Non-fiction

A gimlet eye

We should be grateful to families which encourage the culture of writing letters, and equally vital, the keeping of them. Leopold Mozart, for instance, taught his son not only music but correspondence, and as a result we have 1,500 pages of letters which tell us everything we know of interest about the genius. His younger contemporary Jane Austen also came from a postman’s knock background. We have 164 of her letters, from January 1796, when she was 21, to the eve of her death in 1817. Some have been cut by the anxious family, and some suppressed altogether, but the remainder are pure gold. As in her novels, she never

Don’t mention the war

It wasn’t easy being the daughter of the artist Avigdor Arikha. In this memoir, Alba Arikha mixes teenage fury with glimpses of her godfather Samuel Beckett and a fragmented account of her father’s experiences of the Holocaust. Avigdor Arikha and his wife, the poet Anne Atik, surrounded themselves with the intelligentsia of Paris and drove their daughter mad: ‘I resent their purity and knowledge. Their values and morals. My father’s anger. My mother’s goodness.’ Avigdor Arikha was an irascible, dismissive and earnestly didactic father. Alba paid no attention when he tried to teach her about the Sumerians; she would not stay quiet when he discussed art and politics with his

Voyages of discovery

Roger Louis is an American professor from the University of Texas at Austin who knows more about the history of the British Empire than any other two academics put together. When the Oxford University Press embarked on its mammoth history of the Empire the general editor they chose —to the chagrin of certain professors from the Commonwealth — was Roger Louis. Among his other responsibilities is the British Studies seminar, which was founded at Austin 36 years ago. But Professor Louis is not the university’s only attraction. The Harry Ransom Center houses one of the most, if not the most, important collection of modern literary manuscripts in the English-speaking world.

A beautiful bloody world

The half-millennium or so that followed the division of the Carolingian empire in 843 AD was a time of profound social and political change in Europe. Kingdoms were established, new forms of law and theories of power were developed and military technology and tactics were revolutionised. Relations between church and state were transformed. The emerging European states developed new cultural identities, while western Christendom as a whole also began to define and assert itself against the Islamic states in the Middle East and north Africa, and the ailing remnants of the Byzantine empire to the east. By the middle of the 15th century, the various kingdoms of Europe were strong,

Wizard of the Baroque

Not content with being the greatest sculptor of his age and one of its most gifted architects, Gian Lorenzo Bernini had some talent as a painter and draftsman. Surviving self-portraits reveal him as the possessor of a positively overstated physique du role. In its most youthful incarnation the face has an air of presumption and entitlement which adulthood will darken with a combativeness that is almost wolfish. Even in the chalk drawing made around his 80th birthday (now in the Royal Collection at Windsor) the glance, under bushy white eyebrows, still smoulders and the slightly parted lips seem poised to challenge or command. Born in Naples in 1598, Bernini spent

A serenely contented writer

Beaming Sir Pelham Grenville Wodehouse, KBE, D.Litt. (Oxon), Mark Twain medallist and co-founder of the Hollywood Cricket Club (1881-1975), personified a rare oxymoron: he was a serenely contented writer. Shortly before the Queen awarded him a knighthood and the Queen Mother, a devoted fan, wrote a letter congratulating him, Madame Tussaud’s sent an artist from London to the final Wodehouse home, in Remsenburg, Long Island, to measure him for waxwork portrayal, which, up to that time, he said, was ‘the supreme honour’. He wrote his first short story at the age of five (the first of more than 300) and at 93 took the half-completed manuscript of his 97th book,

The original special relationship

Of all the cities in all the world, Paris dominates the American imagination more than any other. Although Americans may admire Rome or London, more have enjoyed a love affair with the French capital since Benjamin Franklin represented the 13 rebellious colonies at the court of Louis XVI. Josephine Baker captured that sentiment with her theme song, ‘J’ai deux amours/Mon pays et Paris.’ And more Americans than Rick Blaine in Casablanca have mused from afar, ‘We’ll always have Paris.’ Just how many Americans had Paris before Woody Allen’s Midnight in Paris crowd becomes clear in David McCullough’s delightful panorama of American life in Paris during the 19th century. Allen’s film

Forthright to a fault

Her mother was Ellen Terry, the most admired actress of the day. Her brother was Edward Gordon Craig, the celebrated stage designer. Little wonder then that Edith Craig was overshadowed for most of her life by two such towering figures. Yet her theatrical achievements were substantial. She was a talented costume designer and maker, the founder of the radical theatre group the Pioneer Players, and an indefatigable producer and director of countless plays and pageants. She was also an important figure in the suffrage movement, staging many feminist plays, and lived in a famous artistic lesbian ménage-à-trois. After her mother’s death she turned her cottage, Smallhythe Place in Kent, into

Government health warning

Few men are prepared to die for the right of others to say what they strongly disagree with; and most people’s faith in multiparty democracy is at best a lukewarm recognition that the alternative is much worse. Secretly most men would like their ideas (which they naturally believe to be correct) to rule absolutely and forever. Of this company is James Gilligan. He is a professor of psychiatry at New York University and would like to see the Republican Party in the United States disappear from the face of the earth. His argument for this consummation so devoutly to be wished is as follows: the death rate from homicide and

Entry to the sacred grove

Some readers may wonder if we need this book. Surely, the argument might go, one can summon up potted ‘lives’ on the internet, while serious biographies take book form. And how can even 294 lives of novelists offer, as the cover to this book claims, ‘a comprehensive history of the English novel’? Reason not the need: this book celebrates enjoyment. And it is itself hugely enjoyable. Few, if any, of those Wikipedia entries are well written, let alone witty; most current literary biographies weigh in at around 800 pages: Sutherland’s brief lives display the soul of wit — whose essence is to encompass the unexpected. There is a difficult balancing

The Ritz in the Blitz

‘It was like a drug, a disease,’ said the legendary Ritz employee Victor Legg of the institution he served for half a century. There’s something magical about London’s grand hotels. Even those of us who usually experience them only when we nip in for a five-star pee know that. Matthew Sweet has tapped this glamour to tell tales of the human dramas the hotels hosted during the second world war. It’s surely the variety of people gathered together in one place that explains the fascination held by the Ritz, the Savoy, Claridge’s et al. The good, the bad and the clinically barking all share the same address for a night,

Amazing grace

It was in 1814 that the Benedictine monks arrived in Stratton-on-the-Fosse in Somerset from Douai in Flanders where, in 1606, they had established an exiled, but English, monastic house. They were forced to leave the Continent in 1795 after revolutionary France had declared war on England. They wandered a bit until they finally bought a decent house built in 1700 and a farmhouse with 21 acres at Downside. This book tells a complicated saga of the building of the present abbey and school that will enthral those readers fascinated by the morphology of the Gothic Revival. But it could appeal equally to those gripped by the ultra-montane tendencies in the

At opposite ends of the scale

A book which opens in the bushes of a Venetian garden and ends, more or less, in the cafés of Parma with chocolate panettone and biscotti dipped in coffee knows how to command attention. Given that what unfolds between these sensory episodes is densely constructed and formidable in scope, this is just as well: Peter Conrad writes engagingly and lures his reader into a grand game of cultural chess. There is no winner or loser, but we need to be alert for fear of missing a wry connection or a devilishly clever move. The oddity of the title hints at the awkwardness of the subject matter. Verdi and/or Wagner reflects

S is for Speculative

Margaret Atwood has written 20 novels, of which three (The Handmaid’s Tale, Oryx and Crake and The Year of the Flood) are science fiction. Indeed, the first— and far the best of them — won the inaugural Arthur C. Clarke award, Britain’s chief prize for books in the genre. She has, however, long resisted any description of her work as science fiction, for which she was mildly upbraided by Ursula K. Le Guin a couple of years ago. Le Guin wrote that Atwood’s distinction between her own novels, which she maintains feature things which are possible, and may even have happened already, and SF, in which things happen that aren’t

The woman in black | 3 December 2011

The history of the royal family is punctuated by dramatic, premature deaths which plunge the monarchy into crisis. The most disastrous of these — historically more significant by far than the death of Princess Diana — was the death of Prince Albert in 1861. By the time he died, aged 42, this minor German prince, the second son of the obscure and dissipated Duke of Coburg, had taken over the entire public work of the monarchy. After 21 years of marriage, his wife Victoria had become deskilled and emotionally dependent upon him. His death left the monarchy in tatters and condemned Queen Victoria to a lifetime of black dresses. Helen

Trading places | 3 December 2011

Thirty years ago Sir Keith Joseph, portrayed by Sir Ian Gilmour, a fellow minister, as owning ‘a Rolls-Royce mind without a chauffeur’, sent a newly published book to every Cabinet colleague. Most groaned, some murmured oaths, and a lucky few skimmed it. The book was English Culture and the Decline of the Industrial Spirit (1850-1980) by Martin Weiner. The author, like Correlli Barnett before him, assailed Victorian and Edwardian entrepeneurs and inventors for ignoring family business. Scores and scores of tycoons yearned to be assimilated into the landed establishment by spurning their own mills and factories. They denied the infernos of noise and squalor the capital investment required for new

Sam Leith

Saladin: hero or infidel?

In Baghdad in the 1980s there was a children’s book published called The Hero Saladin. The cover bore an image of Saddam Hussein, identified, in what his biographer drily describes as ‘the second and longer part’ of the book, as ‘Saladin II Saddam Hussein’. Given that Saladin was actually Kurdish — and knowing what we do about Saddam’s respect for that section of his population — the gesture seems even more crass and insolent than it might otherwise. But then, it’s also absolutely standard. Jinnah was Saladin. Assad was Saladin. Saladin is, in modern Arab and Muslim political mythology, more icon than historical figure. If the anti-imperialist rhetoric of the