Non-fiction

Ignoble nobles

Badly behaved toffs have been a gift to writers since ancient times, and in English from Chaucer to Waugh. A quotation from the latter’s Put Out More Flags, about some shady manoeuvres by Basil Seal, supplies the epigraph to a chapter of Marcus Scriven’s Splendour & Squalor: ‘From time to time he disappeared … and returned with tales to which no one attached much credence…’ The chapter in question concerns ‘Victor’ — Victor Hervey (1915-85), 6th Marquess of Bristol, whose defining traits, by Scriven’s account, were his ‘tendency to criminality’ and ‘taste for wounding the vulnerable’ — which sounds like Basil Seal, as does Selina Hastings’ recollection that he ‘was

The face of a muffin

What was it about post-war British cinema? Our films were lit up by a collection of wonderfully idiosyncratic performers. Think Alistair Sim, Terry-Thomas and Robert Morley. Perhaps the most idiosyncratic of them all was Margaret Rutherford. The drama critic, J. C. Trewin once remarked, ‘When you have seen any performance by Margaret Rutherford you are certain to remember it.’ How right he was. She stole Blithe Spirit with her portrayal of the exuberant bicycling medium, Madame Arcati. She was wonderful as Miss Whitchurch, the domineering headmistress of a girls’ school mistakenly billeted at a boys’ school in The Happiest Days of Your Life. And she was a far more colourful

Some sunny day!

In August 1945 Cyril Patmore of the Royal Scots Fusiliers returned on compassionate leave from India. A few weeks earlier his wife had written to confess that she was expecting a child by an Italian prisoner of war. ‘Why oh why darling did I have to let you down, me who loves you more than life itself?’ she wrote, pleading for forgiveness and a reconciliation. It was in vain. Patmore stabbed his wife to death. ‘I live for my children and my wife,’ he told the police. ‘I hope the children will be well looked after.’ This bleak anecdote introduces a catalogue of disasters. At the end of the war

Racists, pigs and hysterics

I cannot remember getting so much pleasure from a book. It is not just its beauty, the handmade paper, the quarter leather, the engraving of the Rhaeadr Falls cut in purple into the cover cloth of something the size of an atlas. These are accidental details (as, I note bemusedly, is the fact that it costs £300 more than the current value of my car). For this, quite simply, is the funniest book I have read in years. Its godfather seems to have been Napoleon, whose wars sealed Europe off to the Romantics. In other words, he deprived them of their fixes of the Sublime, the Picturesque, the Prospects of

Not perfect freedom

‘Servants’ and ‘service’ have not always meant ‘servility’. ‘Servants’ and ‘service’ have not always meant ‘servility’. From the Middle Ages right through to the 16th century, everyone was servant to someone: a lord was servant to the king, a lesser lord to a greater. Children likewise served in the households of their parents’ equals: service was what one did before God, and before one’s superiors, in class, or age. And many servants were for display as much as utility: as the consumer durables of their time, their number gave their masters’ prosperity in physical form. Gradually, as the world of family and servants became less closely entwined (by the end

A long journey

I never liked E. M. Forster much. He was too preachy and prissy, too snobbish about the suburbs, too contemptuous of the lower classes. I know this is not how a review is meant to begin. You may legitimately kick off by admitting that you have a soft spot for your subject, even perhaps that you used to be friends. But reveal a longstanding dislike in your first paragraph, and the reader may reasonably wonder why the editor did not give the book to someone else. My only excuse for this confession is that I am not alone. For a novelist, essayist and critic of such acknowledged eminence, Forster has

A great novelist

In a remarkable way the trajectory of Ivy Compton-Burnett’s reputation after her death in 1967 parallels that of George Meredith’s in 1909. In a remarkable way the trajectory of Ivy Compton-Burnett’s reputation after her death in 1967 parallels that of George Meredith’s in 1909. A recipient of the OM and held in awe by such younger novelists as Henry James, Hardy and Stevenson, Meredith was generally regarded as one of the greatest writers of his time. But now, apart from his poetry — which he himself rightly thought superior to his prose — he is little read, even though every history of English Literature contains a lengthy entry for him.

The king of chiaroscuro

These days, it is easy to take it for granted that Caravaggio (1571-1610) is the most popular of the old masters, yet it was not ever thus. In my Baedeker’s Central Italy (published exactly 100 years ago), he is acknowledged as having been ‘the chief of the Naturalist School’, but it is pointed out that from the outset ‘it was objected that his drawing was bad, that he failed in the essential of grouping the figures in his larger compositions.’ The first major exhibition of his works — in what has only very recently been established as the city of his birth, Milan — did not take place until 1951.

Unhappy in her own way

It is a cruel fact, but unhappy marriages, unless they are your own, are always comic. Hence the popularity of Boccaccio’s Decameron. Hence the universal applicability of the Victorian joke about the Carlyle marriage: that it showed the kindness of God — making two people unhappy instead of four. The marriage of Tolstoy and Sofia Behrs, neither of whom had an ounce of humour in their bodies, certainly partakes of this grand old slapstick tradition. Sofia’s diary entry for 26 August 1882 runs: It was 20 years ago, when I was young and happy, that I started writing the story of my love for Lyovochka in these diaries: there is

Magic

Are you staggered and amazed by today’s sleight-of-hand merchants? Are you staggered and amazed by today’s sleight-of-hand merchants? Perhaps David Blaine surviving in a block of solid ice for months leaves you cold? Or Darren Brown knowing your credit card number has you stifling a yawn? If something is missing from today’s masters of magic it’s not their fault; it’s our assumption that they can get away with anything on television, and that it’s all a con. Well, to put the magic back into your cynical soul, just look at this amazing collection of photographs and posters from the past. It will revive that tingling feeling that you just can’t

Squeaks and squawks

How often, when listening to announcers or weather forecasters or politicians on the radio, do I think, ‘That’s an ugly voice’! This seldom applies to speakers with educated regional accents, such as Scottish, Irish or Yorkshire, but all too often to those from London or the Midlands where good standard English is becoming a rarity. This is not a matter of class; ‘Sloane’ voices are as unappealing as ‘Estuary’ ones; indeed the two sometimes hideously cross-fertilise. Good speech is a matter of clarity and the unselfconscious enjoyment of the spoken language. It was an unexpected and nostalgic pleasure to listen to old recordings of or about the Bloomsbury Group. These

Parsons’ displeasure

Despite its prosaic title, this is a humdinging page-turner of a book, revealing in livid detail the scandal of how the Church of England jettisoned onto the market what the author describes as ‘perhaps the most admirable, desirable and ascetic body of domestic buildings ever built’. Despite its prosaic title, this is a humdinging page-turner of a book, revealing in livid detail the scandal of how the Church of England jettisoned onto the market what the author describes as ‘perhaps the most admirable, desirable and ascetic body of domestic buildings ever built’. Out of his reckoned 50,000 of such buildings that served England’s churches — ‘hallowed stones, if properly used,

Enjoyer and endurer

I approached the late David Nokes’s scholarly book with some trepidation, having heard that it had been criticised for its apparent dismissal of James Boswell. I approached the late David Nokes’s scholarly book with some trepidation, having heard that it had been criticised for its apparent dismissal of James Boswell. As I had gained all my previous knowledge of the great Sam from Boswell’s magnificent biography I did not expect to enjoy this new exploration. But I did, very much indeed. Nowhere does he accuse Boswell of falsely creating the character of Johnson; indeed he acknowledges that he portrayed an irritable but very human subject. Nokes’s book, densely academic, provides

The optimism of a suicide

A postal strike would have been a disaster for Van Gogh. Letters were his lifeline and consolation. Not only did he receive through the mail his regular allowance from his brother Theo but, in letter after letter in return, he poured out his thoughts and feelings, recorded his work in progress and conveyed his impressions of books, people and places. In his often solitary existence, he was an avid recipient and kept in touch with a variety of correspondents, especially when he was in the South of France during the last two years of his life. The glory must be shared, however, with Theo, in that he kept Vincent’s letters,

Quirky books for Christmas

After the Christmas ‘funny’ books, here’s an even larger pile of Christmas ‘quirky’ books. After the Christmas ‘funny’ books, here’s an even larger pile of Christmas ‘quirky’ books. In practice, quirky books aren’t just for Christmas, they’re for the whole year round. But try telling a publisher that. Thousands of them have been pouring out this autumn, and in the pre-Christmas jungle good books will surely be lost, consumed by larger and nastier predators in a single contemptuous gulp. In Ghoul Britannia (Short Books, £12.99), Andrew Martin muses on ‘a nation primed for ghostliness’. Our weather is just right, our landscape could have been designed for the purpose, and we

The unknown and the famous

In 1950, Irving Penn, working for Vogue in Paris, set himself up in a glass-roofed attic and, between fashion assignments, began a series of full-length portraits of tradesmen, inspired by the street portraits of Eugène Atget 50 years before. Later that year he continued the project in a painter’s studio in Chelsea. Penn found that the working people of London responded to his invitation to be photographed differently from those in Paris. ‘In general, the Parisians doubted that we were doing exactly what we said we were doing. They felt there was something fishy going on, but they came to the studio more or less as directed — for the

Recent books for children

One thing which struck me immediately on surveying the books on offer for children this Christmas is the large number which are really toys, with only a minor bookish element. Walker Books have produced several of these this year. Cars by Robert Crowther (£12.99) boasts moveable pop-ups of cars ancient and modern, with realistic detail and turning wheels, from the Mini to the Bluebird, culminating in a full fold-out model of a Formula 1 racetrack. There is an informative text, but it is definitely subordinate to the models. The same is true of Gladiators by Toby Forward, illustrated by Steve Noon, (£16.99). This includes a book about the Roman games,