Nehru

A Hindu Cromwell courteously decapitates hundreds of maharajas

On 25 July 1947, in the searing heat, almost 100 princes bedecked in jewels gathered in a circular room in New Delhi. Some of them ruled over principalities of less than a square mile; others over an area larger than Korea. All of them had been Britain’s close allies for more than a century and, now that the British were leaving India, many looked forward to regaining their states’ independence. But on that fateful day, as Lord Mountbatten swaggered around in his ivory white uniform, anxious murmurs rippled through the throng. A cousin of George VI, and related to virtually every royal in Europe, the viceroy was no republican; yet

Rejecting the Raj: Gandhi’s acolytes in the West

Madeleine Slade, born in 1892, was a typical upper-class Victorian daughter of empire: a childhood riding around her grand-father’s estate in Surrey was followed by years of rejecting suitors and performing Beethoven on the piano. Occasionally she would sail across the world to visit her father, the commander-in-chief of the East Indies Squadron, who was responsible for Britain’s fleet in the Indian Ocean. But in 1923, a trip to Switzerland to visit the Nobel laureate Romain Rolland in the hills of Villeneuve would change the concert pianist’s life forever. Rolland had recently written about an Indian civil rights activist called Mahatma Gandhi. ‘You have not heard about him?’ he asked

Absorbing and meticulously researched play about Partition: Drawing the Line reviewed

Theatres have taken to the internet like never before. Recorded performances are being made available over the web, many for free. Getting Better Slowly is about a dancer, Adam Pownall, who spent two years fighting Guillain-Barré syndrome. This lucid and enjoyable show (recorded at Lincoln Drill Hall) now looks horribly topical. A young artist, paralysed by a mysterious disease, refuses to surrender and eventually reclaims his vigour and his ability to communicate. That could stand for the profession as a whole. Hampstead Theatre offers a slate of three recorded plays. (Wild and Wonderland were reviewed in The Spectator on 30 June 2016 and 12 July 2014 respectively). Drawing the Line