Piano

Thursday

James Rhodes

James Rhodes’s diary: Trying to catch out Stephen Fry, and the scandal of music education

This was the best kind of week. It started with a three-hour road trip with my manager/surrogate father/shrink/bodyguard to Monmouth to record album no. 5. Glenn Gould (whom I worship with the fervour of a pre-teen Belieber) talked about the ‘womb-like security of the recording studio’. Which was why, in a somewhat pussy move, he retired from performing in public. And he was spot on. Bless my mum, but my first womb was a Valium- and gin-infested warm place of loveliness, and the recording studio is absolutely the next best thing. Me, the safety net of the retake, a (phenomenal) Steinway, heaters, Kit-Kats, tea and Beethoven can give any pharmaceuticals

Thursday

Andrew Lambirth

Exhibition review: Saloua Raouda Choucair, Shanti Panchal

Forgive my ignorance, ladies and gentlemen, but I must confess that I had never heard of Saloua Raouda Choucair before the advance publicity of the Tate’s exhibition. She’s not in the Yale Dictionary of Art & Artists (always a useful reference book, but by no means infallible) and I don’t believe I’d ever seen her paintings or sculptures before this show. But I may have overlooked one somewhere in a mixed exhibition, for her work does resemble that of a dozen other artists of international Modernism, and even of a number of the British variety. So why does Tate Modern now devote a solo show to her? Could it be