Norman mailer

Gstaad This is my last week in the Alps and I’m trying to get it all in – skiing, cross-country, kickboxing, even some nature walking along a stream. (I did my last downhill run with Geoffrey Moore, one that ended in a collision with a child at the bottom of the mountain, and I’m thinking of calling it quits on the downhill-skiing front.) The trouble with athletes is that we early on enact the destiny to which we are all subject, an early death. The death of sports talent is a subtle process. The eyes go first, then the step falters. Eventually you feel like an old man who is

Gstaad   Joan Didion, who died last December, took herself extremely seriously. American writers tend to do that, especially those whose books are unreadable, the kind who win prizes and get reviewed by the Bagel Times. Pretension aside, however, Didion was a hell of a writer, a stylist who modelled her prose on Papa Hemingway’s. We never met, but I knew enough to stay away because of a joke I played on her. Didion was godmother to David Mortimer’s and Shelley Wanger’s daughter, a young lady I have never met. Shelley is an editor at Knopf, and is the daughter of that beautiful and elegant actress of the 1940s Joan

It takes a very good writer to produce prose that provokes an emotional response in a reader, even when it deals with events long past with which he or she has no connection. It also takes a good writer to subtly tip off the reader about a change in the character of the American people, one that has seen toughness replaced by weakness. Talleyrand once remarked that no one who had been born after the French Revolution could know how sweet life could be. Larry McMurtry wrote about life in small American towns in the 1950s and the great American West in the late 19th century, and his writing evokes