Robert icke

How tech ruined theatre

Poor John Dennis. In 1709, the playwright devised a novel technology to simulate thunder to accompany his drama Appius and Virginia. The play flopped and was promptly booted out of the theatre. To add salt to the wound, Dennis’s thunder-generating technique was stolen and inserted into a staging of Macbeth. He accused the producers of ‘stealing his thunder’, birthing the phrase that has long outlived his work. Stage technology has come a long way since. Directors have a toy box of high-tech smoke and mirrors at their disposal. Perhaps it’s more of a Pandora’s box. Live on-stage cameras are particularly in vogue. Watch them crawling all over Jamie Lloyd’s monotone

A horribly intriguing dramatic portrait of Raoul Moat

Robert Icke’s new play examines one of the least appetising characters in British criminal history. Raoul Moat went on a shooting spree in July 2010 that left his wife injured, a cop blinded and an innocent man dead. This superb piece of reportage offers us a glimpse into the mind of a damaged brute. Moat had a rough childhood, like a lot of kids. His dad was absent, his mother was mentally unstable and when he was seven, she set fire to all his toys. Very traumatic, no doubt, but kids have survived worse. He grew into a 17st bully who felt cheated by the system and blamed everyone else

Mirthless, artless farrago of jabber: The Doctor, at Duke of York’s, reviewed

The Doctor is an acclaimed drama from the pen of writer-director Robert Icke. We’re in a hospital run by a famous medic, Dr Ruth, whom the Cockney characters call ‘Dr Roof’. Two major problems beset Dr Roof who has to raise funds for a new private wing while grappling with her partner’s early-onset dementia. A Catholic priest barges in and demands to visit a dying patient. Dr Roof refuses. Then she punches him in the face to prove who’s boss. Her ill-advised left hook plunges the hospital into crisis, and the senior staff gather in the boardroom to sort out the mess created by Dr Roof’s violent temper. All the