Racism

Priti Patel: I will not take lectures from Labour on racism

Priti Patel was in the Commons today, to be asked about the policing of the recent Black Lives Matter protests across the country. And, it was an understatement to say that the Home Secretary was taking no prisoners when it came to accusations from Labour that she or the government did not understand racism in this country. In response to Labour MP Florence Eshalomi – who asked whether the government and the Home Secretary recognised that there is racism and discrimination in the UK – Patel gave a remarkable speech in which she declared that she would ‘not take lectures’ from Labour about racism, and accused those who expect ethnic minorities to behave

The problem with mystery podcasts like Wind of Change

Did the US secretly write a power ballad in order to bring down the Soviet Union? That’s the question behind Wind of Change, a serial documentary that has topped the podcast charts. It’s the work of an investigative journalist called Patrick Radden Keefe who claims to have once received a tip-off, from an intelligence contact, that the song ‘Wind of Change’ — recorded by the hair metallers Scorpions — was actually a CIA campaign to encourage anti-Soviet uprisings. Now he wants to prove it. This week’s episode, the fourth of eight, takes Keefe to a collectors’ convention in Ohio in pursuit of an internet user called ‘Lance Sputnik’ who creates

Cambridge’s ‘reverse mentoring’ scheme was always going to fail

Institutional racism is rife at Cambridge university – that was the assumption behind the university’s ‘reverse-mentoring’ scheme which was launched to much fanfare last summer. The idea was simple enough: senior academics who were white would be educated about racism by their BAME colleagues. But the news that the scheme may be scrapped after its short pilot is hardly a surprise. As I wrote back in July, the singling out of white colleagues for mentoring is flawed on many counts. Worst of all, it embraces the increasingly popular belief that racism is an unconscious state of being that is inexorably inherent in some (but not all) racial groups. This is

A book that could save lives: Adam Rutherford’s How to Argue with a Racist reviewed

In the award-winning musical Avenue Q, filthy-minded puppets sang about schadenfreude, internet porn, loud sex, the uselessness of an English literature degree — and racism. Or, more specifically, they sang about the ubiquitous human habit of stereotyping people by race: Everyone’s a little bit racist, sometimes.Doesn’t mean we go around committing hate crimes.Look around and you will find,No one’s really colour blind.Maybe it’s a fact we all should face.Everyone makes judgments…Based on race. The puppets were right: everyone makes judgments based on race. Humans are lazy creatures who like mental short cuts. Thinking in shades of grey is more effortful than thinking in black and white. Evaluating a new person

Full text: Labour’s suspension letter to Trevor Phillips

News broke this morning that the former head of the Equalities Commission Sir Trevor Phillips had been suspended from the Labour party over allegations of Islamophobia. Phillips has spent his career documenting the realities of race and integration in British life.  The think tank Policy Exchange has now released the correspondence between Sir Trevor and the Labour party disciplinary department. Phillips is a senior fellow at the research institute.  You can read the full Policy Exchange document here and the letters below: Phillips sent the following response:

Bernadine Evaristo shoulders weighty themes lightly: Girl, Woman, Other reviewed

It’s a slippery word, ‘other’. Taken in one light, it throws up barriers and insists on divisions. It is fearful and finger-pointing: them, not us. But looked at in another way, it is rangy, open and expansive. It suggests horizons, not walls. That first meaning has done much heavy lifting in discussions of Bernardine Evaristo’s Booker-winning Girl, Woman, Other. As the first black British woman to be awarded the prize, this was perhaps inevitable. Evaristo cuts an unmistakable dash through the ranks of past winners: they have been, on the whole, more pale and — damningly — a lot more male. The Booker judges hardly steadied the debate with their

Lloyd Evans

Full of fascinating data and excellent comedy: Messiah at Stratford Circus reviewed

I’ve joined the Black Panthers. At least I think I have. I took part in an induction ceremony at the start of Messiah at Stratford Circus. ‘Stand up,’ said the actor Shaq B. Grant to the predominantly white crowd. ‘Raise your right fist and repeat after me: “I am a revolutionary.”’ Everyone obeyed and chanted his mantra, some with more sincerity than others. Then the show began. The subject is a notorious police raid on a Panther hideout in Chicago in 1969 which resulted in the death of Fred Hampton, a 21-year-old activist nicknamed ‘the Black Messiah’. The police alleged that the Panthers opened fire first. The Panthers claimed that

James Baldwin’s radicalism was part Marxist, part Christian

Great biographies try to answer questions about the complicated relationship between their subjects’ inner life and outer workings. How did Winston Churchill turn the pain of his early life and his years in the political wilderness into the words that galvanised the free world? How did Frida Kahlo’s physical impairment shape her vision as a painter? I am endlessly interested in the inner and outer lives of the African–American writer and activist James Baldwin, for my money not just the most important black writer of the past 100 years, but one of the most important American writers ever. Although we differ wildly in our life experience — I am a

Mick Hucknall on women, rejection and cultural appropriation

What makes someone become a pop star? Sometimes, it’s true, pop stardom arrives by accident, and its recipient responds not with joy, but horror. More often, though, pop stardom is sought, sometimes to make up for things that are missing in life, and the newly minted star embraces all the benefits fame brings, until those benefits — unlimited sex, unlimited drugs, unlimited drink — become more of a burden than a pleasure. Mick Hucknall appears to fall very much into the latter camp. What was missing was, first, a mother: she left his father when he was an infant, and records became some sort of surrogate as he grew older.

Universities don’t need to be lectured about racism

I’ve been contacted by a professor at a leading Russell Group university who is worried about the spread of progressive dogma in the UK’s higher education sector. He highlighted last week’s report by the Equality and Human Rights Commission which claimed that around a quarter of students from ethnic minority backgrounds at Britain’s universities have experienced racial harassment. He fears that this will be used by left-wing activists on campus as ‘proof’ that the higher education sector is ‘systemically racist’ and lead to further calls to ‘decolonise the curriculum’. He’s also concerned that he’ll have to spend more time at ‘equality, diversity and inclusion’ workshops, where he’s lectured by privately

A 90-minute slog up to a dazzling peak: ‘Master Harold’… and the boys reviewed

Athol Fugard likes to dump his characters in settings with no dramatic thrust or tension. A prison yard is a favourite. He specialises in bored, talkative characters who squirt the time away swapping memories and indulging in bursts of creative play-acting. It’s dull to watch but good fun to perform. Thesps love to step out of character and road-test a range of fictional personalities. ‘Master Harold’… and the boys is classic Fugard. We’re in an empty restaurant in South Africa in 1950. Lunch service has ended. Two waiters twiddle away the afternoon discussing sex, ballroom dancing and beating women (as if this were a standard feature of male behaviour). Enter

An elegy for New York

New York The master of the love letter to New York, E.B. White, eloquently described the city as a place that can ‘bestow the gift of loneliness and the gift of privacy’. Like many of us, he believed that the place would last and that it would always matter. White was an optimist, sophisticated and thoroughly American. He was lucky to die in 1985. I say lucky because fate spared him from seeing the wreckage of his dream city. New York was also my dream place, an indelible part of my youth: a poem of steel-and-limestone majesty, of high-end shops, hotels, theatres and nightclubs, of dandies and high-class women, of

A decorative pageant that would appeal to civic grandees: The Secret River reviewed

The Secret River opens in a fertile corner of New South Wales in the early 1800s. William, a cockney pauper transported to Australia for theft, receives a pardon from the governor and decides to plant a crop on 100 acres of Aboriginal land. His doting wife, Sal, begs him to take her and their young sons back to her beloved London. They make a deal. William must succeed as a farmer within five years or pay for their passage home. He clashes with a tribe of spear-waving Aboriginals who make it clear that they want him off their ancestral turf. Neither side speaks the other’s language. ‘This is mine now.

The joys of Radio 4’s Word of Mouth

I first heard Lemn Sissay talking about his childhood experiences on Radio 4 in 2009. At that time he was still fighting Wigan social services for sight of the official dossier on his years as a child in care, fostered at first and then dumped back in the system and institutionalised in care homes and then a remand home. Eighteen years of his life stored in an Iron Mountain data facility. He’d been asking for his files, the story of his life, since he came of age. It was not easy to forget that programme; the banal cruelties of the system and Sissay’s resolute dignity in talking about them. At

The Royal Mint’s transphobic decision to snub Enid Blyton

Who knew the Royal Mint, of all places, had been captured by the cult of political correctness? According to the Mail, the Mint’s Advisory Committee decided not to put Enid Blyton on a 50p coin to commemorate the 50th anniversary of her death because she is ‘a racist, sexist, homophobe and not a very well-regarded writer’. That’s an odd statement, since it suggests that had she been a better-regarded writer, her racism, sexism and homophobia would have been overlooked. Perhaps that’s the Mint’s rationale for not removing Charles Dickens and William Shakespeare from the £10 note and £20 note respectively, in spite of their liberal use of anti-Semitic caricatures. The

The brutal truth

Novelists will always be interested in enclosed communities — or the ‘total institution’, as sociologists say. When you separate a group of individuals from larger society with a wall and a controlling mechanism, all sorts of interesting facts about the way people interact become apparent. Convents, hospitals, asylums, schools, universities and prisons all serve the purpose. But different nations tend to prefer one sort of institution over another. It’s a curious fact that where the British will enter into a novel of school life with gusto, Americans show a distinct preference for writing about prisons. Of course there are British novels with episodes set in prison — The Heart of

Capital punishment

Is now a good time to talk about Jews and money? The Jewish Museum in London thinks so, and perhaps it is right. Motifs of Jewish financial chicanery that have never really gone away are back. The internet age has allowed memes about Rothschilds, rootless financiers and other thinly veiled claims of Jewish duplicity to thrive as they haven’t for several generations. A film at the start of this new exhibition at the museum in Camden gives some context, with clips of recent anti-Jewish statements from the likes of Louis Farrakhan and other conspiracy theorists. It also includes Donald Trump talking about ‘elites’ draining power from America, which strikes me

Relative values | 31 January 2019

Boy often likes to rebuke me for having impossibly high standards when it comes to TV. ‘Why can’t you just enjoy it?’ he says. This is disappointing. One reason I ruined myself to give him an expensive education is so I wouldn’t have to share my viewing couch with a drooling moron happy to gawp at any old crap. Worse, whenever I try to draw his attention to stuff I consider to be extra specially worth watching — Fauda, Babylon Berlin, etc. — he rejects it because it has been tainted by my recommendation. So the next brilliant thing he won’t get to see is Gomorrah (Sky). This relentlessly dour

A tainted paradise

Ian Fleming’s voodoo extravaganza Live and Let Die finds James Bond in rapt consultation of The Traveller’s Tree by Patrick Leigh Fermor. ‘This, one of the great travel books, is published by John Murray at 25s’, proclaims a footnote in the first edition. Fleming was a friend of Leigh Fermor, so this is to be expected. Published in 1950, The Traveller’s Tree may still be the best non-fiction account of the West Indies. ‘It’s by a chap who knows what he’s talking about’, M tells 007, knowingly. But Paul Morand’s 1929 Hiver caraïbe comes a close second. The question is: why has it taken 90 years for this masterwork to

Without prejudice

For months I’ve been looking forward to the Guardian’s much-heralded report on racism in Britain, which was unveiled this week. As a nation, we suffer from our fair share of divisions, with new fault lines opening up all the time, but our record when it comes to race relations is pretty good. Surely, a newspaper that prides itself on being guided by the evidence would reflect this? We’re often told by members of the identitarian left that Britain is more racist than most other countries, but I didn’t expect the Guardian to fall for that. When comparing different countries, one way of gauging the level of racism is to ask whether