performance art

English National Opera's triumphant new production of Harrison Birtwistle's The Mask of Orpheus, directed by Daniel Kramer. [Photo: Alistair Muir]

A triumph: ENO's Mask of Orpheus reviewed

26 October 2019 9:00 am

ENO’s Mask of Orpheus is a triumph. It’s also unintelligible. Even David Pountney, who produced the original ENO staging in…

A document of a mass human experiment that is moving, revolting, violent and extraordinarily pornographic

Dau is the strangest and most unsettling piece of art to come out of Russia in years

2 February 2019 9:00 am

Owen Matthews on the strangest, most unsettling piece of art to come out of Russia in years

Read The Spectator article that gave birth to musical minimalism 50 years ago

8 December 2018 9:00 am

Fifty years ago, in a review by composer Michael Nyman, The Spectator helped christen a musical movement that came to dominate the world

The glums: Marisol Montiel and Ana Luisa Montiel in Taryn Simon’s ‘An Occupation of Loss’

Grief-conjurors, space-mincers and earth-shovellers: performance roundup

19 May 2018 9:00 am

They enter two by two. Grannies, mainly. Headscarved, mainly. Some locking arms. A bit glum. Like rejects from Noah’s ark.…

Naked ambition: Anthony Roth Costanzo in Philip Glass’s ‘Akhnaten’

In a world full of zombie new operas, thank god for Philip Glass’s Akhnaten

12 March 2016 9:00 am

A mixed year so far for new opera. A few really dismal things have appeared from people who should know…

Why we should say farewell to the ENO

7 February 2015 9:00 am

It’s easy to forget what a mess of an art form opera once was. For its first 100 years it…