Poetry

I can’t help thinking that the literary editor is having a little chuckle to himself, in his own private way, as he hands me Walking Home: Travels with a Troubadour on the Pennine Way to review. What he knows is that, for my sins, I have never been anywhere near the Pennine Way, the long stretch that runs from Edale, Derbyshire, to Kirk Yetholm on the Scottish border. And yet here it is in my hand, a travel diary of sorts, dedicated to Simon Armitage’s 2010 sweaty ramble ‘backwards’ from the Scottish end to his hometown, Marsden, situated near its beginning. Thankfully, neither familiarity with the moors nor a particular

While the Ancient Greeks ceased hostilities for the Olympic Games, this summer will be business as usual in many parts of the world. Exiled poets from Bangladesh, Sierra Leone, China, and Uganda presented their work yesterday afternoon at the Southbank center, participating in the ongoing Poetry Parnassus. Readings took place in the cavernous, skylit, Front Room at QEH. Yet the solemnity of spoken word kept being interrupted by river watchers on the terrace coming in to order more drinks at the bar or the walkie-talkie of the janitor as she made her way around the audience, sweeping up rubbish. Mir Mahfuz Ali, who was shot in the throat by a

Possessing a meticulously detailed and layered style, as well as having an exceptional ability to describe nature, Jorie Graham’s poetry is primarily concerned with how we can relate our internal consciousness to the exterior natural world we inhabit. In 1996, The Dream of the Unified Field: Selected Poems, 1974-1994, earned Graham the Pulitzer Prize in poetry. She is currently the Boylston professor of poetry at Harvard University. Her forthcoming book, Place will be her twelfth collection to date. She spoke to the Spectator about why poetry needs to be reclaimed to the oral tradition, how technology is corrupting our imagination, and why her work is laced with contradictions and paradoxes.

The fuss stirred up by the mere suggestion that poetry might be part of the school curriculum was extremely suspicious. Just as George Osborne quietly announced his u-turn on the charities tax during the less soporific sections of Leveson, the proposal that children should have to learn poetry off by heart smacked of a smoke screen.   What evil is lurking in the small print of Gove’s national curriculum? Will school dinners get even smaller? Have all our schools been sold to Google?   But when it comes to poetry, there seem to be two main objections to Gove’s plan. First, though Gove may ostensibly want to give teachers more

At a funeral in New Orleans in 1901, Joe ‘King’ Oliver played a blues-drenched dirge on the trumpet. This was the new music they would soon call jazz. A century on, from the hothouse stomps of Duke Ellington to the angular doodlings of Thelonious Monk, jazz survives in the vocal inflections of rap. To its detractors, rap presents black (increasingly, white) people to the world in terms the Ku Klux Klan might use: illiterate, gold-chain-wearing, sullen, combative buffoons. (‘Life ain’t nothing but bitches and money’, harangued the Los Angeles combo N.W.A. in a reversal of Martin Luther King’s ‘black improvement’.) Yet Bob Dylan had offered an early version of rap

In the late 1960s I grew up in the London borough of Greenwich, which in those days had a shabby, post-industrial edge. Behind our house on Crooms Hill stood a disused London Electricity Board sub-station. Broken glass crunched underfoot and buddleia grew amid the fly-tipped junk. I went there chiefly to shoot at pigeons and set fire to things. Tea chests went up in a satisfying orange whoosh; I was mesmerised. One day, dreadfully, the LEB building burned down after I neglected to extinguish embers. The fire-fighters flashed a spectral white and blue, I remember, from the fire-engine’s beacon. I could no longer go there unnoticed. I was reminded of

They were ‘soulmates’ according to people who knew both of them. They were ‘soulmates’ according to people who knew both of them. The word has a double-edged quality; it may suggest that they got on well together because they presented such a problem to everyone else. Both Philip Larkin and Monica Jones found it difficult to suffer fools gladly, and in this collection of letters (ranging from 1946-84) from Larkin to his long-term companion and lover, the mean-spirited and misanthropic are given full rein. Larkin met Jones in 1946, and they soon became lovers. (So much for sexual intercourse beginning in 1963). She was a flamboyant presence in the English

Among the most famous of all living poets, Nobel Laureate, highly educated, revered for his lectures and ideas as well as for his poetry, Seamus Heaney has a daunting reputation. He remains, however, enjoyed by a broad spectrum of readers, accessible, song-like, direct, concerned with everyday details and human relationships. Essentially, Heaney’s poetry strikes to the heart through its central metaphor — the very mechanics of being human. Human Chain, his latest collection, makes this familiar territory absolutely explicit, right from the title. Not only does the image of a ‘chain’ of being human concern itself with family loyalties, connections and inheritances, but it also represents the physical labour of