New york

Thursday

Stephen Bayley

Building block | 8 June 2017

Liverpool is the New York of Europe. The business district looks like old Wall Street: a miniature Lower Manhattan on the Mersey. It’s a city of scale, drama, melodrama, tragedy and comedy. Not to mention rich and poor. And often all these effects are simultaneous. No other British city has a similarly contrary architectural character: superb, shabby, romantic, melancholy, proud and mean. You cannot be in Liverpool and not be affected by its buildings. I grew up there and long before I knew what ‘design’ meant, Liverpool had taught me to see — as well as to feel the deadly weight of history. It’s an architectural education. But Liverpool has

Taki

High life | 8 June 2017

New York   Main Street is a place, but it’s mostly an idea. It’s where locally owned shops sell stuff to hard-working townies, as we used to call the locals back when I was at boarding school. The townies had dependable blue-collar jobs in auto plants and coalmines. Their sons played American football hard, cut their hair short, and married their high-school sweethearts. I went back to my old school recently with my old buddy Tony Maltese, a wrestler who never lost a match. We had a nostalgic lunch with the wrestling coach and talked about old times. The feeling was one of community and of having control over your

Kate Chisholm

Diary stories

By chance on Saturday morning, I tuned into Radio 4 and heard Professor Clare Brant talking on Saturday Live about Dear Diary, a new exhibition at Somerset House in London that celebrates the art of writing a daily journal. It caught my ear because diaries are such a crucial tool for the biographer yet whenever I’ve attempted to write my own it’s always turned out dreadfully narcissistic and infinitely boring. What, asked Richard Coles, makes diaries so fascinating? It’s all in the detail, said Brant. The way reading a diary can take us into another person’s world, not the outward gloss and grandeur but right inside the way the diarist

Stephen Bayley

The bridge of size

Before Brooklyn exceeded it in cool, Manhattanites spoke dismissively of BNTs. These were the Bridge ‘n’ Tunnel folk, the out-of-towners who needed civil engineering to help them reach social nirvana. The ambitious critic Norman Podhoretz, a master of self-invention, was one such. His notorious Making It (1967) begins: ‘One of the longest journeys in the world is… from Brooklyn to Manhattan.’ But since 1883 the journey over the East River has only been 5,989 feet, although physical distance was not the measure that pained Podhoretz. That’s the total length of Washington Roebling’s Brooklyn Bridge, the first connection between the outer boroughs and the elite ‘New York’. It was, and remains,

Thursday

Rod Liddle

PWR BTTM: Pageant

How about some queercore garage punk? PWR BTTM — the name means something empowering to do with buggery — are a young, gay, two-piece band from New York State who live apparently hectic lives. Their new album, Pageant, was released last week and a couple of days later they were kicked off their record label and current tour after allegations of sexual predation were made against the pantomimely camp singer, Ben Hopkins. The greatest surprise was that the complaints came from a woman. Their career is now in limbo. Hopkins denies the allegations, of course, claiming that he is a consensual and democratic kind of chap. But it’s all rather

Peter Bradshaw

Moments of absurdity

The bestselling humourist and New Yorker essayist David Sedaris is renowned for an almost hypnotic deadpan drollery and maybe especially for The Santaland Diaries, his uproarious account of earning part-time cash as a department store Christmas elf. Now he is bringing out an edited version of his personal diaries. It’s the first volume of two, taking us from his days as a broke student, stoner and young gay man in North Carolina and Chicago, through to the years of literary fame and success in New York and Paris as the new century dawns — a distinction worn lightly. Fans, semi-fans and non-fans (I am midway between the first two categories)

Thursday

Laura Gascoigne

Roving eye

Photography has many genres, even more than painting, and most photographers achieve fame by focusing on one of them. There are technical reasons for this. Armed only with a bunch of brushes and a palette of colours, a painter can achieve a variety of effects — close-up, distance, soft or sharp focus, motion — for which a photographer needs a battery of cameras and associated paraphernalia in the form of lenses, films, lights and filters, and the technical know-how to get the best out of each. There is also professional snobbery. Jobbing photographers who work across genres for magazine assignments are less likely to be taken seriously as artists. The

Thursday

Taki

High life | 11 May 2017

Much like the poor, the charity ball has always been with us, but lately it’s turned into a freak. Something is rotten in the state of New York, and the name of it is the Met Gala. Once upon a time, the Metropolitan Museum’s gala ball was fun. Serious social-climbing multimillionaires competed openly for the best tables and for proximity to blue-blooded socialites such as C.Z. Guest and her ilk. Pat Buckley, wife of William F., ran the show with military precision, allotting the best seats to those who had paid a fortune for them, but also to those who were young and handsome and whose pockets were not as

Rod Liddle Rod Liddle

Blondie: Pollinator

Ah, Blondie. Those happy days of glorious power pop, chilly disco and rich, fruity vocals — Debbie Harry yearning away like a very bad alleycat on heat. ‘X Offender’, ‘In the Flesh’, ‘Picture This’ and that one where she’s in the phone booth, apparently gagging for it. People knock it, but the late 1970s wasn’t a bad time to be a teenager. And while Blondie may have been a rather calculating act, cleverly positioned on the fringe of punk and the fringe of pop and the fringe of disco and later even rap, they were at least likeable and the tunes were, largely, effortlessly and simplistically terrific. And then there

Thursday

Taki

High life | 27 April 2017

Twenty-five years ago this week, Los Angeles was burning because of Rodney King’s beating at the hands of the fuzz, and I had my shoulder sliced open by a doctor in order to repair torn ligaments. My shoulder hurt more than Rodney’s ribs. I know that because I saw him, on TV, get up and gesticulate freely after having been whacked rather hard by four cops. I didn’t lift my arm for months. Lesson to be learned: it’s better to be beaten by four police officers than to run into an ice wall at high speed while skiing with snow blindness. Forty years ago last week, there was better news:

Thursday

Laura Freeman

A choice of first novels | 20 April 2017

If you go down to the woods today… That is the starting point for Idaho by Emily Ruskovich, who grew up on Hoodoo mountain in the Idaho panhandle. A family — mother Jenny, father Wade, daughters May and June — leave their little house in the big woods and drive a pick-up truck to a clearing where they chop birch wood, squabble and drink lemonade that attracts the flies. You want them to find something wonderful there. A teddy bears’ picnic. A magic faraway tree. A Piglet. But this is Idaho, not our friendly day-tripping woods. Nature is vast and hostile. In winter the house is cut off for months

Wednesday

Taki

High life | 12 April 2017

Things that I once loved — Fifth Avenue & 57th Street, brownstone terraces on hot summer afternoons, cold beer and fried eggs at 5 a.m. after a night of carousing, the Sherry-Netherland — and now miss have grown ever more monumental upon reflection. I suppose that it’s normal to miss things you loved when young, yet I still can’t get over how the people have changed — for the worse, needless to say. The city is at its best very early in the morning, the asphalt glistening after the rain or the water trucks that occasionally wash the avenues, the streets empty and still as a movie set. In the

Thursday

Mick Brown

Beautiful thoughts for all occasions

Kahlil Gibran was 40 years old, a short — he was just 5’3” — dapper man with doleful eyes and a Charlie Chaplin moustache, and in the first throes of the alcoholism that would result in his early death, when in 1923 he published The Prophet. A collection of 26 prose-poems, written in quasi-Biblical language, the book takes the form of sermons by a fictional sage named Al Mustapha, on the big questions of life: family, friendship, love, work and death. These range from the profound to the banal. ‘Love gives naught but itself and takes naught but from itself. Love possesses not nor would it be possessed; For love

Thursday

Kate Chisholm

A matter of life and death | 16 March 2017

It was the crime story that showed us just how much China has changed since its years of social, political and economic isolation. The discovery on 16 November 2011 of the dead body of the British businessman Neil Heywood in Room 1605 of the Lucky Holiday Hotel in the Chinese city of Chongqing was not in itself so shocking. Sordid maybe, as it was declared by the Chinese authorities that he had died of excessive alcohol consumption. But nothing more than that. The revelations that followed, though, transformed the case into an international cause célèbre, the inner workings of Chinese politics unravelling before the greedy eyes of the foreign media.

Thursday

Marcus Berkmann

More matter with less art

When A.A. Gill died last December, there was wailing and gnashing of teeth across the nation. I must admit this came as a surprise to me, but then I hadn’t read him for many years, having developed a ferocious dislike for the Sunday Times too long ago now to remember quite why. My memories of him were of an outrageous show pony, a wordsmith of great talent but surprisingly little taste, who essentially wrote about himself and his wonderful life (in the guise of restaurant and television reviews) in a needy, look-at-me, sub-Clarkson kind of way. He seemed to me to encapsulate everything that was wrong with the paper he

Thursday

Matthew Adams

Three’s a crowd | 16 February 2017

James Lasdun’s latest novel, billed as a psychological thriller, opens in Brooklyn in the summer of 2012. Charlie and his cousin Matthew are about to leave New York to spend the season in Charlie’s mountain-top residence in the Catskills, where they are to unite with Charlie’s wife, Chloe. The relationship between Charlie and Matthew is ostensibly unequal: Charlie is a wealthy former banker who feels uneasy about the morality of his sometime profession; Matthew is comparatively poor, has drifted in and out of the food industry, is haunted by the absence of his father (who disappeared when Matthew was a boy), and is creepily enraptured by Charlie’s wife. Yet beneath

Thursday

Tanya Gold

Vanity project

The Waverly Inn is the house restaurant of Vanity Fair magazine in New York City. It is part-owned by Graydon Carter, the editor of Vanity Fair, whose life, at least since Trump rose, is dedicated to the realisation of social justice using his favourite weapon, which is being friends with celebrities. Carter’s political engagement is like a blusher brush’s political engagement. It is unfit for purpose, and it is too late anyway. Even so, Carter has declared war on Donald Trump by slagging off his restaurant in New York City — the Trump Grill in Trump Tower, which I reviewed, or rather crawled out of whimpering, in my last column

Thursday

Tanya Gold

Trumped!

Trump Tower sits between Gucci and Tiffany on Fifth Avenue in New York City. It looks like infant Lego, the Duplo brand, but black — porn Duplo, then. It is militarised; by the door are the fattest police officers I have ever seen. They look like they have been dragged out of Overeaters Anonymous and given automatic weapons; and I wonder how much the NYPD really want to keep him alive. He is in the penthouse. The obvious comparison is with Al Pacino’s penthouse in The Devil’s Advocate, in which Pacino played a devil in a penthouse in New York City, but Trump Tower is less subtle than that, and

Thursday

Taki

High life | 29 December 2016

What a great year this has been, what a good mood I’m in, why, it’s almost like being in love. The year 2016 will be seen as the worst ever by many patients of Dr Klinghoffer, the famous German psychiatrist who treats those suffering from the extreme distress of post-electoral disappointment syndrome, and a man about to make a fortune treating the poor dears. There are many Brits under the Herr Doktor’s care, and his clinic, situated near Ossining, New York, resembled a British retreat for broken-down thespians following 23 June of this annus mirabilis. Now more American voices have been added, and when I last spoke to Dr Klinghoffer

Thursday

Mark Forsyth

The invention of Santa

Santa Claus ate Father Christmas. It happened quite suddenly. Well, it took about a decade, but that’s suddenly in cultural terms. Over the course of the 1870s the venerable British figure of Father Christmas was consumed by an American interloper. Father Christmas (first recorded in the 14th century) was the English personification of Christmas. Just as Jack Frost is a personification of the cold and the Easter Bunny is a rabbitification of Easter, so Father Christmas stood for Christmas. He was an old man (because Christmas was ancient) and he was plump (because Christmas was a feast). But Father Christmas did not give presents, did not come down the chimney,