Ptsd

Private battles: Twelve Post-War Tales, by Graham Swift, reviewed

When Granta magazine’s list of Best of Young British Novelists first appeared in 1983 it was a cue for me to immerse myself in the work of the named writers. There was the dazzling sardonic humour and knowing intelligence of Martin Amis; Ian McEwan’s twisty psychological thrillers; the cool prose of Kazuo Ishiguro, masking latent pain; and the fantastical, rich threads of Salman Rushdie. Rose Tremain’s anthropological insights and Pat Barker’s harrowing war stories were also transfixing. It took me a while to get to Graham Swift, but when I read Waterland, Mothering Sunday and the Booker-winning Last Orders, I was quietly absorbed. Swift didn’t aim for the pyrotechnics of

The art of war

On his deathbed, the Austrian writer Karl Kraus remarked of the Japanese attack on Manchuria: ‘None of this would have happened if people had only been more strict about the use of the comma.’ The implication being that by channelling rage into the ordering of small things, we might stay away from violence on a colossal scale. Unable to restrict ourselves to matters of punctuation, alas, humanity is often at war: with itself, and others, however hallucinatory. Two current exhibitions come at rage from very different starting points. War and the Mind demonstrates the devastating psychological impact of war on those who fight it and those who have no choice

There’s nothing shameful about hypochondria

The hypochondriac is the butt of jokes. Even his butt is the butt of jokes. A story doing the  rounds in the 16th and 17th centuries concerned a Parisian glassmaker who, believing himself to be also made of glass, fastened a cushion to his buttocks in case they broke when he sat down. His anxiety was mocked by a character in a play called Lingua, Or the Combat of the Tongue: ‘I am a Urinal, I dare not stirre,/ For fear of cracking in the Bottome.’ The aim of A Body Made of Glass is to take hypochondria, or ‘illness anxiety disorder’, seriously. But in a moment of levity, Caroline

Trauma has become as American as apple pie

Gstaad Lord Belhaven and Stenton, a wonderful man and the quintessential English gentleman, died at 93 just before the end of the crappiest of years. But Robin was lucky in a way: no tubes, no hospital beds, not another virus statistic. His widow, Lady Belhaven, gave me the bad news over the telephone, and although she was devastated after a very long and happy marriage, she is very smart and realises that it was a perfect death. He asked for a gin and tonic, went to bed, and never woke up. Acknowledging the death of others is one thing, accepting one’s own demise quite another. That’s why old men send