Philosophy

Those who have read Madeleine Thien’s bestselling Do Not Say We Have Nothing will recognise The Book of Records as being the title of the manuscript at its heart – a dangerously dissenting history of China. In her latest novel, Thien uses the title to explore the future rather than the past – or so it seems at first. Extensive flooding has caused Lina and her father to leave Foshan and retreat to ‘the Sea’, a labyrinthine ‘nothing place’ where people usually shelter just for a short while before moving on. It resembles Kowloon Walled City, the immense, densely populated structure that, before being demolished, was close to where Thien’s

Blaise Pascal resists definition. During a short life (he died in 1662, aged 39) he invented the calculator, laid the foundations for probability theory and created the first public transport system. He was also an austere Catholic, whose call for a return to strict Augustinian doctrines put him outside the religious mainstream. As a philosopher, he is remembered today for his ‘wager’ argument – a challenge to atheists, framed as a cosmic gamble. As Graham Tomlin shows in this lively, conversational biography, Pascal worked in threes, often steering a course between extremes. As a Catholic, he refused to commit to the new sect of Jansenism, but also abhorred the Jesuits’

Just about everyone is for liberty, but we mean different things by it. Far-right libertarians want almost all constraints on their actions removed. They desire free markets, no unions, low taxes, free speech and the freedom to be very rich. The oppressed want freedom from tyranny: in extremis, they want to be free from jail and free to live without the threat of arbitrary arrest and torture. The moderately oppressed want more freedom than they have now, but within the context of a functioning democracy that is more equal, and more supportive, than the kind of society imagined by the right. They make a distinction between liberty and licence (complete

Edward Wilson-Lee writes rather chin-strokey, erudite books for the half-educated general reader with a strong taste for big ideas and the ever-so-slightly weird –which is to say people exactly like me and very possibly like you. The Catalogue of Shipwrecked Books: Young Columbus and the Quest for a Universal Library (2018); A History of Water: Being an Account of a Murder, an Epic and Two Visions of Global History (2022): autodidact catnip. He’s a gifted chronicler of the odd, the interesting and the esoteric. Think non-fiction Umberto Eco. It’s perhaps not surprising, then, that he’s now got round to writing about the Renaissance Man’s Renaissance Man, Giovanni Pico della Mirandola:

Who would you invite to your ideal dinner party? Plato answered that question centuries ago with his sublime Symposium, a gripping, novel-like account of a gathering of Athenian notables, which is also a powerful philosophical exploration of the force of Eros, or love. We know that the feast is supposed to have taken place in 416 BC since its host, Agathon, has just won a prize for one of his tragedies. We also know that the setting is, alas, imaginary, since Plato makes sure to distance himself from the account by having Apollodorus tell the story to his friends some 16 years later, having heard it from an acquaintance. Instead

A commercial publisher bringing out a book of old academic essays on Austrian writers, some completely unknown to English readers, might need an explanation. In this case the author is W.G. Sebald, who produced a series of cogitative books that made his name in the 1990s. Before he acquired the worldwide authority of The Emigrants, The Rings of Saturn and Austerlitz, Sebald had a career in the academic proponency of German literature. Silent Catastrophes is the first English translation of two essay collections from 1985 and 1991, The Description of Misfortune and Strange Homeland. (‘Uncanny’ would be a better translation than ‘strange’, but neither title goes easily into English.) It

At an improbable soirée in 1987, Mike Tyson was making aggressive sexual advances to the young model Naomi Campbell when the septuagenarian philosopher A.J. Ayer stepped in to demand that the boxer desist. ‘Do you know who I am? I’m the heavyweight champion of the world,’ snarled Tyson. ‘And I,’ replied Ayer, ‘am the former Wykeham Professor of Logic. We are both pre-eminent in our fields. I suggest we talk about this like rational men.’ And while Campbell sensibly slipped away, the odd couple did just that. The Chicago philosophy professor Agnes Callard relates this story not just to clinch the slightly self-serving professional point that philosophers aren’t always useless

According to a 2016 report published by the World Health Organisation, Argentina is the ‘therapy capital of the world’, boasting 222 psychologists per 100,000 people. Reading the Argentine writer Pola Oloixarac’s Savage Theories, I can understand why. The novel is quick to mock the posturing of the academic world, especially in Buenos Aires The novel follows three characters, each more bizarre and beguiling than the last. First we have our narrator, Rosa. She is a philosophy student at the University of Buenos Aires who becomes obsessed with, and attempts to seduce, her elderly professor Augusto Garcia Roxler, whose ‘Theory of Egoic Transmissions’ charts man’s evolution from prey to predator. Yet

Professor Guy Leschziner writes that he was raised in a secular household that was ‘entirely irreligious’ yet with ‘a strong sense of morality, of right and wrong’. As an eminent neurologist and a rational atheist, it’s striking that his study of the extremes of human behaviour should reach for such Biblical terms. Is there an element of ghoulishness here? Seven Deadly Sins has a structure of which David Fincher, director of the gruesome film Seven, might approve.  To zero in on the sins is undoubtedly a darkly entertaining approach, if not for the squeamish. Having been a consultant at Guy’s hospital for more than 25 years, Leschziner has seen ‘the

It sounds like a Tom Stoppard play. A big-shot philosopher meets a big-shot boffin by way of a big-shot writer to descant on the biggest of big-shot debates – what The Rigor of Angels’s subtitle calls ‘the Ultimate Nature of Reality’.True, William Egginton can’t match Stoppard for punchy one-liners, nor for puns and pratfalls and persiflage. But while his book is as demanding a read as anything published this year, it still leaves you smiling. Over and over again the author reminds you of the shimmering weirdness beneath the experiential surface of what we are pleased to call the real world. There is no shortage of books that pit one

Yuval Noah Harari has sold more than 45 million books in 65 languages. He is a professor with a PhD from the University of Oxford, has spoken at TED and the World Economic Forum in Davos, and his latest book, Nexus, is considered ‘erudite, provocative and entertaining’ by Rory Stewart and ‘thought-provoking and so very well reasoned’ by Stephen Fry. This is the story the book’s cover tells us about its contents, and Nexus itself argues that it is stories which are fundamental to shaping the world. It posits that the strength of humanity comes from building large networks in which we work together co-operatively, but that our weakness is

The French philosopher Simone Weil, who died of self-starvation and tuberculosis in a Kent sanitorium in 1943 at the age of 34, remains a conundrum. ‘Mais elle est folle!’ had been the spluttering response of Charles de Gaulle the previous year, during her short wartime period analysing reports for the Free French in London. Her simple brief was to précis the ideas coming in from the Resistance movement on how to reconstruct France after liberation. The result – which was posthumously published, as were most of her writings – turned out to be a major work of original philosophy, Enchainement (The Need for Roots), running to hundreds of pages, a

‘Everywhere I could see India, yet I could not recognise it.’ So said India’s great national poet Rabindranath Tagore of South-East Asia, after travelling there in 1927. Tagore was fascinated by how elements of ancient Indian culture had found their way eastwards: gods, temple architecture, the Sanskrit language and the great epics the Ramayana and the Mahabharata. A nationalist but also a universalist, Tagore welcomed the reshaping of these ideas by the people who received them, a process whose fruits he encountered in Malay literature and Balinese dance. He even hoped that one day a ‘regenerated Asia’, making creative use of its shared cultural heritage, might heal the world of