New york

Thursday

Isabel Hardman

Could a row with Uber be taxi for a London mayoral candidate?

One of the striking things about the contest in Labour for the mayoral candidacy is how many of the candidates are keen to admonish private taxi firm Uber. Sadiq Khan has described it as a ‘problem’ and said he is ‘on the side of the back cab driver’, Tessa Jowell is ‘enormously concerned’ and doesn’t have an Uber account, while David Lammy wants to ‘protect the institution that is the black cab’ and wishes there had been a confrontation between the Mayor and Uber as there had been in Paris. But perhaps these candidates should take heed of what has happened to another mayor who confronted Uber. Bill De Blasio

Thursday

Stephen Smith

I reshot Andy Warhol

It’s one thing to make the most boring film in cinema history — at least you can kid yourself at the outset that it might turn out differently. It’s quite another to lovingly recreate the same film half a century later, shot by eye-bleeding shot, but that’s exactly what I’ve been doing, I’m proud to say. I say shot by shot, but since Andy Warhol’s Empire consists of a single locked-off shot of the Empire State Building running to 8 hours 5 minutes in black-and-white yawn-o-vision, that’s not much to write home about. Nor is the rest of the movie, from almost any popcorn-munching perspective you can think of. With

Emily Rhodes

Idolising Ida

Jonathan Galassi is an American publisher, poet and translator. In his debut novel Muse, his passion for the ‘good old days’ of the publishing industry is palpable: a time when books were books, with glued or even sewn bindings, cloth or paper covers, with beautiful or not-so-beautiful jackets and a musty, dusty, wonderful smell … their contents, the magic words, their poetry and prose, were liquor, perfume, sex, and glory to their devotees. The halcyon days of print publishing were not, in fact, so very long ago, with the first e-reader going on sale only in 2004 and Amazon’s Kindle in 2007; it is astonishing that the digital revolution has

Kate Webb

The lonely struggle of Jude the obscure

Just over a century after Virginia Woolf declared that ‘on or about December 1910 human character changed’, the American novelist Hanya Yanagihara has announced a new shift in consciousness. Jude, the lead character in A Little Life, is known to his friends as the Postman, ‘post-sexual, post-racial, post-identity, post-past’. The obscurity of his origins (left at birth in a rubbish bin) and a childhood of horrific abuse mean he is determined to draw a veil over his past, making him the most mysterious of the four male New York friends at the heart of Yanagihara’s story. However, his condition is only an extreme — and negative — version of the

Sunday

Ella Whelan

The internet is eroding the presumption of innocence

Last week, New York magazine ran a front-cover photo of 35 of the 46 women who have accused actor Bill Cosby of sexual assault. The feature inside includes individual interviews with each woman, but argues that ‘the horror is multiplied by the sheer volume of seeing them together, reading them together, considering their shared experience’. The collation of these women’s accusations follows intense public interest in Cosby’s alleged misconduct, triggered last year when the comedian Hannibal Buress declared ‘you raped women, Bill Cosby’ during a routine. The New York feature is not an attempt to bring Cosby to justice, or even to challenge the statute of limitations that impedes any potential legal

Thursday

Deborah Ross

Dedicated follower of fashion

Iris is a documentary portrait of Iris Apfel, the nonagenarian New York fashion icon. Nope, me neither, but that’s irrelevant, as all you truly need know is she is a joy, a wonder, and terrific, as is this film. It’s the final work of documentary film-maker Albert Maysles, who died last year, at 88, and although Iris obviously loves the camera, and plays to the camera, and it is often Iris doing Iris, as Iris does Iris so brilliantly, who cares? Also, you just can’t take your eyes off her. You can’t. The opening shots show Iris, who is 93, in her Park Avenue apartment, in all her glory. Accessories

Thursday

Philip Clark

The London ear

The opening bars of Ralph Vaughan Williams’s A London Symphony (1914) are scooped out from the gloopy bedrock of the city. Vaughan Williams was dredging through the same mud, silt, slime and ooze as those scene-setting paragraphs of Our Mutual Friend (1865), where Charles Dickens shows that the real glue binding his book together will be the River Thames. Dickens’s famed ‘boat of dirty and disreputable appearance’ berths Our Mutual Friend in the earth and experience of London. Similarly, Vaughan Williams’s cellos and double basses, which launch his symphony, plod out from the sludge of the river. But, by the time his bucolic Scherzo waddles into view, you could be

Vicky Ward

The rich are a different species

The scene: a funeral parlour in New York. Doors clang as a family relative, the ‘black sheep’, saunters in halfway through his brother’s eulogy and brazenly strolls down to the front pew, ignoring the scandalised glances. He’s late, a whisper spreads, because he had a meeting with director James Toback. Wait. James Toback? Lame! The hearse leaves, and the congregants assemble on the street. An attractive brunette in her late forties weeps desolately. Did she know the deceased well? Not at all: she has discovered that someone at the service walked off with her Christian Dior trench and left her with a shabbier coat from a chainstore. All this happened

Thursday

Martin Gayford

Thinking inside the box

Someone once asked Joseph Cornell who was his favourite abstract artist of his time. It was a perfectly reasonable question to put to a man who numbered Piet Mondrian, as well as other masters of modernism, among his acquaintance. But, characteristically, Cornell veered off at a tangent. ‘What’, he replied, ‘do you mean “my time”?’ In its way it’s a good response, as the exhibition at the Royal Academy, Joseph Cornell: Wanderlust, makes clear. The subtitle of the show refers to travel in mental space. In mundane reality, Cornell (1903– 72) seldom left New York City, and never ventured further afield than Maine. But in his imagination, he journeyed across

John R. MacArthur

The man who wrecked New York

It is something of a mystery why the Bodley Head has decided to publish Robert Caro’s The Power Broker in Britain more than 40 years after the initial appearance in the US of this classic work — but better late than never. Caro’s remarkable portrait of New York City’s master planner Robert Moses merits publication in any language, at any moment in time. For its scope extends beyond Moses, fascinating though he was as a person, builder, wrecker, and manipulator of men and money. Caro’s ambition — in a journalistic sense equal to Moses’s ambition in architecture, park creation, and road and bridge construction — is greater than conventional biography.

Thursday

Taki

High life | 4 June 2015

The last week in Gotham was exceptional fun. I saw a Broadway play, Finding Neverland, compliments of the producer, my NBF Harvey Weinstein.It had me clapping with one hand due to the operation, and standing with the packed theatre for the ovation. Shows how much the critics who panned it know. The audience loved it, as did I. It’s an uplifting, wonderful play about J.M. Barrie and the children. Then there was the blind black guy in Brooklyn who told me, ‘You’re too pale for this neighbourhood.’ Go figure, as they say in that part of town. I’m always sad to leave the city, especially with the end of spring.

Melanie McDonagh Melanie McDonagh

Degrees of bureaucracy

It took Oxford 40 years to catch up with Cambridge in appointing a woman vice-chancellor, but Louise Richardson — ex-St Andrews, Irish, Catholic, terrorism expert — is to take over from the chemist Andrew Hamilton. He is leaving early to head New York University for an eye-watering £950,000 a year. His successor will inherit a more modest but still whopping £442,000 a year. That’s what happens when a university is run like a biggish corporation — the head is paid like a chief executive. (A professor gets around £65,000 a year: once, Louise Richardson would have been on something similar.) Chief of the problems Richardson has to get to grips

Thursday

Taki

High life | 21 May 2015

This is as good as it gets. A light rain is falling on a soft May evening and I’m walking north on a silent Park Avenue hoping to get into trouble. Fourteen thousand yellow taxis have turned Manhattan into a Bengali hellhole, blasting their horns non-stop, picking up or disgorging passengers in the middle of traffic-clogged streets, speeding and failing to yield to pedestrians as Big Bagel law requires. But on the Upper East Side, on a balmy evening, the yellow devils are causing havoc downtown, so I almost find myself singing in the rain as I head north far from the madding crowd.(Puns unintended.) Nicola’s is an Italian restaurant

Thursday

Taki

High life | 7 May 2015

If any of you sees Graydon Carter, the editor of Vanity Fair, walking around with a begging bowl in his hand, it’s because he took me to dinner recently. I sort of went a bit nuts with the wine and the VF chief ended up with the bill. We went to a new Bagel restaurant, Chevalier, a futuristic marvel with great food and wine and even grander prices. New York is no longer elegant, and there are no longer society types dressed to the nines sitting on the banquettes and downing Manhattans. The Jewish ascendancy that downed the Wasps was as elegant as the one it replaced. William Paley, John

Thursday

Alexander Chancellor

Long life | 30 April 2015

I remember the first time that someone stood up and offered me a seat on the London Underground. It was in 2002, when I was 62 years old, and rather a pretty girl whom I had been quietly admiring through the crush on the Piccadilly Line suddenly rose to her feet and beckoned me to take her place. I was so shocked that I responded most ungraciously. I just shook my head in irritation and signalled to her to sit down again. For, notwithstanding the fact that my hair had long ago turned white, it was the first time I had realised that I actually looked old. From then on,

Nigel Lawson

Diary – 30 April 2015

I have escaped this rather depressing election campaign by retreating to my home in la France profonde — to be precise, in Armagnac, in the heart of Gascony. My only outing, from which I have just returned, was a brief visit to New York, travelling there and back in the giant Airbus 380. The purpose of the trip was to drum up US support for the thinktank I founded in 2009, the Global Warming Policy Foundation, and its campaigning arm, the Global Warming Policy Forum, in the company of our outstanding director, Benny Peiser. Thanks to the wonders of the internet, the GWPF has a global reach, and its international

Thursday

Taki

High life | 23 April 2015

A recent column in the FT made me mad as hell. The writer, Simon Kuper, calls Vienna a backwater, which is a bit like calling the Queen a busted flush because of her age. Sure, he writes how great Vienna was back when the Habsburgs ruled the roost, attracting people from all over, ‘some of them nuts’. He includes Freud, Hitler, Stalin and Trotsky. Not the nicest bunch I can think of, but then the paper is a pink one. He fears London might go the way of Vienna, and price itself out of the reach of everyone but a few Chinese, Russian and Indian billionaires. He’s right about London

Tom Leonard

Shrunk

 New York City Nothing says New York like a psychoanalyst’s couch. Think Woody Allen or those New Yorker cartoons. It fits our perception of east-coast Americans as all neurotic and self-obsessed. But that mental picture needs updating, because traditional psychoanalysis is in dramatic decline in its traditional heartland. Across the urban US, in fact, the profession is dying out or having to change drastically. New figures from the American Psychoanalytic Association reveal that the average age of its 3,109 members is 66, up four years in a decade. More seriously, the average numbers of patients each therapist sees has fallen to 2.75. Some shrinks now never meet patients, dealing with

Monday

Kate Telfer

Joyce DiDonato, the New York Philharmonic and Alan Gilbert at the Barbican reviewed: ‘seductive’

We ought to have discovered Esa-Pekka Salonen’s Nyx (2011) before now. The dense orchestration was dappled with soupçons of indigenous music, folk, noir, Harryhausen Hollywood and French impressionism. The New York Philharmonic poured it all molten gold and plummy red and let it radiate about the auditorium. The premiere seemed to begin without its lighting engineer. All sat there fully lit, orchestra pounding away until the first decrescendo a few minutes in when the house was finally dimmed. If deliberate, it was rather gimmicky. Conductor Alan Gilbert put in a measured performance throughout but fell short of expressing a dedication to the full trajectory of each work. He didn’t bathe in any

Thursday

Fraser Nelson

Mob rules

A spectre is haunting Europe — and knocking on the door of Downing Street. It has installed a president in France and a mayor in New York. It is causing mayhem in Spain and Greece and insurgency in Scotland and it may yet halt Hillary Clinton’s march to the White House. This idea — left-wing populism — is a radical, coherent and modern response to the financial crisis and the hardship suffered since. It is being effectively harnessed by Ed Miliband, taking him within touching distance of victory. And it may well become the creed that guides the next five years of British government. The Labour manifesto that was published