

Herbert von Karajan established the Easter Festival in Salzburg 50 years ago with a production of Die Walküre that is…

Not many concerts should be as devastating as this: Philharmonia Orchestra/Nelsons reviewed

28 January 2017 9:00 am

It used to be said that Bruckner composed the same symphony nine times, whereas, thanks to the comparative frequency of…

Digital is taking away one of the treasured aspects of radio: its serendipity

31 December 2016 9:00 am

It’s been a turbulent year, and not just in the outside world. Inside radio, digital is changing not just when…

I am pleased to have seen La finta giardiniera, and even happier that I shall never see it again

10 December 2016 9:00 am

For the past few weeks I have been working my way through Decca’s gigantic set of every note Mozart wrote…

All at sea: Rachel Kelly as Donna Elvira and Henk Neven as Don Giovanni in Northern Ireland Opera’s ‘Don Giovanni’

Oliver Mears’s limp Don Giovanni doesn’t bode well for the Royal Opera

26 November 2016 9:00 am

The last ten minutes of any Don Giovanni tell you more about a director than the previous two hours. Mozart’s…

Like a kids’ entertainer on crack: Amadeus reviewed

5 November 2016 9:00 am

Amadeus by Peter Shaffer is haunted by its own antecedents. Viewers are apt to feel that a new production lacks…

Bears only a passing resemblance to Mozart's opera: ENO's Don Giovanni reviewed

8 October 2016 9:00 am

Richard Jones’s new production of Don Giovanni at ENO bears some passing resemblances to the opera as envisaged by its…

Ben Baur’s stylish designs for ‘Così fan tutte’ at the Royal Opera House

Stylish designs undermined by elderly tempi: Royal Opera’s Così fan tutte reviewed

1 October 2016 9:00 am

The subtitle for Mozart’s Così fan tutte may be ‘The School For Lovers’, but it’s as a school for directors…

In search of Mozart’s Tempest

16 July 2016 9:00 am

This must rank as the most heartbreaking example of premature chicken-counting in musical history. ‘Gotter has made a marvellous free…

A beautiful meditation on the Shakespearean-rich Idomeneo at Garsington Opera

2 July 2016 9:00 am

Comedy and tragedy sit close beside one another in Mozart’s operas. Whether it’s the grinning horror of the Così finale…

If you want to know how music really works listen to Classic FM not Radio 3

7 May 2016 9:00 am

He’s been billed as the new Pied Piper but it’s going to take a while for Tom Service to quite…

A Handel opera that isn't by Handel, and a Mozart opera composed in 1990, reviewed

23 April 2016 9:00 am

Disguises and mistaken identities are a staple of opera, but usually as part of the onstage, not the offstage, action.…

The singing made me seasick: ETO’s Don Giovanni reviewed

26 March 2016 9:00 am

One of these days I will probably see a production of Don Giovanni set in a research station in the…