Music

Queen’s ascendency began at around the same time as the first residents were moving their Axminster carpets and Party Sevens into Tower Hamlets’ Robin Hood Gardens, the Smithson-designed Brutalist estate that would go on to become a typical example of how post-war ‘streets in the sky’ concepts were almost always doomed to fail. Five decades on, just one small section of Robin Hood Gardens has survived for posterity. It’s been acquired by the Victoria and Albert Museum to, presumably, warn future generations of what can happen to a neighbourhood when you combine too much cheap concrete with not enough public consultation. Thanks to Freddie Mercury and co., one solitary example

As a woman in my early thirties, it is my God-given right – arguably my duty – to have an opinion when Taylor Swift releases an album. And it’s a role that I’ve always performed without compunction. But on this occasion – the release of album 12, The Life of a Showgirl, my ability to get into the weeds (does ‘The Fate of Ophelia’ represent close text analysis of Shakespeare?) was hampered by my shock at one particularly audacious lyric.  Previous albums have had the the odd raunchy moment. So when, on this new album, she sang ‘His love was the key that opened my thighs’ in a song titled ‘Wood’,

It begins with an electric swish sound that makes you feel like you are falling backwards, followed by an arresting synthesiser da-da-dum drumbeat. Then we get the voice, in double-time: ‘She came from Greece, she had a thirst for knowledge. She studied sculpture at St Martin’s College…’ With those words, singer Jarvis Cocker and his fellow members of Pulp caught the attention of a nation. And chances are, three decades on from the release of ‘Common People’, this musical intro will still send a tingle down your spine, particularly if you’re aged anywhere between 40 and 70. Forget the record-marketing buzz of ‘Blur vs Oasis’ (always less entertaining than the

The Proms – the BBC Proms, to stick a handle on its jug – remains a good deed in a naughty world. Eight weeks of orchestral music, mainly, performed nightly at the Royal Albert Hall by artists from every continent, for as little as £8 if you are prepared to stand. One of those artists, the Georgian fiddler Lisa Batiashvili, supplied the highlight of this year’s ‘first night’ with a mighty performance of the Sibelius concerto. The concert ended with Sancta Civitas, a rarely heard choral work by Ralph Vaughan Williams, performed with love by the BBC Symphony Orchestra under its principal conductor, Sakari Oramo. Musically, it was a good

Neil Young once saved my life. Or at least, that’s how I remember it.  This was at an outdoor show in Finsbury Park in July 1993. I had pushed and squeezed my way almost to the front of a large crowd shortly after being passed something of dubious provenance to smoke. One moment everything was perfect: he was playing that romantic late career hit, ‘Harvest Moon’, the sun was setting, the moon, conveniently, rising, and I was swaying along, rapturous. But then, suddenly – bang… I fainted.  This is the only time in my 45-year gig-going career that this has happened. But I was gone. I was briefly unconscious, then

‘They’re selling hippie wigs in Woolworths, man… the greatest decade in the history of mankind is over,’ laments Danny the Dealer of the 1960s at the end of Withnail and I. These days, given the apparently insatiable appetite for all things 1990s, you could be forgiven for assuming that they’ve pinched that title. Nineties fashion and music are back: Pulp have just released their first album in 24 years, while Oasis are reforming for a series of mega gigs. There’s even been a Labour landslide. The Face magazine, which launched the career of the ultimate 1990s supermodel, Kate Moss, is currently pulling in the crowds with its Culture Shift exhibition

They were a stalwart of Britain’s towns and cities from the 1970s until their disappearance in 2007 – and now Virgin is set to bring its Megastores back to the high street. According to the Times, the Virgin Group has in mind at least one central London site as a possible location for a new Megastore. Its chief executive, Josh Bayliss, said he wants to return the ‘human connection’ to the Virgin brand. Quite right. We should applaud this news, not just on nostalgic grounds – but for financial, aesthetic and communitarian ones too. Like so many once-familiar high street names, Virgin Megastores may have succumbed to supermarket competition and the online shopping revolution, but that

I tried getting my husband to go with me, but wild horses wouldn’t have dragged him so I forced a friend’s son to come instead. I’m talking about going to see Tyler, The Creator at the O2. That’s Tyler, The Creator, the magnificent hip hop artist who was banned from the UK in 2015 by then Home Secretary Theresa May on the grounds of supporting homophobia and acts of terrorism.  What, you’ve never heard of him? Well, that’s clearly because you are not as down with the kids as me. I may be a middle-class boomer from Chiswick but I’m also a raging hip hop fan and I know my