Music

The riots, one month on

A month has passed since the riots, and it still feels as if nobody has grasped what really happened. The media debate has been limited, to say the least: lots of self-appointed community leaders and youth experts talking about giving kids a “voice” or “stake” in society, or calling the likes of David Starkey racist. The BBC “riots debate” last night, featuring Dame Claire Tickell, Liam Nolan, Shaun Bailey and former gang member Sheldon Thomas was particularly frustrating. Every time somebody came close to making a good point – Bailey, for instance, issued strong remarks about the commercialisation and sexualisation of children – someone else would drown it in bien-pensant

Bring on the warmth

Cold weather demands warm music. To which end I am delighted that Mojo, the monthly rock magazine for the more gnarled music fan, has chosen as its album of the year Queen of Denmark by John Grant. As we all know to our cost, albums adored by music magazines tend to be more rigorous and admirable than enjoyable, but this one is as warm and welcoming as a hot bath, a cup of mulled wine and an enormous cheque all rolled into one. Mr Grant, who is 41, gay, from Denver and very gloomy, is the former lead singer of a band called The Czars. You can tell how serious

Lib Dem activists less than gleeful about the coalition

Last night, Liberal Democrats gathered for their traditional conference glee club. It is a light-hearted occasion with lots of communal singing and jokes. But some of the gags did seem to vocalise a certain unease about the coalition.   There was a very lusty rendition of a song that went like this, to the tune of The Twelve Days of Christmas: On the first day of coalition The Tories gave to me A referendum on AV On the second day of merger The Tories gave to me Absolutely zilch And a referendum on AV On the third day of coalition The Tories gave to me Sweet FA Absolutely zilch And

Alex Massie

Hyperbole Corner: Beatles Edition

The New York Times actually paid someone to write this about a new video game: Luckily Paul McCartney and Ringo Starr, along with the widows of George Harrison and John Lennon, seem to understand that the Beatles are not a museum piece, that the band and its message ought never be encased in amber. The Beatles: Rock Band is nothing less than a cultural watershed, one that may prove only slightly less influential than the band’s famous appearance on “The Ed Sullivan  Show” in 1964. By reinterpreting an essential symbol of one generation in the medium and technology of another, The Beatles: Rock Band provides a transformative entertainment experience. In

Words fail me…

…when it comes to the Lib Dem’s offical election song, performed by the Liberal Democrat Community Choir: You can, er, buy it on iTunes if you like. Hat-tip: Guido

Gainsbourg: Vie Heroique

Oh, this is splendid. Lord knows when it will be released in Britain, but a trip to Paris in the New Year to see this biopic of the great Serge Gainsbourg might be just the ticket. Here’s the trailer: And, for your additional delectation, here’s Serge performing La Chanson de Prévert:

Miliband, Sting, Marr and breakfast

I’m midway through the Andrew Marr show – did the papers and am going back on in a bit to nod appreciatively at Sting – and the main topic is Miliband as EU Foreign Secretary. That Banana boy is being spoken of is not a compliment. The person they want in that job will be a cipher who will obey the orders of the ministers and visit cities that only Robin Cook* would have heard of. But it wil keep him out of the running to challenge Ed Balls for the Labour party leadership. Sting is banging on about how “we need the winter” and it is somehow under threat

Chris de Burgh is an Angry, Misunderstood, Man. Apparently.

From the Department of Criticism: the Irish Times handed my old Dublin University Players contemporary Peter Crawley the unenviable task of reviewing Chris de Burgh in concert. It’s fair to say that his notice was less than generous… Certain toes will never uncurl after this experience, but it is almost admirable how unaltered de Burgh has remained by the flow of time. You may have grown out of seeking epic significance in the portentous verses of Spanish Train, you may greet Patricia the Stripper with the same mortification as a faded photo of yourself. This is because you’ve changed. Chris de Burgh has not. Not one to take this sort

Blur in the park

Been meaning to post all day a hat-tip to our very own Alex James who – before he was a Spectator columnist and celebrated cheese-maker – used to play the bass in a rather successful little group called Blur. Last night, reunited and re-energised, they played their final UK gig in Hyde Park. And, whether or not you were around first time to enjoy these great songs, it really was rather special. From the opening chords of “She’s So High”, it was clear that the band which defined “Cool Britannia” do not intend to fade into obsolescence with that New Labour-infected moment, nor to go through the motions like a

Dolly Parton: Still Fab After All This Time

A lovely piece on the Queen of the Smokey Mountains, Dolly Parton, by Jesse Green in this week’s edition of New York magazine. Here is the Backwoods Barbie in typically forthright, charming form:  “I’m an energy vampire,” she says. “I just suck off everybody’s energy, but I give it back.” She almost dares me to ask her something tawdry: “What else ya got?” But like the fan in the hilarious documentary For the Love of Dolly who finds Judy’s car in a mall parking lot and can think of nothing better to do once inside than lick the seat belt on the passenger side, I find myself deranged by her

A song for the weekend

The super-talented Lisa Hannigan and her band gather in Dick Mac’s pub in Dingle, Co Kerry for a charming wee session that is just the ticket for a lovely spring weekend…  

The T St Rag

Here’s the usually-savvy Helen Rittelmeyer: Let’s take it as a given that Martin and Maltz are correct that Red Staters like to follow traditions and bicoastal elites like to question them; it certainly sounds true enough, at least as far as wild generalizations can be. Even given that assumption, most South Carolinians are more morally and philosophically sophisticated than most cosmopolitan Obamaniacs. Let’s put aside the question of whether or not New Yorkers really question their moral assumptions (although if someone else wanted to take up this line of argument, I wouldn’t stop them) and simply look at the end result of this Blue State skepticism. Most of the time,

Ronnie Drew, RIP

The Foggy Dew should be busy tonight. Mind you, so should all the other pubs in Dublin. There’ll be more cause than usual for singing now that one hears the sad news of Ronnie Drew’s death. The Telegraph obituary puts the appeal of The Dubliners quite well: The Dubliners achieved fame and notoriety as singers of street ballads and bawdy songs, and as players of fine instrumental traditional music. Their emergence coincided with the British folk revival of the early 1960s, and they were one of the first folk bands to break into the pop charts. In Ireland their closest rivals were the Clancy Brothers. The American roots music magazine

As go newspapers, so goes the Top 40

Responding to a reader’s suggestion that pop music became terrible once folk could just download (legally or not) any music they desired, Megan McArdle sensibly disputes the premise, writing: I’m not sure that musical talent is eroding so much as being dispersed. The rise of cheap distribution means there are more genres and sub-genres than there used to be–and also that acts don’t need to broaden their appeal so much as they once did. If you don’t need to get on a top forty station to make it big, you will lose the elements you once might have added to attract that audience. Conversely, the pop acts will stop trying

Democratic Mix

Megan asks for suggestions for a tribute tape to the late and lamented Democratic primary race. A quick glance at my iPod suggests these tunes… “Waiting for the Great Leap Forwards” – Billy Bragg “A Century of Fakers” – Belle & Sebastien “Let’s Get Out of This Country” – Camera Obscura “The Queen is Dead” – The Smiths “We’ll Sweep out the Ashes in the Morning” – Gram Parsons “Love will Tear Us Apart” – Joy Division “I Wanna Be Adored” – The Stone Roses “Should I Stay Or Should I Go” – The Clash “The Song is Over” – The Who “God Knows I’m Good” – David Bowie “Double

Country Polling

More polling! This time it’s Setting the Woods on Fire who wants you to list your ten favourite country music artists. My off-the-top-of-my-head list, then, is: 1. Gram Parsons2. Waylon Jennings3. Townes van Zandt4. Johnny Cash5. Emmylou Harris 6. Hank Williams Sr 7. Dwight Yoakam8. Gillian Welch9. Lyle Lovett10. Merle Haggard Make your vote count here.

The Best Country Music?

A reader asks polymathic Tyler Cowen for his country music recommendations and Tyler responds here, cautioning, mind you, that: I might add the whole list comes from someone who was initially allergic to country music, so if that is you give some of these recommendations a try.  Just think of it as White Man’s Blues. Well that was me too, once upon a sad old time ago. Then I saw the light and everything’s been better since. Tyler says you have to start with Hank Williams Sr and then move on to the Gram Parsons trio of: The Byrds, The Flying Burrito Brothers and, finally, Grievous Angel. That, plus Johnny

Alex Massie

Like MTV but with music you enjoy

Speaking of country music, I’m going to guess that this is the sort of thing that’s not news to anyone but me. But did you know that you can create your own music TV station? If you have a lastfm account*, just enter your user name here and, by the magic of youtube, you’ll get a stream of music videos chosen to fit your lastfm preferences. That’s too cool for me really. *Even if you don’t, just enter a band name and you’ll get all their youtube goodness delivered straight to your screen.