Non-fiction

The lure of adventure

A few minutes’ walk from Paddington Station is a drinking den and restaurant called the Frontline Club, a members’ club for foreign correspondents. A few minutes’ walk from Paddington Station is a drinking den and restaurant called the Frontline Club, a members’ club for foreign correspondents. Among the characters you might find banging on the bar, wedged between Rick Beeston of the Times, Jason Burke of the Observer, and gentleman freelancers such as Aidan Hartley or Sam Kiley, is James Brabazon, an award-winning documentary filmmaker specialising in war zones. Though there are plenty of female stars, such as the redoubtable Marie Colvin, with her fantastic hair and piratical eye-patch, this

An ideal banker

At last, thirty years after his death, we have a proper biography of the enigmatic but inspirational banker Siegmund Warburg, extensively researched and beautifully written. Previous efforts fell short. A Man of Influence (1988), written by Jacques Attali, workaholic aide to President Mitterrand, showed a careless disregard for accuracy. The Warburgs (1993) by Ron Chernow contained a great deal of interesting information, including for the first time a public account of Warburg’s affair with the Russian prima ballerina, Danilova, but left the impression, in the words of his astute long-time partner, troubleshooter and friend Henry Grunfeld, that Siegmund Warburg was not a man you would want to meet. David Kynaston,

The sound of eternity

The Ninth is not necessarily Beethoven’s greatest symphony. The Ninth is not necessarily Beethoven’s greatest symphony. That honour is surely shared by the Eroica, in which the composer changed the course of orchestral writing after two prentice works (and what works they were!), and the Seventh. Beethoven’s last symphony, known in the English-speaking world as the ‘Choral’, for its unprecedented use of the human voice, is magnificent but flawed. The meditative slow movement may be the greatest Beethoven ever wrote, but the joy that Beethoven strove for in the finale finds finer musical and dramatic expression in the hymn to liberty that closes Fidelio. If it is not his greatest

A man after his time

Denys Watkins-Pitchford (1905-1990) illustrated dozens of books under his double-barrel and wrote at least 60 of his own under the two initials ‘BB’. Denys Watkins-Pitchford (1905-1990) illustrated dozens of books under his double-barrel and wrote at least 60 of his own under the two initials ‘BB’. This Symposium is a demonstration of how his writing has touched many, varied lives. The son of a vicar, he put his own faith in ‘nature’. Subsidised by his own writing, he followed what is called here ‘the manly pusuits’ — fishing, wildfowling — though why a man exalted to near ecstasy by the beauty of a skein of geese rising from marshes in

More than a painter of Queens

The last words of Hungarian-born portraitist Philip de László, spoken to his nurse, were apparently, ‘It is a pity, because there is so much still to do.’ As Duff Hart-Davis’s biography amply demonstrates, for de László, art — which he regarded as ‘work’ as much as an aesthetic vocation — was both the purpose and the substance of his life. The last words of Hungarian-born portraitist Philip de László, spoken to his nurse, were apparently, ‘It is a pity, because there is so much still to do.’ As Duff Hart-Davis’s biography amply demonstrates, for de László, art — which he regarded as ‘work’ as much as an aesthetic vocation —

Schlock teaser

The somewhat straightlaced theatre-going audiences of 1880s America, eager for performances by European artistes like Jenny Lind and solid, home-grown, classical actors such as Otis Skinner, were hardly prepared for the on-stage vulgarity that the (usually) Russian and Polish immigrant impressarios, with their particular nous for show-biz, were to unleash into the saloons and fleapits across the young nation. Of the many weird acts that comprised Vaudeville — the bearded ladies, fiddling baboons, human cannonballs and, apparently, ‘comics wearing enormous rubber phalluses’ — none can have been so strange, have kicked against so many pricks, so to speak, than little Louise, the daughter of the echt pushy stage-mother of Vaudeville’s

Animals without Backbones

What is a Bug? For this book, any animal that is not a Beast: the whole invertebrate realm, from the humble amoeba, through insects (more than half the book), to octopuses and sea-squirts (the distant forbears of you and me, lords and ladies of creation). Its scope, as with Flora Britannica and Birds Britiannica, is the parts that Bugs play in the human story: what they do to humannity with stings and jaws and injected saliva, what humanity does to them in the field and kitchen, their names (especially Gaelic), their roles in folklore, literature, art, music, films and photography. It is a book to enjoy at random, not to

Might and wrong

‘Was all this the realisation of our war aims?’, Malcolm Muggeridge asked as he surveyed the desolation of Berlin in May 1945. ‘Was all this the realisation of our war aims?’, Malcolm Muggeridge asked as he surveyed the desolation of Berlin in May 1945. ‘Did it really represent the triumph of good over evil?’ All wars pose moral dilemmas for those who fight them, and the Second World War more acutely than most. How many allied lives was it legitimate to risk in pursuit of victory, even over an enemy of unspeakable wickedness? How many enemies was it legitimate to kill? Is the question even worth asking? This admirable book

A flammable individual

On the night of 18 October 1969, thieves broke into the Oratory of San Lorenzo, Palermo, and removed Caravaggio’s Nativity. On the night of 18 October 1969, thieves broke into the Oratory of San Lorenzo, Palermo, and removed Caravaggio’s Nativity. The altarpiece has not been seen since. Three decades later, in 1996, Italians were aghast when the Mafia claimed responsibility. Somewhere in the Sicilian capital of Palermo, it seemed, a gangland capo sat in awed admiration of the stolen Christmas canvas. Far from submerging rivals in wet concrete, now the Cosa Nostra were enthusiasts of 17th century religious art. Born in 1571 near Milan, Caravaggio was a flammable individual. Contemporaries

Fate, death and Alma

Gustav Mahler is the most subjective, the most autobiographical, of composers. Other composers, particularly in the previous century, have asked their audiences to show an occasional interest in their private lives, sometimes in rather coded ways. There are the allusions, which of course never were completely private, of Schumann’s piano cycles, Carnaval and Davidsbundlertanze; there are the heartbreaking bits of autobiography in the late Beethoven string quartets; there are significant mottos about private acts of adoration even in Brahms’s third symphony; and, much later, a hidden love affair to be decoded in the Berg Lyric Suite. But these were occasional diversions, for the most part, and music continued to be

A tireless campaigner

Why haven’t we heard of Phillis Bottome? In her 60-year career she published 33 novels, several of them bestsellers, short stories, essays, biographies and memoirs. Why haven’t we heard of Phyllis Bottome? In her 60-year career she published 33 novels, several of them bestsellers, short stories, essays, biographies and memoirs. She lectured widely in Britain and America. She was translated into nine languages. Her 1937 novel The Mortal Storm predicted the horrific consequences of Fascism. MGM made a film of it, starring James Stewart — the studio’s first openly anti-Nazi film. It premiered in America in 1940, just as Hitler’s troops entered Paris, and was arguably influential in persuading the

High priest of bop

In the Rainbow Grill in New York one evening in 1971, according to Robin D. G. Kelley, Professor of History and American Studies at the University of Southern California, Duke Ellington  halted his band in mid-flow and announced: ‘Ladies and gentlemen, the baddest left hand in the history of jazz just walked into the room, Mr Thelonious Monk.’ In the Rainbow Grill in New York one evening in 1971, according to Robin D. G. Kelley, Professor of History and American Studies at the University of Southern California, Duke Ellington  halted his band in mid-flow and announced: ‘Ladies and gentlemen, the baddest left hand in the history of jazz just walked

Aces high

Seventy years after the RAF repelled the Luftwaffe, the Battle of Britain continues to have a powerful resonance. The conflict not only decided Britain’s very survival as an independent nation, but was also imbued with an epic moral purpose. The epochal months of 1940 represented the classic fight between good and evil, between freedom and tyranny, this romantic symbolism given added strength by the soaring rhetoric of Winston Churchill. The 70th anniversary of the battle this summer has prompted a surge of new books and the republication of several old ones. Among the best is the comprehensive new study by James Holland, a historian who has already won international acclaim

The poetry of everyday life

In an age when it is fashionable to travel with a fridge, Nicholas Jubber’s decision to take an 11th-century epic poem as his travelling companion to Iran and Afghanistan can only be admired. In an age when it is fashionable to travel with a fridge, Nicholas Jubber’s decision to take an 11th-century epic poem as his travelling companion to Iran and Afghanistan can only be admired. Written by the poet Ferdowsi sometime around 1000, the Shahnameh or Book of Kings consists of a whopping 60,000 couplets, four times the length of the Odyssey and Iliad combined. By turns mythical and historical, it tells the story of 50 shahs from the

Small but perfectly formed

Some years ago, Edmund de Waal inherited a remarkable collection of 264 netsuke from his great-uncle Iggie, whom he had got to know 20 years previously while studying pottery and Japanese in Tokyo. Each week the young de Waal visited his urbane, elderly relative and his friend, Jiro. He heard ancient family stories and was introduced to the hare and all the other miniature carvings in ivory or wood, each one ‘a small, tough explosion of exactitude’. When eventually he inherited the netsuke, he felt he had also been ‘handed a responsibility — to them and to the people who have owned them.’ Although the netsuke originated in 18th- century

Almost a great man

Of those prime ministers whom the old grammar schools escalator propelled from the bottom to the top of British society since the second world war, Ted Heath and Margaret Thatcher were in many ways the most alike. Wilson, that classic greasy-pole climber, tactically brilliant, strategically trivial; Major, decent, straightforward, a good man lifted to power on the shoulders of his many friends as a healer who could unite: both these are types, the one less admirable than the other, but familiar to history. Heath and Thatcher are much odder, more dangerous and more remarkable. It is an extraordinary tribute to the modern Conservative Party that both chose it as the

Odd men out

The first game played by the Allahakbarries Cricket Club at Albury in Surrey in September 1887 did not bode well for the club’s future. The first game played by the Allahakbarries Cricket Club at Albury in Surrey in September 1887 did not bode well for the club’s future. One player turned up wearing pyjamas, another held the bat the wrong way round while a third — a Frenchman — thought the game had finished every time the umpire called ‘Over’. The Allahakbarries were skittled out for just 11 runs and under the circumstances it seemed entirely appropriate that the team’s name should have been derived from the Moorish phrase for

Not as sweet as he seemed

There are already three biographies of E. M. Forster: P. N. Furbank’s two- volume, authorised heavyweight; Nicola Beauman’s less compendious, more engaging middleweight; and my own bantamweight, little more than an extended essay. There are already three biographies of E. M. Forster: P. N. Furbank’s two- volume, authorised heavyweight; Nicola Beauman’s less compendious, more engaging middleweight; and my own bantamweight, little more than an extended essay. For readers who want a coherent, psychologically penetrating, well-written account of the life, with a minimum of critical analysis, this new biography is the one that I now recommend. Most people would regard the writing of his novels as the dominant preoccupation of Forster’s