Paul thomas anderson

Is Paul Thomas Anderson’s latest as good as everyone is saying? That it has a run time of nearly three hours and I didn’t drop off, and didn’t have to fight dropping off, may say it all. But if you want more, I can also vouch that One Battle After Another is funny and fantastically propulsive, and it also, I should add, reinvents the car chase – which I don’t believe any of us expected to see in our lifetimes. So while you can search for a deeper meaning if you want (many have), you can also simply enjoy it. (I give you permission.) The car chase at the end?

How do you tell a great story? According to Craig Mazin, you have to be a sadist. ‘As a writer, you are not the New Testament God who turns water into wine,’ Mazin chuckles on his long-running podcast Scriptnotes. ‘You are the Old Testament God who tortures Job because, I don’t know, it seems like fun.’ Mazin wrote HBO’s horrifying, incandescent miniseries Chernobyl, and so knows of what he speaks. In the episode of this podcast titled ‘How to Write a Movie’, he describes how screenwriters build plot out of suffering. He outlines a scenario, making the stakes higher each time. Suppose our main character is a single father desperate